DJ Akio

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While most of the world unites in their muting of R. Kelly’s music, DJ Akio on his first night playing in Bangkok learnt that locals couldn’t be bothered by the world’s latest fad. “Surprisingly they haven’t muted R Kelly yet. The DJ before me dropped a couple joints and people were getting down to it like it was Kelly Rowland,” says the DJ.

Akio was DJing at a spot called Marumba Bar last week Friday, showing the people in Thailand why he’s known as the most Shazamed DJ in Africa. “It was cool. Cops shut us down at 2AM so a bit anticlimactic. These first bookings in a new country are always a feeling out process because you never know what goes down. You really have to give the crowd a taste of everything and then process it as you go.”

He plays another set tonight at Marumba Bar and tomorrow at the Continental Hotel Pool Deck for Sunset Splash. Early into the year the Kool Out man put out a list of cities he wants to tour in 2019, with Bangkok sitting at the top. “Most of the cities I mentioned I got a seed planted or a plug that side. I got a lot of goals I keep to myself, because people don’t need to know what you’re cooking but sometimes it’s good to make them public to motivate you further,” the DJ says.

Akio’s dream itenirary. Facebook

“I feel pretty confident about getting at least three more this year. The opportunities are there. It’s mainly about timing. Realistically I can only go to the city once in a year so I want to get the most out of the experience.”

He’s been in the Asian country for more than a week now and that his gigs are far apart in days, bar tonight and tomorrow’s sets, this has given him time to explore the metropolitan in its fullness. “I love how open the city is. Life is on the streets. Everyone eats outside. You always feel the warmth of other people and it’s also mad safe.”

“I still handle all my Kool Out responsibilities so I spend a good portion of the day working and then I just hit the streets and engage. People think I’m joking when I say I just want to be surrounded by Asian people. I’ve been making it a point to go out and find basketball courts so I can run some pickup games with the locals.”

Taxi Boss in Bangkok. Facebook

Rapper Soulja Boy has forced his way back into the mainstream, through the countless interviews he’s done on various media platforms in the US. But despite this, Akio was shocked by the number of times he’s heard Soulja’s Crank That in Bangkok. “It’s like Sister Betina out here. I don’t know why, but I’m assuming it’s because of the dance. They get hella white tourists out here and I think Young Draco stays big with that demographic so it stays on the playlist.”

Akio says Hip Hop remains on the final frontier in Thailand, like most parts of Asia. “While there is a new school/trap market emerging, it’s still very Pop and EDM. I feel like there is a place for me to make an impact, but I’m really gonna have to spend some time here to figure out gaps.”

The DJ isn’t sure whether he’ll fly back straight to Mzansi. “I’m booked for two events at SXSW in Austin, Texas so I might go straight to the States from Bangkok.”


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“I played 0 to 100. Check the lyrics. As they’re telling me to play music without cursing, I’m literally hearing Drake cursing his ass off on the speakers. Was an embarrassing moment”

That’s the awkward moment prominent turntablist Akio Kawahito found himself in, on Saturday evening playing at Lauryn Hill’s after party. The DJ who is popularly known as DJ ID, was playing at Ms. Hill’s private gig, after she and Nas gave eager South African fans performances to remember. But things got a tad uncomfortable for the Kool Out Creative Director when he was asked to change a Drake song he was playing, that had one too many curse words for Ms.Hill’s liking.

“I didn’t really have a set planned, but I had a direction in mind. It was going to be a mix of Hip Hop, Afrobeats, Dancehall, and Reggae. After I got scolded for playing tracks with cursing, I got pretty shook because I was already nervous playing for Lauryn so I switched to Kwaito for a bit because I figured I’ll play some music she won’t understand,” said Kawahito.

Fuck bein’ on some chill shit

We go 0 to 100 nigga, real quick

They be on that rap to pay the bill shit

And I don’t feel that shit, not even a little bit

Oh Lord, know yourself, know your worth, nigga

My actions been louder than my words, nigga

How you so high, but still so down to Earth, nigga

Niggas wanna do it, we can do it on they turf, nigga

Oh Lord, I’m the rookie and the vet

Shoutout to the bitches out here holdin’ down the set ….are some of Drake’s lyrics from 0 to 100.

Hill was in the country this past weekend as part of her Miseducation Of Lauryn Hill 20th Anniversary tour that has seen her perform in various parts of the world, celebrating her 1998 classic album. But from the day it was announced last year, that she would come to Mzansi, a lot of people were skeptical of her punctuality, or lack of. She also been marred by reports of cancelling and postponing some of her Miseducation Of Lauryn Hill Anniversary legs, but delivered on Saturday night.

“I think as much as people love seeing a come up, they also love watching a star fall. There was definitely a lot of negativity and uncertainty on social media. I won’t lie, even I questioned it and I was in direct contact with her team. In the other hand she handled it like a true professional. Production ran more or less on schedule and she absolutely smashed it,” says Kawahito.

Despite being scolded during his mix, Akio left the venue having impressed the superstar who praised him. “All I wanted to do was to impress her so I was hella nervous. My sole role was to play music that she could vibe to so while the people were important, they were secondary to me trying to please her.”


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DUE to his talents being slept on, not a lot of people know about Los Angeles soul singer SiR, who performs in Joburg tonight.

The TDE musician is in the country for his performance at this year’s Alchemy festival. This is the same festival that brought Mick Jenkins, Tom Misch, Anderson.Paak and Low End Theory in previous years. But unlike the aforementioned kats which have been on the Alchemy stage, very little is known of real name SiR Darryl Farris. He got recognition on the scene with his critically acclaimed Seven Sundays album in 2015, following that with an EPs, Her and Her Too.

