REMEMBER a few years ago when one fan jubilantly tweeted K.O a photo of himself wearing a Cash Time Life cap and the rapper responded with a sober “But bro, that’s a fake cap tho[sic].”
The bootlegging got so bad, that makeshift Cash Time clothing crept up in countries like Angola and Zambia, to the bewilderment of the owners of the brand. This was during the height of the Cash Time Life clique, when it had the likes of Maggz, Moozlie, Kid X and Ma-E on the stable. The aforementioned artists have since left Cash Time after business turned sour.
Last year K.O relaunched the clothing line and changed the name to DustnKompany and yesterday he got on Twitter to share news that the clothes are now also available at Studio 88, an underrated clothing outlet among youth.
“For the longest time me and Tsholo have had distribution limitations with my clothing line and now through blessings that led to other blessings, Studio 88 has just opened its doors for us,” exclaimed the rapper on social media. The clothes have been available at Joburg’s Fashion Kraal for a while now, but they were restricted to that only store, since their online store seems to be down.
Local fashion designers have to contend with international brands, breaking into the highly competitive industry and on top of that still have to raise funds for collections. Last year it was reported that the clothing industry contributes only 3.3% to the country’s GDP, while it deals with the shedding of jobs, cheap imports and closing down of factories.
But unlike the average designer, K.O’s brand is built around his music which is planted in the hearts and minds of South African youth. They don’t necessarily buy it because it’s the best thing on the market, but because it’s a K.O brand. The consumer feels closer to their favourite artist, by supporting their every cause.
The rapper recently released his album SR2, which scored him two nominations at this year’s South African Hip Hop Awards, in the Best Male and Album of the year category.
BORN under unusual circumstances, Benjamin Button springs into being as an elderly man in New Orleans and ages in reverse.
That’s the summarised plot of the Brad Pitt movie, The Curious Case of Benjamin Button. The 2008 film’s narrative regurgitated in my mind as I listened to Stogie T’s latest project, Honey & Pain.
As a mark of growth, artists tend switch from their alter ego monikers to being known by their I.D names on stage. Just this week, on Tha Bravado I wrote a piece about Selema Writes not going by the names Sledge Lee and Dice Mak anymore but embracing the name he was given at birth.
Artists who are genuine about this, will have their art as witness to this change. When Stogie T announced he doesn’t want to be referred to as Tumi anymore in 2016, the veteran rapper wasn’t taken serious. But his music has shown that there’s definitely been alternations.
Don’t get me twisted, Stogie T’s raps are of Tumi’s quality. Stogie has more bravado and doesn’t seem concerned about what his bars do to the environment. In the intro of Rapture where he features Jay Claude, Stogie raps:
The verse Kodak, decoded that
See it through the eyes of those
Living where there ain’t no hope at
Dealt a better card, I wasn’t
Made up like a joker
Add my legacy to the ledger
I won’t be broke Jack
Stogie’s patterns and rhyme schemes are an amusement park for a genuine Hip Hop lover. That’s why Tumi And The Volume will forever be etched on the memory of South African Hip Hop because Stogie is a superb emcee who was in a band with great musicians, creating timeless songs.
The music on Honey & Pain doesn’t have replay value, except a few songs, this is mainly due to the things he raps about. On Big Boy Raps he’s on his remember raps, in the last verse sounding like a petty OG talking about cars he drove, juxtaposing himself to rappers who are currently in the forefront of the Hip Hop.
It’s when listening to such, which makes me comprehend Andre 3000’s reason for his retirement from Hip Hop because it’s a young man’s game, especially the braggadocio side of things. Listening to some of the songs, you get a feeling Stogie’s tryna prove that he’s also got swag. You’ve got it bro, you need not prove anything.
Stogie T the storyteller is what he needs to give us more of, which he did on the track Numbers Game. The joint has YoungstaCPT on the hook and surprisingly he doesn’t have a verse on the song. I found the song quite timely considering the scrutiny that has been on the coloured community and the prevalence of gangsterism there. Stogie tells the story of one who grows up in the coloured area and the adversity they face on daily because of the barrage of social ills.
