Kaytranada

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AFRO Punk released the line-up for this year instalment of the festival, to a mixed reaction from South Africans who have a couple of names they also would like to add to the bill.

The three day festival returns after it made its debut on the mother land last year in Joburg. This year’s AP will be headlined by The Internet, Flying Lotus, Kaytranada, Thandiswa Mazwai, Thundercat and iconic rap clique Public Enemy. More artists will be announced as we get closer to the festival.

“The Internet, Kaytranada and Thundercat is reason enough for me to go…but my expectations were very high,” said Psykaytic Ròes on Facebook. While Thabang Magodielo said she was expecting singing sensation H.E.R, Solange, SZA and Tom Misch, but was happy with some of the artists on the line-up.

The Internet, who recently released their critically acclaimed album Hive Mind will be in Joburg this year

Last year’s AP took a huge knock, when headline act Solange said she wouldn’t make it to South Africa for the festival due to health reasons. AP organisers together with Solange then promised to have the Don’t Touch My Hair singer for this year’s instalment. But dololo Solange.

Moonchild, who has taken the country by storm is also on the line-up. Her name though, brought confusion for some people as they thought it was the international group, not our very own modern Brenda Fassie.  There was an air of disappointment from some people that it’s not the Los Angeles trio on the line-up. “Moonchild Sanelly? Andizi Jonga, Andizi,”said Lesia Obiwan-Kenobi Kalane.

The inclusion of Public Enemy left me a tad puzzled. Although the group last released an album in 2017 (Nothing Is Quick in the Desert), I’m a bit sceptical about the old guys pulling a strong performance.

Public Enemy

I was expecting to see names of Zoë Modiga, Samthing Soweto and at least Ikati Esengxoweni on this year’s line-up.  While The Brother Moves On’s performance last year was one of the stand-outs, having them back wouldn’t have ruined anything.

Other names that excited people were Youngsta CPT, Soweto band BCUC and the younger Mazwai sister, Nomisupasta who was the host at the final of Battle of the Bands final, in Tembisa last year.

People had been eagerly waiting  for this line-up to come out, that early bird tickets were sold out instantly after AP made the announcement.

 

Unlike other brands that come to the country to make a quick buck, AP made a commitment to be in the city for at least five years, so this is just the second episode of AP Joburg and this one promises to be a step-up from last year’s. Hopefully there won’t be any last minute cancellations from the artist’ part, the people would infuriated.

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The ubiquity of rap singers over the past few years has changed how people see the Hip Hop genre. The era before this was one that vilified a kat for being in-tune with his emotions. Labelling it gay, soft, weirdo or butt-check music.

Andre 3000 was one of the first male rappers, who was comfortable in his own skin. His courage has influenced a generation of the rappers who can hold a note and spit some bars. Had Three Stacks not did what he did, I doubt we would have the same Chance The Rapper, GoldLink, Smino, Kyle or Aminé. All these boys are undeniably influenced by R&B, Neo Soul and have the make-up of a Hip Hop artist.

Buddy is no exception. The Los Angeles rapper released his debut album, Harlan & Alondra last month. Through the 12 tracks on the album, you get the life-story of the L. A artist. Given that he was singed under Pharrell’s company, i Am OTHER, for the longest of time I expected the album to be on point sonically. And so it was. Buddy’s singing is good on the ear and doesn’t come off as an obligatory effort. You can tell he started out as a singer, and then picked up the rapping along the way, because his singing stronger than his bars on some of the joints.

It’s songs like Speechless, which make me visualize artists in studio recording.  The track is sexy, smooth with a punch funk. Trouble On Central takes us to his neighbourhood in Compton, where he paints a picture of his troubled adolescence and hopes of moving out of the hood. While Shine is delightful blend of his raps and singing.

The flow on Shameless is a nod to the Migos. It was a genius idea to get Guapdad 4000 to spit his verse first on the song. Although he’s the featured artist, he sets the tone with his slick verse. Buddy’s verse, juxtaposed the recurring theme on Trouble On Central, highlights the progress he’s made in the last few years as an artist and a person. His EP with virtuoso producer and DJ Kaytranada, Ocean & Montana which came out a year ago, changed the trajectory of his career in a good way. It was through that EP, that I got introduced to Buddy. I don’t think he has particularly grown since the release of that project, as an artist, but Harlan & Alondra is a fuller body of work. You get more of who he is. His other work include 2015 mixtape Idle Time, and EP, Magnolia which came out last year.

Like his former boss Pharrell, Buddy has appreciation of different genres and other artists’ crafts. He’s features were very calculated and the song with Snoop Dogg, The Blue, gives Snoop liberty to be himself and add that to the song, which makes it doper. I never would’ve imaged Buddy working with A$AP Ferg, who spat one of the dopest verses on the whole album. I really hope to see the two performing this joint at one of the big award shows. The lyrics are heavy, but thankfully the beat is so sick, the shit doesn’t sound preachy.

Find Me 2 is a good song and as you might guess, there will be inevitable comparisons to Find Me which was on Ocean & Montana and the more upbeat first version has a special place in my heart. Like a teenage Bonginkosi, I’ll have to wait for the new version to grow on me, like pubic hair.

The album has definite replay value. Songs like Real Life S**t and Trippin’ give it legs to be in people’s faces and ears for a long time. It’s difficult getting an album with bad production and this album has good beats that capture the essence of the song. I’m excited for Buddy’s growth. I genuinely think more dopeness is gonna come from this kid as he grows as a lyricist and an overall artist


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