Remember when Cassper Nyovest told Sway he was South Africa’s Kanye West, or when Nasty C said he had not experienced racism in South Africa- the rappers were speaking their truth, but one can’t help think that they could’ve worded their statements differently and with more astuteness.
On both occasions, the youngins gave skewed representation of what really happens in South Africa. People were divided in opinion about their presence on the radio show. But what’s been evident since Stogie T’s appearance on Sway In The Morning, is the unanimity in which everyone was in praising the OG.
Comedian Kagiso Mokgadi joked that “The Rand strengthened one percent vs the doller today. Thank you Stogie T.”
While Osmic said the verse should be studied in labs, high school and university, to which OG rapper Wikid agreed with, commenting “He murdered it”. The most random adulation came from former Orlando Pirates soccer player Kermit Erasmus. “Our own legend, @TumiMolekane spittin barz, this gave me goosebumps.I had to call him to let him know,” wrote Erasmus on Twitter. While South African sprinter Akani Simbine dubbed Stogie the “Undisputed lyrical king.”
“From the interview to the best freestyle I’ve ever heard on Sway show. Personally…I am thoroughly represented here,” tweeted rapper Solo.
But there was no bigger nod than that of The Roots’ Black Thought, who sent Stogie a message simply saying “You a beat bro.” Which left Stogie speechless.
“The moment you feel like dumming shit down, go play @TumiMolekane freestyle,” said Rougue.
Fellow lyricist of the year nominee at this year’s Hip Hop awards, PdotO tweeted “We were well represented on Sway. Thank you for that king. Mean! Mean mean.”
No has ever doubted Stogie’s pen game, but what made South Africans proud was because most people felt that his skill has long warranted him to be on such platforms.
He articulated himself well in the interview, narrating to Sway South Africa’s Hip Hop history. He did the stuff of globally celebrated South African athletes or pious politicians, in how he gave the country that fuzzy feeling inside.
It was also a win for local OG rappers, after the tough year they’ve had losing three giants who impacted the game on different levels. Wherever HHP, Pro Kid and Ben Sharpa are, they glowed with pride upon hearing Stogie rap.
Sway aptly said “Stogie T, South Africa’s finest,” as he was about to go in. He not only represented South Africa, but the African continent. His bars had more weight than Biggie, Pun and T from the V sitting on a park bench. He brashly started by saying
There ain’t a French bottle we ain’t pop
A fresh article we ain’t copped
Benz top that we ain’t dropped
A dress model we ain’t knocked
A festival we ain’t rocked
Destined to be this hot,
He was basically saying to the American audience listening that ‘hey, I might be from that dark continent but, you ought to show me some respect’
Rapping about how in today’s South Africa, struggle heroes are raising spoilt kids and the opulent only meeting the deprived when the latter come clean after them. Directly talking to the country’s inequality.
He challenged stereotypes that Americans always pin on Africans, whilst also showing appreciation of Hip Hop culture in the US and Malcom X.
I’m a Kool G Rap alumni,
These my handlers, the kufi Nas from NY,
Jesus medallion, reading Langston Hughes,
El-Hajj Malik el Shabazz and them,
Shit in the pocket like the Audubon assassin
I couldn’t help but think of Irish poet, Oscar Wilde’s quote, “with age, comes wisdom,” after watching the whole interview. He showed wisdom, not only in conversation with Sway, but also with his raps which got a lot of people pondering on a lot.
He posted a photo of himself at what looked like the Roc-Nation offices, with a caption implying that someone there wanted to meet him. He said going on Sway was something on his bucket list, but it might just be the first step to next level shit for Stogie,since Tumi from The Volume dun did that and got the T-shirt.
BY definition, a milestone is; 1. A stone of a kind that use to be fixed beside a road, to mark the distance between towns; 2. A significant stage or event in the development of something.
The latter is where we’re at. So nominees of the seventh annual South African Hip Hop Awards were publicised exactly a week ago.
There were a couple of eyebrow-raising names, or the lack of, such as AKA in any of the categories- he decided to snub SAHHA because as he put it “I no longer submit for award shows because I no longer believe in the concept of awards”. Ironically there is the return of Nasty C, with eight nominations, after choosing not to submit any of his music last year. Zakwe, Kwesta, Da L.E.S and Cassper Nyovest are the other leading nominees.
Founded by Sowetan Osmic Menoe, the SAHHA have upheld consistency for seven years now. Ritual Media’s dependability should be noted-we had HYPE Magazine Hip Hop Awards that fizzled in the past. Regardless of the winners of the night, one always leaves the SAHHA with more discernment of the South African Hip Hop landscape. They put a spotlight on people you’ve never heard of, from provinces afar, who love Hip Hop with the same passion of a Hip Hop head in Brooklyn. This whilst celebrating past and present leaders of the game.
But one guy who gets nauseating love from SAHHA, is Cassper Nyovest. For the fourth consecutive year, Cassper is the recipient of the Milestone award at this year’s SAHHA. The Mahikeng rapper is a hard working kat that could and should never, be juxtaposed to any of the fellas nominated in the best Lyricist category because he is not one. You could argue that he’s an artist, who found a way to manipulate the game in ways that many never imagined.
