“ONE thing about music when it hits you, you feel no pain,” sang the immortal Bob Marley. To perhaps add to that, if an artist’s live performance doesn’t hit you, you may find yourself eternally scared by that experience.
I’ve not been fortunate enough to witness folk singer Adelle Nqeto live, but I’ve already been hit by her recorded compositions. God willingly in just a few hours from now, she’ll break that ice. Her music is so calming, that the imagery of her breaking anything is absurd.
The singer from Pretoria performs in Tembisa’s 4ROOM Creative Village this evening, as part of her national tour which has seen her travel more than three provinces. In each province, she consciously plays at small, intimate spaces which accommodate her music leaving onlookers with that fuzzy feeling inside. “This will be our second time playing in Tembisa, and we’re looking forward to it. Our bass player couldn’t join us last time around, so it’ll be great to play again as a trio. We had such as warm reception last time- we knew we wanted to come back,” Nqeto tells me.
In September she returned to the country after playing Switzerland, Belgium, the Netherlands, France and Germany. It wasn’t her first time gigging in Europe, “but it was my first time with my band though,” she says.
“…we’ve had great responses most places we play. I suppose there’s something novel about us when we play in Europe, being from the African continent, and we’ve had especially great responses over there.”
Some of the things she dabbles in while travelling, is try out different foods. “I also like to know the history of the place, as well as the art, so I do read up about that too, or check out museums and galleries.”
Apropos the band she keeps mentioning? It’s two fellas, drummer James Robb and Dylan du Toit who plays bass. She’s an ardent soloist who understands that being alone, is as valuable to her art as collaborating. “I’d like to be as versatile as possible, depending on the show. I still do play solo, but I especially love to have James and Dylan around, so the three of us have become the core for now,” Nqeto puts it to me.
Her vocal control is unassuming; it has an innocent fierceness to it. She’s the fine epitome that big things do come in small packages. But she’s had no formal voice training at any institutions, but with simplicity says she’s just been singing all her life and “learned a lot along the way. I’ve had few vocal lessons-to hone in on technique, but mostly, I’ve learnt a lot through experience.”
First time I heard her voice, I thought Soundcloud had made a mistake with her name, I expected the vocalist singing on her debut album Lights, to be a Caucasian female. I’m just another statistic, as other people too were gobsmacked by her race. “There are some interesting assumptions about my race, which are always great conversation starters,” she says.
There aren’t any songs sang in vernac in her album, but says she can and does write in isiXhosa. “I have reworked a song I wrote in French into isiXhosa that I’ve played for a French project I join every now and then, and have written some songs in isiXhosa that haven’t yet seen the light of day.”
She has a cocktail of musical influences, from Miriam Makeba, Ella Fitzgerald, Mango Groove, Ray Charles-all of whom she grew up listening to, added with the alternative music of Radiohead, Bon Iver and Sufjan Stevens.
Last year she released her heart-warming and soul reviving album, Lights. The ditties in there have a sense of one who has overcome demons and realised the light inside themselves and those around them. A bit like those sisters that have just taken up Yoga, using Namaste as their only pleasantry.
“The songs on Lights were written over a few years, with some difficult periods of course. I wasn’t going through a difficult time when I wrote Lights [the song], specifically, I was looking back at the bitter-sweet end of a relationship.”
They are headed to studio for a follow up to that album, which could be expected early next year she says.