“It’s hard for me to look at things [problems] and then have a simple answer for it. ‘These people hate these other people because of colour or this or that’-nah, it’s often really complex and people don’t wana hear that ’cause that takes thinking,” says Samthing Soweto.
“…Constantly, I find that in politics and a lot of things in life, that we want quick answers. It’s like ‘why do I suffer, I suffer because I don’t pray to God ka khulu if I prayed five times a day, six times a day, maybe things will be better'”
Referring to a Plato quote on democracy, Sam explains how most people want instant and simple solutions to their trials without necessarily understanding the process and order of things in life. No one is better positioned to talk about patience and process like Sam, who for a long time, carried the insipid tag of being a ‘former The Soil group member’ this is while the acapella trio sold-out shows, won awards and toured the world singing songs he wrote.
I have an interview with Samthing Soweto on the upper level at the Joburg Theatre; the red carpeted floor would have you thinking we’re inside a casino, but our conversations aren’t a gamble. The chat is the most earnest I’ve had with the artist, ranging from African history, audiobooks, and content creation to religion. This while rain gently comes down outside, all over Johannesburg. For two nights this weekend, Samthing Soweto will be performing at the Joburg Theatre for his Samthing Soweto Tribute.
In the last 24-36 months he’s detach himself from that aforementioned tag, rebuilding his brand and introducing himself to the greater South African public.
“They call me the feature guy now,” says the vocalist on Akanamali, bursting into laughter. “It’s nice man, it’s like a drug. There are very few things in life that you could do, to make people happy just to see you. Like literally you showing up, makes someone’s day. I only started understanding this recently to be honest. It’s a privilege at most, and it’s not something to be taken lightly. It’s fleeting- today that could be the case, but tomorrow I know that it might not be. Because now it is, I’m just happy to live through it-do I wana prolong it? Of course, it’s nice.”
The small contingent fans of the man’s music, long thought of him as a great artist, but the Sowetan has newfound fame and fans, who have faces of bewilderment when seeing him in a queue at a retailer or at the ATM. “People lose their minds and ask ‘why am I in line’. I guess ’cause people think nice song means money, but I’d ask the same people nami, how many of them actually bought the song? I’m not mad about that, I’m really happy.”
“…I truly believe music should be free, because like, everything else is money. I think having a song should be like a bonus to life. Like uvuke one day, if every artist drops music you can get it for free and then you pay to go see them perform or whatever.”
Samthing remains an independent artist, but signed a distribution deal with Platoon. “They are a distribution company and their core business is also artist development.”
The last three to four years haven’t only seen Samkelo Mdolomba become a celebrity, but the artist has also become accessible to his fans, whether through his One at One shows on Facebook or through the media where he’d detail his multifaceted past in interviews. His vulnerability indicates his growth. “I just know what it feels like not to have fans, like have fans that are fans of your music but not know who you are, I just know that….and because I come from that, The Soil. People knew my songs, they didn’t know I was the one singing there. Even the video ye Baninzi, abo Ntsika are literally singing like they’re me on that thing, and they had to do that because I wasn’t there and I respect them for that.”
He’s cool with his former crew, but says he’ll talk more broadly about his time with The Soil this weekend at the Samthing Soweto Tribute. “I think I’ll be talking about everything, I’ll talk about The Soil-because no one knows really. I have to talk, I’m tired of holding it in, and people need to know. And now that we’re fine with the guys and everybody, I think it’s time to speak now.”
His album is nearly done and should be out in the middle of the year. Late last year he released two singles, Telefone and iFridge which are lyrically Samthing Sowetoesque, but are sonically upbeat, something his new fans have gotten use to thanks to the collaborations he’s done with House producers. “It was a direction I wanted to take last year, but I’ll be honest this year I’ve taken another direction. I recently started working with DJ Maphorisa. We’re working on really dope songs, I can’t wait for everybody to hear them.”
“…He’s [Maphorisa] an amazing producer. He has an amazing team that does amazing work. He has this ear you know…he hears music in a different way and he’s very conscious of what use to work k’dala. He’s the type of producer who’ll say ‘ku mele siyenze ingoma efana na le’ he’s very nostalgic based and that’s where he wins ka khulu,” says Samthing.