Soulection

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13min256457

THE Metro FM team rightfully celebrated the unblemished Wilson B Nkosi for his 34 year stay at the station some Sundays ago. The man has hosted all the station’s shows, bar the Jazz slot. But it’s his Sounds and Stuff Like That show that has made him a custodian of mode-setting on a Sunday.

He’s an institution with a cult following that would leave T.B Joshua green with envy. For so many years other stations have fruitlessly tried to build their own love movements on their airwaves on a Sunday. They could play the very same Howard Hewitt’s Call His Name, but for some odd reason it doesn’t sound the same on another station without the commanding but yet soothing voice of Nkosi, back-announcing it.

Sunday is a day where most people would typically unwind and later prepare for the week ahead. There’s also a sense of reflection that comes with the Sunday, whether reflecting on the weekend you’ve had or some people, thinking about the coming week, often with a tinge of anxiety. Anxious about the stress of the workplace or school-this is when the fun “weekend you” makes way for the more apprehensive version of yourself. I suppose this is one of the reasons why people are so attached to Metro FM radio on Sunday, as it’s somewhat of a safe space for a lot of adults, with all the endearing music.

But the kids have found an alternative of chasing away the Sunday blues. Leading to a shift in the sound of Sunday, slowly moving away from the melodramatic ditties such as Toni Braxton’s Un-break My Heart or Al Jarreau’s Your Song which I felt forced to listen to growing up, to that of Zoë Modiga Umdali and Sio’s Could You being played on radio.

See, a handful of radio stations have realised they can’t compete with Metro by doing exactly what the urban station has been successfully doing for many years, so they’ve taken Metro’s blueprint of Sunday radio- a complete takeover of the airwaves, not just through one slot but throughout the day, with shows that have a common thread. Creating a Sunday mood, that translates into a movement.

YFM has been one of the leaders in this regard. While their neighbours at Metro will be punting the #LoveMovement hashtag, YFM’s Sunday theme is summed up by #SundayFeels hashtag. From 6AM to 6PM the common thread on the station is feels or vibes- this talks to a person’s emotional state or the atmosphere of a place. DJ Flax who comes in at 10AM until 2PM and Just Mo’s Global Experience show follows and runs until 6PM are the station’s two protagonist in carrying out these feels. Think the late Eddie Zondi and Nkosi together in their prime.

5FM’s Selective Styles show with Kid Fonque is one of the first to display this paradigm shift or at least highlight listeners’ appetite for something different. “Sunday is a great time for radio – given that listeners make an effort to tune in and are therefore very pedantic about the music and content offering. That is why a show like Selective Styles is important,” says 5FM station manager Siyanda Fikelepi.

Selective Styles has been on air since 2016 and just two months ago, it celebrated its 200th show. “Based on the latest Rams figures the shows diary on diary variance has shown growth with a compound annual growth showing gains. What’s also important to not about the show is how it has managed to create a community on twitter where curated content is discussed and trends. This has a loyal following that can’t go unnoticed.”

Kaya FM seemed to try the Metro route with Tbose’s Touch of Soul, but they’ve now decided to approach Sundays in their own way through their thoroughly researched What’s Wrong With Groovin‘ a show that runs from 2PM-6PM that’s uniquely packaged as an audio-documentary steeped in Pan-African knowledge, art, narratives, literature and history. “What’s Wrong With Groovin’ fulfills our aspirations for radio that elevates the level of consciousness in society,” says Kaya’s Creative Head Mohau Bosiu.

“Every week, we prepare something that is unforgettable, something distinctly memorable, and because these insights we share are significant, we employ sound as a strong sense that can be deeply etched in one’s memory.”

Kaya FM’s music offering, beyond Sound Supreme, has been quite evocative, with an edge to surprise and dazzle. What is Wrong With Groovin’ follows that trajectory.””

The show is narrated by poet and author Lebohang Masango, with the music curated by Disc Jockeys Kenzhero and Tha_Muzik. They celebrated a year anniversary in the first week of October.

From Ladysmith Black Mambazo’s rendition of Nkosi Sikelela, Seun Kuti &Egypt 80’s Black Times, or Bongo Muffin’s Laduma Izulu are examples of the type of sound that dominates the home of the Afropolitan on a Sunday. “The numbers surprisingly remained stable from the first diary, and picked from the second, even with such an unconventional show. What we have seen is that the show has attracted an upmarket, academically inclined audience, and listeners who’ve been seeking something different from the ballads Sunday radio. We’ve carved an offering fit for a progressive class of society,” says Bosiu.