On the 14 minute long God’s Eye he went hard on a number of beats (about eight) dropping verses not accompanied by any chorus. It reminded me of his project, The Powa Mixtape in how he talked to important issues such as the pursuit of a better life by immigrants from war-torn countries.
It was good hearing Maggz on the project’s single, Pretty Flower and the new kid J Molley. The latter served his purpose on that hook. Stogie T has a good ear for talent, which guides his choice of features. Rouge is the equivalent of a Kevin De Bruyne on Side Chick, her hook holds the song together plus she raps, while Ayanda Jiya’s gentle voice gives the song that tenderness to counter Stogie’s patriarchal stances on the verses. It’s a good song which I imagine should do well on radio.
I appreciate Joharzardousburg for the vibrant beat, its length and of course the raps. I haven’t heard anyone do a song about Joburg, painting a picture of the complex and colourful city-it’s such a rapper’s rapper thing to do. It also sells Johannesburg to those who’ve never been here.
Stogie has the rare condition of the Button disease, in musical terms at least. He came in the game making music way ahead of his time and beyond his wisdom-ironic that Button was born in New Orleans and Tumi’s music had strong jazz elements in his early days.
Now I believe he’s at his adolescence juncture, enjoying music and ripping the mic, just for the sake of it. The longer he goes though, his sound may become primitive in the name of being a young person who’s having fun.
ON a day the country celebrates Women’s Day, we wake up to the sad news of Pro Kid’s passing.
Linda ‘Pro Kid’ Mkhize died on Wednesday night from a severe seizure attack while at a friend’s plac. The paramedics are said to have attempted to revive the 37 year-old, but it had been too late.
Just last week, tributes were pouring in for another rap giant Ben Sharpa…now Pro Kid’s spirit is on the receiving end of these tributes.
Often juxtaposed to each other largely because of their monikers, Proverb wrote a touching message on his social media accounts. “Praying the news is not true, but if it is then my brother I wish you a safe passage into heaven. You were indeed a pioneer, a legend and once an incredible emcee. For the record I never considered you a ProKid but rather a ProKing!”
Maggz, who worked a lot with Pro in their early years in the game tweeted “A dark day-lost a brother, a friend, and a kindred spirit today, brutally heart-breaking. R.I.P Prokid.” One of the dopest songs the two laced was Celebrate which featured Sgebi. The two brought out the best in each other whenever they were on the same track.
While Stogie T summed up Pro’s travels in his career saying “From Le Club to Slaghuis to YFM to Soweto to Loxion Kulture to Backpack Rap to Gallo to IV League to TS Records to Dankie San to Rap Battles to the Charts to Superstardom to one of the best ever to do it. I am leaving a lot out. Horrible news.”
Whether a PR exercise or a genuine sympathetic message, but Arts and Culture Minister Nathi Mthethwa also sent his condolences. “We’re deeply saddened by the tragic passing of lyrical genius, pioneering Hip Hop artist Linda Mkhize (ProKid). ProKid took rapping in African languages to great heights and he will go down as one of the greatest and most influential Hip Hop Artists of his generation.”
Pro leaves behind timeless music he released in his career that spanned for nearly 20 years. He released five albums; Heads & Tales, DNA, Dankie San, Snakes & Ladders and Continua. There are a number of rappers from ekasi, but Pro stands above the rest because he was able to make music, not just barrage listeners with comical punchlines with each line. A stellar artist who paved the way for this skrru skruu generation. He was second to none, whether spitting in his native language or dropping bars in his English, on beats by Dome. The last performance I got to see of the rapper was just weeks ago at Basha Uhuru.
The game changing rapper is survived by his parents, wife, three year-old daughter and his brothers. Details about his memorial service and funeral will be announced in the coming days as the family comes to terms with the sad news.