ekasi

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8min16950

“I know every man understands what that’s about, when you have the baddest [sic] girl in front of you and it’s all about to happen and you can’t even believe it,” says Maxwell in describing the essence of his track Stop the World, which is on his BLACK Summer’s Night album. The sensual singer was speaking in the short doccie, 5 Days of Black which came with the 2009 project.

 

But that quote and the song itself, talk to the delightful significance of consent right before intercourse. Lovemaking, ukubhebha, thobalano or whatever you call it, has an inconceivable lovely thrill to it. It sometimes finds you cornered by stress and anxiety, especially when your thirst for it has been an elongated one. It then releases your endorphins, oxytocin and you from the bondage of that angst. If done right, with the right person of course.

Maxwell’s quote above zooms-into that moment just before doing the nooky when you can feel and clearly see that she too, wants to share this here intimate moment with you. That’s where the beauty lies, in the agreement.

But speaking to a handful of guys, you notice that this seems to be a grey area for some people. “Sometimes she says ‘no’ but actually means yes,” one fella told me, explaining how a woman would spew the word no, simultaneously smiling and nodding her head to his advances. “I like it when there’s a bit of tension involved,” another guy said to me.

Rape by definition, is the unlawful activity, most involving sexual intercourse against the will if the victim through force or the threat of force or with an individual who is incapable of giving legal consent because of minor status, mental illness, mental deficiency, intoxication, unconsciousness or deception. ┬áRape has been part of our fabric as a society since the existence of humanity. But we’re living in a time where it’s slowly being called-out and eradicated, but we still have a long way to go until it’s no longer a part of who we are as a people, especially as men.

There’s clearly a culture created by men around rape. Before the dawn of democracy in South Africa and also even in the new Mzansi jack rolling was a colloquial term in the country’s townships for rape. Prevalent ekasi, it is a crime where men gang-rape their victim in retaliation to a perceived cold shoulder from the female victim who is being asked out. She’s basically being raped because she simply isn’t giving the guy her time.

While Jack rolling is the modus operandi in urban spaces, in our rural areas Ukuthwalwa works well for the men there. Ukuthwalwa is an old age customary marriage practice where a man, by force, takes a girl to his home with the intention of following through with a customary marriage. In his 2018 doctoral thesis, which News24 wrote a piece on last year, Mkhuseli Jokani explains that there are three types of Ukuthwalwa.

Ukuthwalwa ngemvumelwano – abduction by agreement happens when the girl is aware of the abduction that will take place. This could occur for example when there is a conspiracy between the girl and her suitor.

Ukuthwalwa kobolawu – abduction for arranged marriage happens through an agreement between the families of the girl and the groom’s family. In this case, the girl is unaware.

Ukuthwalwa okungenamvumelwano – abduction without agreement is when the girl and her family isn’t aware of the abduction and months go by without the male’s family arriving at the girl’s home to negotiate lobola, or even explain what has happened.

According to customary law, an explanation is that “the girl is not regarded as a minor if she has reached puberty and has acquired a certain level of maturity, where she can start a family.” Although largely shunned upon today, this still does take place.

Maxwell aptly titled the name of his song Stop the World, recognizing that precious moment where both (or a trio of) parties involved agree to coitus. He sings…

Imagine if it was, if this was you, if this was I

So perfectly designed to be here all night

Let the world rage outside, cause when I’m here with you

The world stops for me, the world stops for me

Since there is a culture built on, around and through rape it means we can also build a culture on, around and through the sensibility of consent. But there needs to be commitment from men, in instilling those values on the impressionable young boys growing up today.

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10min14800

OF ALL the periods in Hip Hop’s few decades of existence, there still hasn’t been an era that heads sentimentally connect and long for, like the ’90s era.

This nostalgic feeling is driven by the reverence in lyricism, the holy sampling, the endearing Boom Bap sound and the purity of the genre right before the immorality of the new millennium. It’s for this reason that even in this current Trap era, there are still emcees who uphold the above-mentioned 90s era “principles”. Simphiwe ‘Sim’ Mabuya is such emcee.