Playlists on these shows is dominated by insanely talented young independent artists you’ve never heard of before, who have found fame through the internet. This has also been bolstered by the success of platforms such as Soulection and the Boiler Room, which have grown a desire for ‘world music’. It helps a great deal that the people behind on these shows are DJs and/or music producers.

“I think it’s been a balance of my radio show and my record label Stay True Sounds, I have really created a space for producers who are not creating top 20 hits to shine and that seems to have rippled slowly into mainstream radio,” 5FM”s  Kid Fonque says. His show has been a platform for unknown kats to make a name for themselves on a credible stage. “I have always been into experimental electronics from a young age, way before Boiler Room or Soulection.  You could say I am a child from the BBC era, listening to shows from Gilles Peterson and Benji B every week definitely defined how I see radio and the power it gives you to introduce new talent,” adds Kid Fonque.

Bosiu says that most radio stations still sound as they did in the 1980s, but understands the importance of innovation and consistent growth. “Listener tastes and preferences are ever evolving, and any smart broadcaster would know that nothing standstill in the world of media entertainment – you need to continuously innovate. From the way people consume new music; through streaming, discovering podcasts, attending live music performances… we have learned from these trends that every second in radio is important and that we have to give people something they are unlikely to receive anywhere else. One listener once tweeted that ‘listening to What is Wrong With Groovin’ is like watching a masterpiece being painted.'”

There are kids who are as passionate about radio as Wilson B Nkosi was, that religiously listen to these Sunday shows. 34 years from now, they’ll most probably be custodians of these budding Sunday sounds you don’t yet know about.

THE FIRST VERSION OF THIS ARTICLE WAS PUBLISHED IN THE STAR NEWSPAPER

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11min2652

KABELO TSOAKO is convinced his neighbours hate him. Nothing screams conviction like two EPs, unambiguously titled My Neighbours Hate Me.

“I make a lot of noise wherever I live. I can imagine how my neighbours feel,” Tsoako tells me. I can’t imagine the annoyance one would have to live through, having a music producer right next door constantly making music, often in ungodly times.

But I doubt the same “loathing” neighbours imagine that, their noisemaking makhi is one of the country’s most slept on musicians.

Being slept on is,when not a lot of people have heard your material but once they do, they’ll admit that you’re dope. Being underrated on the other hand, is when your material is out there and everybody sees you, but no one considers you dope enough to be in the top five or whatever, said a friend of mine differentiating the two.

Young, gifted artists who put in the work, are rarely celebrated which can trigger mental issues in some creatives. But it’s fruitful for one’s mental state, to learn to define self, outside of their art. “I’m probably depressed three or four times a week [laughs]…but you gotta soldier on bro. I also think this mental health thing affects every artist differently.I know I make nicer music when I’m down and it’s all about trusting the process,” the producer also known as KaeB tells me.

With material that can sit well on most urban radio stations around the world, KaeB has consistently released music, under the radar for a couple of years now. The young man from Tembisa is currently pushing his single, Crown featuring Parley Wang also from the 1632. Crown is on KaeB’s six track EP My Neighbours Hate Me II that came out earlier this year.

He’s been making music since high school days, but ever since his #Cozyfridays where he dropped a track, at the end of each working week, he’s shown growth in his music and consistency.

“…I used these releases to challenge myself to make a song in a week, come up with an artwork and drop it on Friday sort of like a drill. This helped me understand how to rollout a release. The record label/agency transition happened when I had to release a compilation tape for all the #CozyFridays and I kinda just setup my own label/agency,” says KaeB.

KAEB in his zone. Photo by Jabu Nkosi

The Stay Cozy Group is his brainchild, but he has an external management agency for bookings and his day to day management.

Slept one as the fella is, KaeB is beginning to reap the rewards of his sweat and consistency. His bouncy track Right Now with ECHLN and EMAMKAY has been receiving warm reception from those who’ve been fortunate to hear the re-released song which he first posted on his Soundcloud in Feb this year . While just over a year ago, a track he produced C&L by Melo B Jones, was on the Kaya FM playlist-still is.

