Moonchild

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5min2201

AFRO Punk released the line-up for this year instalment of the festival, to a mixed reaction from South Africans who have a couple of names they also would like to add to the bill.

The three day festival returns after it made its debut on the mother land last year in Joburg. This year’s AP will be headlined by The Internet, Flying Lotus, Kaytranada, Thandiswa Mazwai, Thundercat and iconic rap clique Public Enemy. More artists will be announced as we get closer to the festival.

“The Internet, Kaytranada and Thundercat is reason enough for me to go…but my expectations were very high,” said Psykaytic Ròes on Facebook. While Thabang Magodielo said she was expecting singing sensation H.E.R, Solange, SZA and Tom Misch, but was happy with some of the artists on the line-up.

The Internet, who recently released their critically acclaimed album Hive Mind will be in Joburg this year

Last year’s AP took a huge knock, when headline act Solange said she wouldn’t make it to South Africa for the festival due to health reasons. AP organisers together with Solange then promised to have the Don’t Touch My Hair singer for this year’s instalment. But dololo Solange.

Moonchild, who has taken the country by storm is also on the line-up. Her name though, brought confusion for some people as they thought it was the international group, not our very own modern Brenda Fassie.  There was an air of disappointment from some people that it’s not the Los Angeles trio on the line-up. “Moonchild Sanelly? Andizi Jonga, Andizi,”said Lesia Obiwan-Kenobi Kalane.

The inclusion of Public Enemy left me a tad puzzled. Although the group last released an album in 2017 (Nothing Is Quick in the Desert), I’m a bit sceptical about the old guys pulling a strong performance.

Public Enemy

I was expecting to see names of Zoë Modiga, Samthing Soweto and at least Ikati Esengxoweni on this year’s line-up.  While The Brother Moves On’s performance last year was one of the stand-outs, having them back wouldn’t have ruined anything.

Other names that excited people were Youngsta CPT, Soweto band BCUC and the younger Mazwai sister, Nomisupasta who was the host at the final of Battle of the Bands final, in Tembisa last year.

People had been eagerly waiting  for this line-up to come out, that early bird tickets were sold out instantly after AP made the announcement.

 

Unlike other brands that come to the country to make a quick buck, AP made a commitment to be in the city for at least five years, so this is just the second episode of AP Joburg and this one promises to be a step-up from last year’s. Hopefully there won’t be any last minute cancellations from the artist’ part, the people would infuriated.

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7min1740

Being the last day of the historic youth month, throngs of young people gathered at the Constitutional Hill to enjoy some of the country’s finest artists, express themselves at the three day festival which kicked-off on Thurday.

Saturday was the much anticipated music concert that featured what you could say are different eras of  South African youth. From the likes of Skwatta Kamp, Samthing Soweto,BCUC, Sho Madjozi the BLK JKS, Moonchild and Muzi.

The latter was playing his last gig in the country, before heading out to Europe for his month long tour. While he was playing Basha for the first time, Muzi gave the buoyant crowd reason to dance on Saturday night with a set that included a remix of Margret Singana’s We Are Growing (Shaka Zulu theme song) to Ye’s All Mine and some.

“It’s dope…getting people that really vibe with the music.  But that’s the thing about umculo dawg, the shit is universal. You can connect with everyone if you do it proper,” said Muzi. The producer from Empangeni was irritated though, by someone who he says interfered with his set. “There’s a guy that kept tapping my shoulder, telling me about time and that I have to finish up. Which I really didn’t like,” said the producer.

“I like enjoying my music. So I’m not the stay behind decks, and look cool typa guy. Sometimes I leave it, I just press play because I’ve mixed it proper, and vibe with the crowd.” He did that by grabbing the mic in the first half of his act, to perform one of his songs.

His European tour will see him play at Northstar in Scotland, Beatherder Festival in England and Base in Milan, Italy among others throughout July and returns just in time for Oppikoppi in August.

He doesn’t prepare different for an overseas audience, juxtaposed to the audience here at home. “…Even us as black people, we’re still kinda indoctrinated so we still have to relearn our culture. When I play a song uZenzile for instance, which I couldn’t play here, I get the same reaction from everyone. Nathi as abantu abamnyama, we’ve sort of assimilated to whiteness and that’s what we think success is. It has to be honest music…it can’t be sugar coated to suit a certain crowd.”

Madjozi’s performance which was just before Muzi’s was enjoyable, whilst Skwatta Kamp’s energy on stage was impressive for men who no longer perform week in week out. Bar the fact that singer Relo, looked a tad uncomfortable throughout their performance. A young looking Pro (Kid) performed some of his new songs, but the crowd were eating off the palm of his and when he played classics such as Wozobona.

The BLK JKS’ performance was also a big crowd puller. They had the crowd singing ‘aweyawo’ when they performed Molalatladi while everyone was charged up by Mzabalazo. The festival lived up to its theme, Join the Movement, which each performer did in their respective style. A scantily dressed Moonchild gave a great performance, as though channelling her inner Brenda Fassie. Black Motion’s stage presence and showmanship is right up there with some of the country’s best.

It was embarrassing though, when the night’s MC butchered DJ Akio’s name before his set began- the crowd kept screaming the DJ’s actual name to correct the blunder. It’s always a good sight seeing an artist who isn’t on the line-up, attending an event just to have fun. I spotted Kelly Khumalo, Petite Noir and Lunga Shabalala among others in the crowd, having jump at the festival.

I was impressed by the security presence at the event, not only that but how they never imposed themselves on the patrons. I never saw one being manhandled for rolling a joint unless, they were staring trouble. I was a victim of pick-pocketing on the night, after my cell phone was mysteriously stolen, but was fortunately able to recover it with the help of a security guard and crowd members who were ironically victims of the dude with a number of phones in his pocket. He was taken-in by the security.


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