This is by no means a suggestion that his 12 track album Perceptions should be relegate to the 90s. Nah. The project is refreshing, particularly because it came out just this year.

IN THA STREETS: Simphiwe 'Sim' Mabuya. Photo supplied
IN THA STREETS: Simphiwe ‘Sim’ Mabuya. Photo supplied

The 90s Hip Hop head enthusiast inside me listened to the album in one sitting and appreciated it. Mabuya’s music is like something you’ve heard before, but always wanted to hear again. His storytelling is amplified by lived experiences, his vulnerability and the wisdom that comes with those lived experiences. He makes grown-ass black man music.

The emcee from kwaZakhele, eVuku in Port Elizabeth has a Drama background having studied at the University of Cape Town. “My drama/theatre background has always played a huge role in influencing my music. The stylistic writing, the vivid storytelling, the bringing of emotion / mood to the music and of course the poetry.”

“The project took me about 8 years or so to put together. Meaning the writing of the songs, a few songs I’ve had to rewrite, followed by a fun but long process of beat selection. Its authenticity mostly stems from real experiences, direct and indirect, reflections of my (and my society) daily experience plus stories living and growing up ekasi under difficult and horrific circumstances.”

In just 3:44 he managed to package some of these horrific circumstances, like being stabbed in the eye, to the rays of sunshine in his life, the birth of his daughter for example, in the beautifully laid Ngasekhaya. “I intentionally chose a variety of producers for the project to be diverse without losing that Jazzy, Boom Bap Hip Hop feel,” says Mabuya.

The album’s producers include Adon Geel, Bulelala Ngodwane, Xolani Duai Skosana, Planet Earth and Christian Monashe.

“Pain, joy, loss, daily struggles, achievements, conversations with self, traveling, reading …and a longing for a meaningful and empowering piece of music,” Mabuya tells me of what inspired this body of work.

A REBEL WITH A PURPOSE: Simphiwe Sim Mabuya. Photo supplied
A REBEL WITH A CAUSE WITHOUT A PAUSE: Simphiwe Sim Mabuya. Photo supplied

Unlike a Costa Titch album, Perceptions isn’t bombarded with features of other emcees-there’s no confusion about whose album this is, his voice is rightfully consistently present on this work. Mabuya only had one emcee on this project, with a few vocalists negotiating some of the choruses and hooks.

“I felt I needed to show my pen capabilities, above all …share a chunk of who I am, thus the album title Perceptions. Also I find it challenging to work with energies that aren’t on the same musical / spiritual plane as I am: pen game is critical, authenticity/ originality are key and a positive working energy,” says Mabuya. His first offering was 2007 Social Poetics, which he says was discontinued due to poor production quality.

On the song Tata he openly talks about the hurt brought by his Popps’ absence in his life. The joint is so real, he shares with listeners that the only thing his dad ever bought him was a belt. It’s one of those essential songs in the crevices of the album which will never be bumped on radio and probably won’t be a fan favourite nor a music video shot for it. The song highlights father-son daddy issues on a similar level that HHP’s Danger on the uRata Mang album did for teenage pregnancy.

Perceptions was released in August this year and Mabuya’s work has been received well by listeners. “Frankly, the project has been doing great, gradually gaining meaningful traction within a space of just three months of its release. I’ve been receiving great comments or feedback from everyone that has taken time to listen to the project and am truly thankful and humbled by the response so far.”

THA STORYTELLER: Simphiwe Sim Mabuya. Photo supplied
THA STORYTELLER: Simphiwe Sim Mabuya. Photo supplied

So well that his music has been used on popular television drama series Gomora. “I had sent the music to a friend, she loved it and thought the album would be great for Gomora. She requested I forward five songs I felt would be proper for the show and I did so. A number of days later I was requested to send the entire album, I guess the show’s producers loved the project. I was blown away by the response I must admit, it proved that we, Home Grown Concept, had done a stellar job. So…yeah, it’s quite exciting and dreamy that the music will be heard from the award winning TV show,” a thrilled Mabuya tells me.

The album can streamed here on Spotify and here on Apple Music. You can also stream it on YouTube.


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