Ye

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8min18900

Awards and elections have this in common; not everyone who contests walks away victorious. But leading up to any elections or award season, one can make forecasts looking at the landscape.

That the ANC was going to lose its grip on a number of metros in the November 1 Local Government elections was predictable as Priddy Ugly’s Soil album being nominated in a slew of categories at this year’s South African Hip Hop Awards (SAHHA). Yet only the former became a reality as Priddy was surprisingly recognized in just one category in the nominations announced this week.

“Too many good albums were submitted and didn’t make the cut. If we’re looking for five albums, it becomes a numbers game and others will automatically fall short,” said Creative Director of the SAHHA Rashid Kay. He was responding to the absence of the Soil in the album of the year category. 25K’s Pheli Makaveli, Logan by Emtee, Costa Titch’s Made in Africa, B4Now by Blxckie and Big Zulu’s Ichwane Lenyoka are the shortlisted albums of the year.

The 10-track Soil is a good body of work that Priddy Ugly released in July, together with some absorbing visuals to help narrate his story. That this album wasn’t nominated is unfathomable- more so because local Hip Hop has been starved of a consistent album in the commercial space, where temporally hot singles and Amapiano are the order of the day.

“In a case of a tie, we then look at factual numbers from Radio Monitor for airplay, and Capasso for streams and digital sales. It’s not only Priddy Ugly’s album that didn’t make the cut, like Kwesta’s album, Yanga Chief’s album, Zakwe and Duncan’s album, and other dope dope albums that fell short with numbers,” said Rashid.

Creative Director of the SAHHA Rashid Kay. Photo by Rashid Kay
Creative Director of the SAHHA Rashid Kay. Photo by Rashid Kay

Priddy’s solitary nomination came in the form of Lyricist of The Year alongside LandmarQue, PdotO, YoungstaCPT and A-Reece. Similar to Priddy, none of LandmarQue’s EPs were nominated in the Mixtape of The Year category, yet he got the nod for his pen game. “You must realise that every category has a different criteria. With Lyricist of the Year, numbers don’t count but it’s strictly about lyricism, your pen game has to be on point,” Rashid said.

That these awards have been hosted consistently in the last decade is commendable. In celebrating its 10 anniversary, they’ve introduced the Artist of The Decade category where 16 Hip Hop acts were selected, which include AKA, Gigi Lamayne, Cassper Nyovest and K.O among others. “We’re looking for consistency, impact, and achievements within the past 10 years. You don’t necessarily have to have been in the game for 10 years but who fits that criteria in the past decade.”

Another new category is Best International Act where Drake and Ye were nominated together with the UK’s Little Simz, Sarkodie from Ghana and Botswana’s William Last KRM. It doesn’t make sense as to why you’d want to nominate artists from the Western world when they already have such global dominance. It would’ve been refreshing to shine the spotlight on Hip Hop on the continent to help grow the camaraderie among African Hip Hop heads if they limited the nominees to African acts. “If we wanted an African award, we were gonna call it “Best African Act,” was Rashid’s response.

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Tha actual Awards

Amapiano’s unquestionable domination has prompted questions about the strength of SA Hip Hop. “The “SA Hip Hop is Dead” narrative usually comes from people who are not part of the culture and don’t know the difference between Rap and Hip Hop,” said Rashid.  “Hip Hop has never relied on a song or an individual to be “alive”. The SAHHAs have been around for 10 years and they are not here to prove any point.”

This year’s awards are themed The Manifesto, as to coincide with the country’s current political climate. The awards will be streamed live on the third next month and be televised the following day on SABC 1.

You can view the list of all nominees here

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7min3880

In the sixth episode of the second season of Atlanta, Darius drives out of town to a mansion owned by the peculiar and wealthy Teddy Perkins, to pick up a piano he found on the internet.

Before getting into the reason for his visit, Darius and Perkins have a brief chat about music. “Rap…I found it never quite grew out of its adolescence,” says Perkins. He goes on to say that rap is insufficient as an art form, to which Darius subtly disagrees. This brief conversation came to mind as I listened to the Nasir album by Nas.

The times we’re living in, allow us to witness the first batch of active, middle aged emcees that aren’t just putting music out, but also competing on the charts with the younger emcees. The likes of Common, Jay- Z, KRS-ONE, Eminem and others are prime examples; thus indicating Hip Hop’s growth as an art form. But the downside of these grown men being behind the mic, is that as fans we inevitably compare them to their younger selves. It’s an unfair comparison I admit, but what can I say, fans are fans and they are the life blood of the art form.

…I didn’t like Bonjour but after a few more listens the joint grew on me like pubic hair…

I’m an avid consumer of this Hip Hop thing and I was disappointed with the 44 year-old Nas’s execution on Nasir. Mind you, I wasn’t comparing him to that 20 year-old from Queens that released Illmatic in 1994. That would certainly be unfair because that album is one of the greatest bodies of work of all time. This project doesn’t even compare to his last one, Life is Good.

I liked the idea of this album; how he talked about his Pan-Africanness, Police violence on black people in the US and on his personal life. But I don’t think he came proper with his flow and bars. Nas could’ve done more.

Not For Radio I didn’t enjoy because of the dragged-out flow which sounded like a poem on a good beat. At times, he was off beat which made me cringe. Certainly not a good way to open the album.

On Cops, he sounded like the Nas we’ve grown to like post- Illmatic. He doesn’t necessarily kill the beat with the raps, but the weight of the truth in the song holds the joint. While Kanye spat what could be his finest verse in a long while.

