Sun Xa Experiment

DSC_0805-1280x853.jpg
13min5640

Miles Davis once said time isn’t the main thing, but the only thing and had it not been for time, the band T.U.G wouldn’t have been unveiled. With a name like Time Unveils God, the significance and respect of time to this ensemble is apparent.

“I feel like time is the thing that connects us. Time connects the people who’ve come before, the future and us. It puts it in a line, and if you understand that line you pretty much understand the godliness about existence,” says Tony Dangler.

Made up of five black men; T.U.G is a Hip Hop collective with two emcees on vocals, Darkie Umnt’Omnyama and Tony Dangler with three masked fellas playing drums, acoustic and bass guitars. The three instrumentalist are unidentified, but elected to take up abbreviations from the band’s name, for the purpose of this interview. T plays the bass, U acoustic and G is the drummer.

From L-R: T, Darkie, U,  G and Tony unwinding on the couch. Photo by Sip The Snapper

“The important thing about time is that, we must work and make music for the people, heal them and carry on working,” bassist T, tells me.

“To me mfwethu, time is everything ya bo. Because everything happens in time. Time is lifetime. God is lifetime, there’s no start and there’s no ending,” adds G.

My photographer and I are welcomed by the scent of impepho, dank blunt and kindred spirits-I couldn’t help but embrace the calmness in T.U.G’s working space in Zondi, Soweto.  I interview the band crammed on a couch, like TV-watching siblings. The masks bring a tad bit of awkwardness to the setting, as I struggle to make eye contact with the three players of the band.

“It’s the unveiling part-we’re unveiling what’s not unveiled in a way. In essence regarding music, it shouldn’t be about the guys in the background. With Hip Hop, it’s just the rapper and the beat, so we try to represent that,” says U, who is the co-founder of T.U.G.

“The mystery is kinda interesting as well. It leaves more room for people to think, ‘oh okay, I hear the raps, but what’s going on?’ and you end up not paying attention to us,” the guitarist adds.

Lebohang ‘Page’ More, Sun Xa Experiment’s manager, is the other co-founder. “We thought we should have two guys who aren’t the same, and luckily Tony is from PMB and uDarkie is from Jabulani and it made sense.”

Gods behind the mic, in the zone. Photo by Sip The Snapper

It’s Hip Hop in that these kats rap, but more spiritual in the manner in which they present their art. Their music talks to identity and all round knowledge of self as an African child. According to Page, they had planned to have a beat-maker before assembling the band. “We were pissed [about not having the beat-maker] and ended up going with the band. So it’s an idea that came to all of us differently, maybe I spoke about it, but everyone contributed enough and equally to what it is today.”

T.U.G’s abode is also the Digging Thoughts headquarters and home to Zen Groove Project and the well-known Sun Xa Experiment. I’m uncertain if it was the carpeted floors, the graffiti-laden wall behind me, and the number of joints being passed around or simply the people who gave me a distinct feel of serenity and one that inspires creativity.

Being privy to the band’s rehearsals displayed how they benefit from working here, in this space. “It give us a lot of creative freedom, ya bo. Everyone plays a role in expressing themselves and creating ideas; he [pointing at Darkie] doesn’t necessarily play instruments, but he’ll come to me with a hymn and say to me ‘yo, I hear this melody in my head..’ so the creative process just keeps going,” says U. Darkie Umnt’Omnyama adds “Eintlik die dang e deep. It’s the thing you’re feeling-we can talk about it, but can’t explain it. What brought us together here is what we feel,” he says.

Darkie unwinding. Photo by Sip The Snapper

Darkie is more of an enigma than the masks covering the band- his dry humour has everyone in stitches when he answers questions and seems to assume the father-figure role in the group. But he and Tony Dangler complement each other pretty well, despite their unique differences which set them far apart. Like Q.Tip and Phife Dawg. While Tony is the animated rambunctious character with a fine twang, uDarkie Umnt’Omnyama is the reserved rapper who has the grit that can only be found in rappers from the hood-but both delivering rhymes with equal intensity and honesty, remaining in the pocket.

