“Unfortunately no females entered the Beat Maker of the Year Beat Battle and this is something we are going to address in 2020 and get more females interested in taking part.” said Beat Makers Market founder Enzo.
The absence of females at the Beat Maker of the Year Beat Battle was a glaring gap in the contest. “I know there are some ladies who are interested in the art of beat making and we just need to make sure they come out and participate,” Enzo said.
Cyrus Beatz was the eventual winner of Beat Maker of the Year in the battle. “I came here for a win and I believed that you know what, I’m gonna take it. Last year I was in Durban with the same mentality, but then…this time was different because I’m going through personal stuff, so in the process nje of going through the stress I only prepared three days ago.”
On a sombre spring afternoon in Johannesburg after “xenophobic” attacks gripped the city that week, the Beat Makers Market took place at the Good Luck Bar in Newtown. The ambiance of the event was hassle-free and communal, satisfying to both ear and eye enough to please the production geek and the average music lover. With more sponsorship this year, growth of the Beat Makers Market is visible, since being found in 2017.
“…I think this year, in our third year we’re definitely heading towards the right direction. We’re growing, people understand the concept you know what I mean, even the vibe is dope you can feel it as you walk in, there’s this aura in the air that beat makers are out here to share, celebrate and inspire each other through beats,” said Enzo speaking to Tha Bravado after the end of the Beat Battle.
One of the dope features of this year’s program had patrons vibing like zombies with headphones on, in the Silent Disco. There were three DJs simultaneously playing their sets, but with no sound outlet in the form of a speaker, but a limited number of headphones were dished out to attendees. “We had about 80 to 100 headphones and you could basically choose your own DJ. Our tag line is ‘Beat Makers Market where music and technology meet’ and today we were trying to show people that, that music and technology meet-somebody walked in and asked ‘where’s the music?’ and started seeing people dancing, and was like ‘ooooh!’.”
While that was happening, YFM’s DJ Sabby hosted the legendary King Don Father Mandla Spriki of Kalawa Jazmee together with Tweezy on the main-stage in the Power Beats Panel discussion.
Enzo defended the judges’ objective stand, regardless of how rowdy the audience became in the Beat Battle, at times seemingly swaying their ultimate decisions. “The judges we had have made experience of judging competitions so they knew what they were doing and who they felt to be beat maker of the year.”
Battlekat, Rashid Kay and Nyambz had the responsibility of adjudicating on who the beat maker of the year would be. The criteria was broken down into categories such as creativity, technical ability (the mixing and mastering), diversity as well as crowd reaction.
“You might have a beat that has four elements, but those four elements might just be captivating for the crowd. Do you reward the guy that was technically more superior or the guy that has the crowd? You know with Bobby McFerrin’s Don’t Worry Be Happy, it’s just him and that was a very big song. I think it’s solely debated on crowd reaction, but the bad thing about that is that sometime you don’t have a neutral crowd, but that’s why we’re here to balance it out,” Nyambz said.
The night’s performers were forced to do their thang in front of a handful of people, after an exodus post the beat maker’s battle. “Moving forward, the Beat Makers Battles will be structured in a way that involves breaks between, with performances.”
IN A move that was expected in at least three years, Riky Rick has heeded the call for a big scale event that will take over from Hip Hop festival Back To The City after Ritual Media announced last year that the international festival would come to an end in 2021.
Social media was flooded with news of Riky Rick’s curated music festival next month which is to celebrate music and fashion, as he released a line-up of South African Hip Hop acts who are established and those who aren’t in the mainstream.
“Mainly set to showcase the diversity while fusing the gaps within various Hip Hop sounds and local movements, the Cotton Fest will not only bring together and unite over 80 unique acts divided over two stages, but will celebrate fashion in its various spheres,” read the statement.
The long list of performers and the space for fashion is very much similar to what BTTC did for over a decade now on every Freedom Day. BTTC was founded by Osmic Menoe and Dominique Soma in 2007 and has been an institution of the Hip Hop culture in its entirety. With B-Boys, Graffiti artists, fashion designers, skaters and ballers-everyone involved in the culture was catered for.
But a lot of dissatisfaction from fans with BTTC was with how Osmic and his team never brought an international act which was current and popular among with the youth, i.e a GoldLink or Mick Jenkins. In an interview in 2014, when they had brought old school rapper Jeru The Damaja to the country, Osmic the founder of Ritual Media said the reason for bringing old school kats was a way of giving the old heads in attendance something to enjoy as well, as the line-up is dominated by new generation of emcees.