At HHP’s memorial service, he said the deceased foresaw his stardom. While HHP’s hype man, Nyovest would nag the OG to sign him, but Jabulani Tsambo would turn him down because he thought Cassper could and should make it alone. “He said I’m not an artist that should be signed, I could be a business man and should be as big as Lil Wayne,” said Cassper.
Unlike the late Tsambo, I would liken Nyovest with MC Hammer. The latter is considered the first mainstream rapper who had a financially rewarding career, by pushing boundaries and being smart enough to use gimmicks and other things around his music. Unfortunately Hammer was a spendthrift, which was one of the reasons for his disgraced fade. I don’t foresee Nyovest in those sort of troubles, especially because he’s an independent artist.
His filling of The Dome in 2015,the inaugural Fill Up concert, will forever be etched on the history of South African music. Prior to this he used his ponytail and beef with AKA as gimmicks to push sales, but Fill Up gave opportunity for Cassper to display his ruthless marketing skills.It was a success- success which swelled his ambition to turn a once-off concert to an annual event. Three years down the line, Nyovest has filled Orlando Stadium, FNB stadium and is currently fiery than a campaigning student activist, as he attempts to fill up Moses Mabhida stadium. He will have that beauty in Durban to capacity, come December first.
The dude is in his moment, and you can’t front on that. Now as much as these are great feats, do they warrant him the Milestone award for four consecutive years at the SAHHA?
Are we saying that should Cassper, as I expect, go throughout the country and possibly various parts of the continent filling other stadia, be given this award until he runs out of breath? This is not about Cassper. Let the black man get his bag while he still can. But he can’t be awarded for repeatedly doing the same thing, just at different venues. The novelty of Fill Up died after his concert at the Dome ended that night in 2015.
It’s just not logical for the awards to continue on this trajectory, with the Milestone award in particular. For the safety of not sounding like an advocate for anyone, but the country’s Hip Hop, I will not even suggest who besides Cassper, deserved the Milestone award in the last few years. But take my word, there are people who’ve put in work deserving of a Milestone award. Osmic didn’t respond to questions surrounding the award.
This ruins the awards’ credibility with the fans and artists alike. It could be the reasons why artists sometimes choose not to participate, with the fear of headlines that read “SO AND SO LEFT THE REST STUNNED AFTER SCOOPING ALL THE NIGHT’S AWARDS ” as to suggest that one’s music or work isn’t good enough nor appreciated by the masses because of a gong.
BACK from a brief self-imposed hiatus, Nasty C receives a handful of nominations for this year’s South African Hip Hop Awards.
After feeling unappreciated for his efforts in 2016, Nasty C boycotted last year’s SAHHA, this was during his time as a Mabala Noise artist. Now under Universal Music Group, real name David Junior Ngcobo, seems to have had a change of heart towards the awards. “There’s no one we actually have a problem with and speaking on the Nasty C issue, we’re still not aware why they chose not to send, but it’s always love. The awards are for the community,” founder and organiser Osmic Menoe says.
Nasty C has had an amazing year, avoiding any possible sophomore jitters, he released Strings and Bling this year and has managed to stay in conversation prior and post release.
He was recently part of BET’s SA cypher together with fellow current chief emcees A-Reece and Shane Eagle. Strings and Bling is nominated in the album of the category, where Nasty C will battle it out with Da Les’ High Life, Cebisa by Zakwe, Baby Brother ya Blaklez and K.O’s SR2.
For his pen game on Strings and Bling, he is nominated in the salivating Lyricist of The Year together with Zakwe, Stogie T, Ginger Breadman and PDotO. The Best Remix, Collab, Radio Show, Video, Song of the year and Best Male and Female categories will be voted for by the public. The awards take place at Gold Reef City’s Lyric Theatre for the seventh consecutive time on December 19. “We have made a home out of the venue, we appreciate the professionalism and love they always show to the awards,” says Osmic.
Nasty C is nominated twice in the Song of the Year category, for Send Me Away and his collaborative joint with A$AP Ferg, King. The same track is nominated as one of the best collabos of the year, together with Boity’s mystifying Wuz Dat. Nasty C is nominated eight times, or nine if the collab with Boity is included. Also in there is DJ Speedsta and OKMalumKoolKat in Combos Communicating, Riky Rick’s Stay Shinning with Cassper Nyovest, Professor and Major League DJs- among the list of 10 tracks nominated.
The ceremony will be broadcast on SABC 1, after being on e.TV and MTV Base in previous years. “We still with SABC 1 after the good numbers last year of 2 million viewers. We felt at home and appreciated the fact that they were willing to take a chance.”
Other artists who have a slew of nominations are Zakwe, Kwesta and Riky Rick.
THE face of relief I had, standing in front of the urinal turned into bewilderment while in the lavatory of a pub this past weekend.
Thanks to aggressive marketing, which has advertisements in our faces even when we’re having a moment with our bodies. What had me confused was the flyer of the Tembisa Jazz festival.