Throughout the album, Ye’s beats are something to marvel at- much like the other albums he’s produced that have come out in the past four weeks. After this offering though, my conclusion is that Mr West should release a beat tape, just for control as they say.

At first, I didn’t like Bonjour but after a few more listens the joint grew on me like pubic hair.  In the song Nas is flexing about the good life he’s blessed with, travelling to beautiful parts all over the world, yet dropping knowledge on how to spend money and creating a better future for your offspring.

Everything is also a beautiful song, but Kanye’s presence could have you thinking it’s a Ye joint featuring Nas. Adam and Eve isn’t my favourite, but he came correct and was on par with the beat. The album gets better with each song. It’s just unfortunate that it is only seven tracks, which demands more of an artist because you can’t come out not half-stepping in any of the songs, as oppose to a 13 track album which gives one more time and room to build momentum and play around some ideas. Nas grew more palatable as the album went. Simple Things is a good joint that’s far from being simplistic.

The album’s replay value is unsatisfactory, one is left to nit-pick and wanting more. But this isn’t the worst Nas project, but it’s far from Nas’ best.

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11min1400

I strongly suspect that Julius Malema uses the truth in service of his own corrupt intentions and that he does not really care about anybody else but himself. The man has mastered the art of creating a cult of personality, following the footsteps of great man such as Stalin, Hitler, Mao, Malcom X, Mandela and most recently Donald trump.

Everybody has insecurities, thus studies have shown that self-deceived individuals are highly effective at deceiving other individuals, which seems to be the case when it comes to Malema in my opinion. The man does not possess an abnormally high IQ or EQ, neither is a fluent or efficient communicator, but he has the confidence of ten-thousand full bodied black women. The man has no fucks to give. His English is always rounded off to the nearest mother tongue regardless of his situation. During the week he is in overalls and on the weekends he’s rocking his Armani suits with them Rolex watches. Then on Monday he’s shouting at the president, on live television, to pay back the money.  Regardless of the fact that this man is a hypocrite of the highest order and everybody knows it, millions of people support him and love him and I have always felt a sense of superiority in my understanding of this situation, until Kanye West made a hypocrite of me.

Kanye west does not care about black people, he only cares about himself and his family.

On the first of June 2018 Yeezus dropped his eighth studio album, self-titled Ye, on the back of the ‘slavery was a choice’ controversy.  Before listening to this project I did not understand how a man, who once called out George Bush on national television for not liking black people, could say such a thing. The statement is objectively true, slavery was a choice between death, uncertainty and a life of shame. The problem is that as a black public figure of significant influence, Kanye West needed to make the statement in a sensitive and progressive manner, if he still saw himself as a positive force in the progress of black people. Now the coloniser’s spawn can say “we did nothing wrong, because slavery was a choice, Kanye West said it” in their denials about the criminality of their wealth and privilege.  Yeezy’s utterances are a betrayal to his core base that has supported him through thick and thin. Amber Rose ass grabs, pink Polos, Taylor Swift interruptions, tour cancellations, unjustified rants, public use of ghost writers etc. The masses stuck behind Ye but this was the last straw. What could the traitor say in his defence?

The traitor seems to really love Kim, I just thought it was about the booty.

The man is pleading insanity. On the opening joint he candidly admits that he has thought about killing another human being. With the track explicitly titled I thought about killing you, it opens with a chilling monologue by the traitor explaining why he is contemplating pre-meditated murder. Primarily stating that he thinks about bad things, very bad things and that he loves himself the most even though he has thought about killing himself. So best believe that he has thought about killing the person that he claims to love. It is an uneasy listen he sounds unhinged but I love the joint, which admittedly worries me. Throughout the album the production is minimalistic, dark and it creates a mood rather than a melody, I cannot see any track in this album being a radio hit and I think this was intentional on the side of the traitor. He has never sounded so venerable even as he rants that’s my bipolar shit nigger…that’s my super power…fuck that disability shit  on the track Yikes you can hear his anxiety in the hook shit could get menacing…frightening…find help… sometimes I scare myself…myself.  Throughout the project the traitor is open about his mental instability and I believe him. Unfortunately it seems that the traitor’s narcissistic tendencies and the pressure that he puts on himself finally crushed his sanity. Which clearly exposed something to me, Kanye west does not care about black people, he only cares about himself and his family.

The expression of the love he has for his family in this project sounds sincere and it is truly touching. In the tracks Wouldn’t Leave and No Mistakes he proclaims his love for Kim on some of the most soulful samples I have heard from the traitor, in a mad minute.  In Wouldn’t Leave he opens his first verse with They say build your own…I say how sway…I say slavery a choice…they say how Ye…just imagine if they caught me on a wild day…wife call saying we bout to lose it all…had to calm her down cause she couldn’t breathe…told her, she could leave me now, but she wouldn’t leave god damn! I almost shed a tear for the traitor when I heard those lines. The traitor seems to really love Kim, I just thought it was about the booty.  Ironically the objectification of women by men is one of the lessons he tries to pass on to his daughter on the last track Violent Crimes.

Niggers is savage…niggers is monsters…niggers is pimps…niggers is players…to niggers with daughters…now we is precarious…father forgive me…I’m scared of the karma

Like all of us, the traitor is flawed and he is only human. In this project I feel he has made it perfectly clear that he’s completely self-absorbed and unable to see the negative effects of his utterances and actions, outside the context of his inner circle. He blatantly states Let me make this clear, I don’t take advice from people less successful than me This is thematically consistent with the traitor behaviour throughout his career. I was blinded by the beauty of his work. Caught up in the cult of the personality that is Kanye West.

Fuck him!

The Album kind of dope though…

Image source: The mix radio & DJ Booth


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