AMANDLA: Tony sits behind U in their rehearsal space. Photo by Sip The Snapper

Darkie predominantly spits in vernac, while Tony raps in English but both are able to switch. Tony is known from Hip Hop clique Revivolution, which he’s still a member of. “Ain’t nun change man. A few of them niggers [from Revivo] were like ‘yo, what’s happening’ and some of them were like ‘ayt, it’s cool’. Illy pulls through some time to check out what’s happening and also, I guess it’s just a matter of time dawg. Some niggers have time to come through, some don’t.  But everyone’s happy. Even Inferno’s back on his band business…it’s good that, that energy is vibrating out.”

T.U.G has only been together since late last year, but have performed at different places to gauge people’s reaction to their sound. They were at Smoking Dragon last year and will be at the Roving Bantu Kitchen in Brixton this Thursday. “So far yonke into e grand ya bo, I don’t recall us ever boring people; they can hear and understand what we’re about,” Darkie tells me.

They’ve also performed at Beverly Hills High school. “You hear that name and think ‘yoh, Beverly Hills’. It’s a school in the Vaal. We performed in front of those naughty kids, which felt like performing at a prison. But they responded well to our sound.”

“There’s a case where we performed for abantu abadala and e message e yaba thinta. We’ve also performed for drunk people and the message also went through. So the contrast of the audience is there,” Tony says.

Their association to Sun Xa puts them at an advantage, of gracing certain stages they wouldn’t have, had they been some random stand-alone band. They performed at one of Durban’s most sophisticated Jazz bars, The Chairman. But they are now carving out their own audiences, to distinguish themselves from Sun Xa, organically though they say.

Paraphrasing one of their songs, Heal Your Soul, Darkie says he wants people to walk away healed by their songs. “Kufanele aphole, phakathi na nga phandle. Whether someone has a headache or a sore finger, they should find healing and be good. This music doesn’t incite any violence or hatred, it makes the black person feel good.”

Musa-Mashiane-1280x853.jpg
6min3812

ART took centre stage at 4ROOM as Sun Xa Experiment was forced to leave because of an emergency, right before their performance.

Billed as the headline act for this past Sunday’s Action Painting at 4ROOM in Tembisa, band Sun Xa Experiment couldn’t get on stage due to one of the band members’ kids being sick. But regardless of that mishap, those who graced the stage gave the audience its money’s worth with their performances.

Thing about 4ROOM is that it allows artists intimacy with their audience and each artist that went on felt like they were singing for you, right in your living room. The sound was crisp with no glitches while the stage and lights set-up would make a stranger doubt that they’re indeed in someone’s four room backyard.

Momemtos band performed well, but one can’t help but feel cheated when guys do cover tracks throughout their set. I’ve been to countless shows at 4ROOM but this past Sunday stands out. There were kids running around the yard, creatives networking and old friends unwinding over great music.

Unwinding at 4ROOM. By Katlego K Tshuma

Armed with his guitar, Musa Mashiane’s highly spirited performances could well be the night’s highlight as it moved people to sit still and absorb the energy he was sharing with his listeners. The artist who hails from Mpumalanga performed twice, his last performance was accompanied by artists Thandazani Ndlovu and MK-their growing collaboration that brings together music and visual art.

Musa Mashiane performing at 4ROOM. By Katlego K Tshuma
The Host: Artists MK. By Katlego K Tshuma

With Mashiane belting out Uku khanya, Ndlovu tells me what inspired his painting that he did during Mashiane’s performance. “I was painting uMdu. But it’s quite abstract. The way he’s dressed…and he’s a free person who doesn’t seem concerned by what people might think of him. I like people like that.”

Killing the mic at 4ROOM. By Katlego K Tshuma

The muse, Mdu Hlangu was pleased with how he was depicted. “It captures the essence of who I am. I love it…I’m sure I’m gonna buy it. If no one beats me to it, this one’s mine.”

“No one told me they were gonna paint me. I hear people say it looks like me…it’s a good thing because I don’t have a mirror in the house,” says Hlangu.

Stationed on a chair, Indlovukazi’s performance added to the night’s intimate mood.Rapper Vortex, who I hadn’t seen on stage in a while, got heads nodding to his Boom Bap sounds. Before and after his performance, Killa Kane was on the decks doing what only Kane does best and that is play great soulful music.


About us

We’ll Not Change The World Ourselves. But We’ll Spark The Minds That Do.
Read More

CONTACT US




Newsletter





    I'm not a robot
    View our Privacy Policy