From the artists on the line-up, it would’ve been better to name it an Afro-soul festival. Sjava, Zahara and Selaelo Selota are the main acts on the bill. Only the latter is a jazz artist. Sjava and Zahara are as far from being jazz artists as Joburg is to Abuja, by foot.
Understand this, this isn’t about the artists but event organisers who come up with these shows which disguise themselves as festivals. This isn’t a unique problem to the Ekurhuleni Township; there was a similar and more cringing case in Soweto during the youth month at the splendid Soweto Theatre.
Dubbed the Soweto Jazz International Festival, their line-up included the likes of rapper Nasty C, Sho Madjozi, Deborah Cox, Lady Zamar and Mi Casa.
Let that sink in.
Is this a case of the suits calling all the shots, instead of having knowledgeable individuals in these crucial positions? What puzzles me is why there’s this incessant obsession with jazz, when what you’re presenting to attendees ain’t jazz. It’s blatant misleading of patrons who actually appreciate jazz, but more than that it’s an unfathomable mind fuck on black people in the township who walk out of those events really believing that Loliwe is a jazz joint. Like how many people still think Kenny G is a jazz artist.
But in the defence of these kasi events, I also blame the inevitable growth of the Cape Town International Jazz Festival. What started out strictly as a jazz festival in 2000 under the name North Sea Jazz Festival- for five years, the festival was known by that name as part of the contract between the Netherlands festival and local events management company espAfrika.
From 2005 onwards, not only did the name change to what we know today as Cape Town International Jazz Festival, so too have the artists we saw on the bill. Artists who aren’t jazz kats, but whose music has elements of jazz that satisfy the genre’s aficionados like a 340ml, crept into the line-up.
As the festival grew, it was clear that it was morphing into a music festival for pure songs lovers- the BLK JKS, HHP, Zola, Louie Vega and many more other random artists have performed at the Cape Town event, even Lauryn Hill. But with their growth, the festival somehow manages to keep ardent jazz listeners satisfied each year, with a line-up that prioritizes jazz.
The Joy of Jazz still maintains its status as purely jazz festival, but over the years they have bent the rules, in a slick manner. Vocalist Bilal is one of their headline acts for this weekend’s instalment of the festival- but Bilal’s vocal dexterity just doesn’t permit you to box him anywhere, which allows the festival to get away with having him on the line-up. I was in the audience with former President Thabo Mbeki, enjoying music by Gregory Porter in 2014- he too, Porter not Mbeki, is one you can’t box. But in the same year, they had Billie Ocean on the line-up, which is the equivalent of having R. Kelly at a jazz festival.
As a millennial I know very well that the world is no longer as black and white as many people thought. There isn’t a person who is interested in the same thing, all the time. Human beings’ personalities have become more nuanced with time, largely due to the advancement of technology which exposes people to more than what is in their little village.
So the same person from Seshego in Polokwane who enjoys listening to Phuzekhemisi, also happens to be a fan of Mcoy Mrubata and knows Pharoahe Monch’s lyrics back-to-back. Having said that, organisers shouldn’t be thoughtless when naming festivals, in the name of pulling in a certain LSM- this is derived from the stigma around jazz which suggests that, the only people who enjoy the genre are the wealthy and sophisticated. There are many people in the swankiest places in our country who are ardent listeners of Zahara and Lady Zamar.
If your event doesn’t have a slew of jazz artists, don’t name it a jazz festival because it’s not, otherwise you’ll have us peeing on ourselves thanks to the shocking line-ups you have at these gigs.
SOUTH African Hip Hop Awards submissions for this year’s ceremony are open, and anyone can submit. Even Nasty C.
“There’s no one we actually have a problem with and speaking on the Nasty C issue, we’re still not aware why they chose not to send, but it’s always love. The awards are for the community,” founder and organiser Osmic Menoe says.
Speaking to Tha Bravado, the man known as Ace Of Spades says the air is clear for even those who boycotted the awards in the past. Last year rapper Nasty C snubbed the awards, by not submitting any of his music because he felt unappreciated by the organisers in 2016.
Four years ago, K.O together with his whole CashTime Company pulled the same move, because they felt as though the awards weren’t transparent enough. But K.O has since ironed issues he had with Ritual Media and he submitted last year.
The submissions have been open since Monday and will close in two weeks. “The nominated art form must be released or occur in South Africa”, the press release read. “Any SA Hip Hop album, mixtape, video, event or song that was released, impactful or effective during 15th September 2017 to 15th September 2018.”
The awards are taking place at the Lyric Theare in Gold Reef City for the seventh consecutive time. Those who believe in that number as being a symbol of completion, would suggest that this be their last year hosting at the venue.
Although Ritual Media doesn’t have a contract with the Lyric, it just so happens to be a place that has accommodated the awards. “We have made a home out of the venue, we appreciate the professionalism and love they always show to the awards,” says Osmic.
The awards have settled on an abode to broadcast the ceremony in the SABC 1, after being on e.TV and MTV Base in previous years. “We still with SABC 1 after the good numbers last year of 2 million viewers. We felt at home and appreciated the fact that they were willing to take a chance.”