Kippies, Moses Molelekwa, Mankunku, Lulu Masilela, Pat Phasha, Mongezi Feza, Pat Matshikiza, my father’s discarded collection of vinyls, or just maybe an incessant search to justify the emotions I love Ikageng invokes. The panic and ease that happens with most of Molelekwa’s whimsical melodic sounds, proving that jazz is not just technical, Molelekwa often is the instrument in his renditions relaying what lies within him, leaving one completely immersed in the sound, the pauses and the underlying stories of just but a symphony.
The term “jazz”, carries so much more than a word is meant to carry; love, freedom and resilience. Jazz strips you naked, anything akin to pride is forgotten as soon as the mourning horns of Yakhal’ inkomo lend on the ear. That is jazz, the ability to make the unimaginable clear, the knack to put feelings to sound, and sound to words without necessarily speaking.
Although the influence of jazz might be in doubt in a densely pop art influenced South Africa, regardless there is a new wave of different fusions and characterization of what jazz is to the present times. The definitive voice of Nono Nkoane, Nduduzo Makhathini’s keys, Feya Faku, the amazing lyricism of Nkoto Malebyane comes to mind. In jazz there has always been tragedy as much as there is triumph. The apartheid regime had almost done away with jazz at realising its transformative impact. Today jazz suffers at the hand of current pop sounds all the while experiencing an immense change of tone. The impressive and magical factor of jazz is the capacity to remain, to transform, adapt and survive-comparable to black people.
Musicians have always spoken truth where lies subjugate the world, Simphiwe Dana’s Bantu Biko street comes to mind. The living conditions of the black majority in a now democratic South Africa can easily harden the heart, and that is where jazz comes in, in such times a song is a respite. One can always be swallowed by a song even in the chaos of black tax and financial seclusion on institutions.
That is jazz everything that has been, is and more.
HAVING Erykah Badu as the headliner to a show you’re booked at, could make most artists feel like they’re just an addition to the line-up. But Jordan Rakei made sure why people had to attend the first day of the DSTV Delicious Festival on Saturday.
The two day food festival took place this past weekend at the Kyalami Grand Prix Circuit, in Midrand. New-Zealand singer Rakei’s heart-warming performance on Saturday evening, was appreciated by those present.
Wearing comfortable sweatpants and a simple white T-shirt, after his performance Rakei strolled in the crowd without an entourage around him to guard him. “I’m really surprised by people’s reaction here. The performance was great and the people enjoyed it,” said the Tawo singer speaking to Tha Bravado on the night.
“Can we please have a picture with you,” asked random fans walking past us. Rakei gladly obliged. This was his first performance in Gauteng, but was not his first time in the country. “I performed in Cape Town last year at the Jazz Festival,” he said.
“I just want to check out the people and a bit of the festival, we leave tomorrow [Sunday] morning,” he said. He was talking while Acid Jazz band D’Influence were performing on the main stage, with a throngs of people enjoying the performance sitting on their camp chairs and appreciating a relaxed time on the lawn.
Kaya FM’s Bridget Masinga was the mc on the main stage on the night. Some of the day’s performances included Simphiwe Dana, Amanda Black and Lira. While German collective Jazzanova, closed off the night.
While things were relaxed and nonchalant on the main stage, Louie Vega had House fans eating from the palm of his hand on the dance stage. An estimate of about a thousand people were in front of the dance platform, dancing and enjoying soulful House sounds from the Grammy award winning artist-even other DJs on the line-up were going crazy, behind Vega on stage.
The festival ended Sunday with a spirited and moving performance by Erykah Badu which everyone was looking forward to.