It’s to be seen whether the Cotton Fest has observed that plea from the people to not bring has-been artists to South Africa. There will be a surprise act on the day; whether that act is an international performer or not, it will be seen on February second.
The inaugural BTTC was held on the corner of Bree and Henry Nxumalo Streets under the bridge, attracting 3500 people and has grown over the years to numbers above 20 000 and is hosted at Mary Fitzgerald Square.
The Cotton Fest will be hosted at The Station near Nelson Mandela Bridge and the one-priced tickets will be limited to only 5000 attendees. Just like BTTC, one can foresee Cotton Fest growing in numbers and heading to Mary Fitzgerald Square in a few years, which will complete the transition of the guard in Newtown and Hip Hop.
THE air filled with the smell of dank blunt, omnipresent quarts of Black Label and Boom bap sounds racing out the speakers, a graffiti portrait of Ben Sharpa was the backdrop of the stage, and the DJ scratched on classic Hip Hop joints, when each speaker came forward-could’ve sworn it was one of those old school Hip Hop sessions at Ben Sharpa’s memorial service last night in Newtown, Johannesburg.
Hosted at the Stop Sign Art gallery, the service served its purpose in how it captured and celebrated who the man was. Whilst also reuniting old friends. Kgotso ‘Ben Sharpa’ Semela passed away last week due to complications from diabetes.
“The funny thing is, I knew him as Cilo, his baby nickname. Then he was Kaptin, I wasn’t there. The only thing I knew about Ben Sharpa was in the media. I knew him as Cilo when we were like 18, 19 year olds,” says comedian and foodie Tshepo Mogale. Mogale was Sharpa’s roommate at the University of Cape Town where they met around 1996.
Mogale was fortunate enough to see Sharpa just a day before his passing. “I hadn’t seen him in over 15 years. Then I got a call that he’s in hospital…I was so apprehensive to go see him- if last time I saw you was good times, then I hear you’re in a fucked up situation, it could be kinda awkward. But one of my boys said I should go and I went and the look in the guy’s face man, it’s one of those priceless moments ever.”
They spent at least two hours together reminiscing about old times. Mogale was one of the speakers at the service, whose speech was quite emotional. “I learnt so much from him. I just couldn’t say it in front of his mother up there, but he taught me how to untie a bra with one hand. He was like an encyclopaedia who knew everything and had rhymes for days.”
Osmic was still in Grade 7 when he first saw Sharpa performing at Le Club. “I looked up to him as a kid and I was like ‘oh shit, so this is how it’s done.’ I think we all saw Ben Sharpa the same way I probably saw him. We had nothing but respect for him and I think that’s what this is, people coming to say ‘big up’. Any parent would be super happy that their son is celebrated in this manner,” the Back To the City founder says.
After the formal ceremony had wrapped up, Breeze Yoko who was the night’s master of ceremonies went outside with a cordless mic asking fellas to jump on the beat and drop some bars. The cypher went on for hours. Speaking after the formal ceremony, Sharpa’s mother got on the mic while kats were free styling to say that she’s grateful to those who came and to see who his son was and how he lived, despite the fact that Hip Hop doesn’t sufficiently reward rappers- he loved what he did.
Those in attendance included Hymphatic Thabs, former Hype magazine editor Mizi Mtshali, skater Wandile Msomi, actress Renate Stuurman with her partner Krook’d tha Warmonga and a number of other Hip Hop heads.
Co-founder of BTC Dominique Soma, was also present but rushed out to a gig soon as the formal service was done. “Ben Sharpa deserved to get this reception. I haven’t seen these people in years, I feel like it’s a bit of a time warp…kinda taking me back to another time of my life. Very nostalgic.”
Comedian, writer and film director Kagiso Lediga says he was touched and moved by the whole service. Like Mogale, he too met Sharpa in Cape Town during their varsity days. With Hegemony playing in the background, Lediga says “I wanted to come and pay my respects. He was a very wise guy, who always spoke in concepts like his sister was saying. If he spoke about his passing, would he imagine we’d be all here like this…for me this is quite special, seeing all these faces, people I haven’t seen in a long time.”