Filled with so many emotions, I wonder how Aubrey Sekhabi and Kabelo “Bonafide Billi” Togoe managed to actually write the whole script of the musical. Freedom, which was inspired by the efforts of brave young people who took their issues to the streets when university vice-chancellors flatly ignored their pleas of free education.
Students fought hard (with some being arrested and others succumbing to wounds which were inflicted by the police and community members) to get what is now a free education, which others still argue there is nothing free about it as taxpayers will have to forge some cents if not more to pay for billions of fees in the next coming years.
The musical by Sekhabi which has been running at the SA State Theatre summaries the dramatic events which led to the then president of the republic, Jacob Zuma, announcing this free education.
Phindile Ndlovu, who is one of the main characters lived to tell the tale of how she was raped by her musician boyfriend, Bonafide- the music star’s life was taken by a member of the SA Police Service. His story reminds me that of Katlego Monareng from the Tshwane University of Technology whose life, like that of Bonafide’s, was cut short by a trigger-happy policeman. Bonafide’s character was portrayed by rapper PdotO.
There are many stories that will never be told on mainstream media including those of young men who sell their bodies to men and women just to be able to pay for an apartment.
But I must say, I appreciate both Sekhabi and Togoe’s hunger to tell those stories so authentically and so honestly. One has to salute the Freedom team for having chosen to tell the stories of these young people who were failed by the government and the higher education department’s minister Blade Nzimande (who features in the musical in the form of the talented opera singer Otto Maidi).
So many issues are explored in the musical including femicide, which has claimed the lives of many women. Young women like Karabo Mokoena and model Reeva Steenkamp, who like many women whose bodies lay cold in cemeteries and morgues, were killed by their partners.
I pray and hope that this musical, which has now been adapted into a book, will be bought by some TV station and turned into a film or TV series for it to be seen by many, especially our ‘leaders’ who were elected into power to protect and serve the people. We both know that some people don’t do the theatre like me and you.
Freedom is an award winning musical, with brilliant choreography done by award winning choreographer, director and actor Mduduzi Nhlapo;the story was well-researched with a stellar cast.
Mbuso Khoza plans to take theatergoers on a trip to Africa through music this week at the Joburg Theatre.
The celebrated musician whose love for culture and heritage can be heard in some of his hits songs including the recently released track Thando which he collaborates with the talented deejay, film and music producer Black Coffee.
Khoza will be joined on the Mandela stage by his band the Afrikan Heritage Ensemble, where the team will, in music demonstrate what Africa Day is. Africa, a rich continent with a painful and dark history has enjoyed little freedom, with much of existence was spent in freeing itself from foreign exploitation and domination. Many countries will take part in celebrating what is today known as Africa Day, which is really a celebration of what Africa and Africans have achieved in these past decades after many years of colonel rule.
In a statement, the versatile Khoza said that art is the most influential channel to make the intangible heritage felt. He said he uses it to also pursue the revival of Afrikan unity which he said is very important to use it without dividing our people.
“We continue to draw inspiration from our roots as we redefine our identity using the body of work bequeathed to us by our forebears in the arts, culture and intellectual disciplines. I believe that as an artist, my job is to mirror the views and feelings of my people – especially around the painful issue of Xenophobia. Africa Month serves as a tool to spread the message of patriotism and acceptance of one another as brothers and sisters, and with the universal language of music we want to contribute towards breaking these chains that bind us as brothers,” says Khoza.
According to the Joburg Theatre, this performance follows three consecutive sold-out performances in January 2019 where Khoza and the Afrikan Heritage Ensemble staged the first Isandlwana Lecture which was described as a first of its kind in the country.
Khoza together with his four-piece band will mesmerize those attending with a two-part performance. Patrons will enjoy 16 songs chosen from the band’s previous projects. “With the four-piece band, we shall present a selection of Africa-centric music consisting of both original compositions as well as other seminal works by other African giants including Salif Keita and Richard Bona,” says Khoza.
Khoza and The Afrikan Heritage Ensemble will give audiences an enchanting performance when they interpret Amahubo, the music from 17th century Southern Africa region, concretising this marriage of past and present with the view into the future.
The ensemble will also explore the relationship between Amahubo and the songs of struggle.
The Afrikan Heritage Ensemble has recorded two full albums of Amahubo with the latter featuring a decorated jazz pianist from Amsterdam, Netherlands Mike del Ferro.
“Those lucky enough to secure the tickets for the Joburg Theatre shows will be mesmerized by the vitality, originality and the stimulating qualities of this long-abandoned art-form whose relevance remains uncontested centuries later,” read the theatre’s statement.1