“People do like what I’m putting out; I run into people who always have positive feedback about the music. I also think being more visible on social media this year helped a lot and that’s how I connected with ECHLN to redo Right Now and put it out.”

To date he’s released three projects since his first output, the Ruh Tape in 2012. His sound has grown with the pace of pubic hair in adolescence and with the graceful evolution of a caterpillar to a butterfly. When I first came across his music, he was a Hip Hop head who cut samples that would give Boom Bap rappers wet dreams. That was in 2012. In 2016 he produced a song that warranted him airplay on Joe Kay’s show on Soulection. It was a remix of Justine Bieber’s All That Matters. They also play his music on electro music label based in Singapore, Dakerthanwax.

The evolution of his sound is a result of his maturity as a listener of music, who constantly forces himself out of any box.

The Beat Makers Market took place last month in Joburg, which KaeB didn’t attend nor participate in. He never competes in beat making/producer competitions. “[Laughs] I peeped the ‘line-up’ and it was not my type of music. I’ve outgrown that style of music. I wouldn’t even enter such an event I’ll probably lose to someone who is currently making that type of style,” says KaeB.

Melodies and harmonies are a mainstay in all his music. Listening to the first My Neighbours Hate Me EP, I couldn’t shake off the feeling that dope lyrical rappers or any other artist could richly benefit from working with a producer like KaeB. Such collaborations would also dispel notions around beat making competitions which seem to be focus on just Boom-Bab beat makers.

On the same note, you will find that artists who get on these rich soulful, futuristic bouncy beats, do not do the music justice. The feeling of the song is often prioritised over its lyrical content. A balance is needed.

On his music making, KaeB says “The process varies with the mood but I always start with my drums and then I’ll add the melodies and harmonies. I’ve also made it a habit to add a hook, mostly me singing as an idea that I can build on later on.”

Hearing beautiful music come together is a joy. That’s the reason I don’t think KaeB’s neighbours hate him. In fact, the EPs probably should’ve been called I Think My Neighbours Hate Me, because quite frankly, no one from next door has complained to his face about the noise he makes.

fanlink.to/KaeBCrown

· Apart from him, KaeB says these are some of the producers to keep an eye on in the near future. Sheeesh. Skinniez, Tsukudu, Ctea, Tweezy, Trust B1, Benny, Wichi1080 , Enkei, Sptmbr Yngstr, Daev Martian , ECHLN, Hi-Lux, Gina Jeanz, Ben Rasco, Broken Transient, Muzi, Vthevowel and Zuks.

 

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3min2520

JUST FOUR DAYS before he was to headline Rocking The Daises and In the City festivals, it was announced that US artist GoldLink won’t be performing in the country this weekend.

“Due to unforeseen personal health reasons, Goldlink will not be performing at this year’s Rocking the Daisies and In the City festivals in Cape Town and Johannesburg. Goldlink is extremely disappointed that he won’t be playing to his South African fans this weekend but promises to return soon,” read the statement from event organisers yesterday.

Last year Solange gave a similar reason for cancelling her performance at the inaugural Afro Punk Johannesburg just days before she was to headline the festival. But unlike Afro Punk, Rocking The Daises and In the City festivals were swift at finding a suitable replacement for the Washington D.C rap singer.

The statement included that Aminé will be GoldLink’s replacement at both events. Aminé is a suitable substitute, as the two do comparable music and have a similar fan base, although GoldLink’s music has more body than Caroline rap singer Aminé.

“I was sad but I mean with GoldLink after he plays Crew, what else are we finna listen to. Most of his songs are feel music anyways. Aminé at least we got both albums with sufficient amount of jams. We have Majid Jordan to put us in our feels, please I’m not there to cry,” said Clownish Gambino on Twitter.

But as much as the announcement that Aminé would be the plan B was welcomed by some, others weren’t happy at the news. “Bathong, GoldLink just cancelled on us??? Wow,” Okay Wasabi Tweeted. “Solange and GoldLink are the reasons I have trust issues,” said Szechuan.

Rocking the Daisies takes place this weekend where the likes of 6Lack, Soulection and Mura Masa will be present in Cape Town while In the City takes place on Sunday at Emmarentia Dam in Joburg with the same artists who will perform in the Western Cape.


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