It was through the EPs that he got signed to Top Dawg Entertainment, home to Kendrick Lamar, Jay Rock, SZA and other talents. But he had been a constant feature on songs of TDE artist prior to that. Earlier this year he released his album November which has produced the popular singles D’evils and Something Foreign featuring Schoolboy Q and has been mentioned as a likely Grammy nominee for R&B album of the year.

Here are just five interesting facts about the Inglewood lad:

HE IS A FORMER GYM MANGER

It explains why he’s quite buff uh? Because he comes from a musical family, SiR was surrounded by harmonies and compositions from a young age. This made him want to carve out his own path in life,  doing something totally different from what he was exposed to. But his tenure as manger didn’t last that long thankfully, because we wouldn’t be exposed to his soulful sounds.

SiR IS ACTUALLY HIS REAL NAME

Bestowed by his Louisiana grandmother, the singer once said that his gran gave him that name because she wanted people to be respectful of his grandson when addressing him.

HIS BROTHERS ARE GENIUS SONG WRITERS

Daniel and Davion Farris are SiR’s older brothers who embraced their music genes long before SiR even considered getting into the business. The two siblings have separately written songs for Mary J. Blige, Joe, Jaheim, Trey Songz and Jill Scott among their long list.

HE’S A PK WHOSE MOTHER WAS A BACKING SINGER FOR POP STARS

After spending a decade in prison, SiR’s father got into the ministry thus making SiR a preacher’s kid. While his mother use to singing backing vocals for Michael Jackson, Tina Turner and also worked with Gospel artists like Yolanda Adams and Fred Hammond.

HE’S AN ENGINEER AND HAS WRITTEN SONGS FOR OTHER SINGERS

After giving in to the music, he began doing sound engineering. But while doing that, he was also creating some music on the side, which received positive responses from a number of people. He wrote Jill Scott’s Prepared which is on her 2015 album, Woman and co-wrote two songs on Tyrese’s Black Rose album. He’s worked with Anita Baker, Stevie Wonder and Melanie Pheona.

He performs tonight at Victoria Yards and will be supported by local talent such as Rouge & the Brass Cartel, Thabsie, Uncle Party Time & Capital; P Kuttah, Akio and DJ Vigilante.


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SOUTH AFRICA’S currently the world’s biggest fad, based on the number of international guests coming to our shores this season. One of the world’s coolest parties, Everyday People, is to be hosted down South on the motherland.

“I firmly believe that SA is one of the most popular trends in the world right now based on how much interest I have seen in the music and culture while touring overseas,” says Kool Out Creative Director, Akio Kawahito. Kool Out, together with Feel Good Series and Nescafé will be Everyday People‘s South African partners for the two events which will be hosted in Joburg and Cape Town next weekend.

“Everyone is looking to Africa right now and in particular South Africa. I definitely believe that Everyday People is getting a jump on everyone else and will further cement SA’s rep overseas as a destination spot.” Akio says.

The Delicious Festival takes place this weekend and is headlined by international songstress Erykah Badu and Jordan Rakei. While a number of international jazz kats will grace the Joy of Jazz stage later this month, including vocalist Bilal, events such as the Global Citizen and Afro Punk are also concerts stuffed with overseas artists. All these grow the notion that Mzansi is the place to be, this warm season.

But DJ Akio says Everyday People‘s decision to launch their growing brand on the African continent was organic more than anything. “I have a friend in New York City who is close with the Everyday People squad and they had expressed interest in wanting to expand to South Africa. She recommended partnering with Kool Out so we setup a meeting while I was in New York and came up with a plan to launch in the Spring and do an all-out bash in December. We assisted Nescafé with their International Coffee Day initiative last year so they hit us up again for this year. We presented Everyday People to them and they loved the concept and decided to make it part of this year’s initiative.”

What’s distinct about Everyday People is that it’s an all-black party which takes place during the day. The monthly parties started out in New York City and then branched out to other cities such as Miami and Los Angeles- as much as all their shows make one feel like they’re on the African continent, this will be its first time on the motherland.  “We’re really trying to emphasise the daytime element and hope it works out that way. At the same time, you know how South Africans love to show up late. It’s the first time we’re doing it here so we’ll see how it goes and make adjustments for the next ones,” says Akio.

The Everyday People event in December event will be an alternative for those who’ve grown a sense of dissatisfaction with Afro Punk, which will be in the country for the second time this year. Next week’s shows in Cape Town and Joburg will be launches, hence the line-ups only have Disk Jocks.


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Being the last day of the historic youth month, throngs of young people gathered at the Constitutional Hill to enjoy some of the country’s finest artists, express themselves at the three day festival which kicked-off on Thurday.

Saturday was the much anticipated music concert that featured what you could say are different eras of  South African youth. From the likes of Skwatta Kamp, Samthing Soweto,BCUC, Sho Madjozi the BLK JKS, Moonchild and Muzi.

The latter was playing his last gig in the country, before heading out to Europe for his month long tour. While he was playing Basha for the first time, Muzi gave the buoyant crowd reason to dance on Saturday night with a set that included a remix of Margret Singana’s We Are Growing (Shaka Zulu theme song) to Ye’s All Mine and some.

“It’s dope…getting people that really vibe with the music.  But that’s the thing about umculo dawg, the shit is universal. You can connect with everyone if you do it proper,” said Muzi. The producer from Empangeni was irritated though, by someone who he says interfered with his set. “There’s a guy that kept tapping my shoulder, telling me about time and that I have to finish up. Which I really didn’t like,” said the producer.

“I like enjoying my music. So I’m not the stay behind decks, and look cool typa guy. Sometimes I leave it, I just press play because I’ve mixed it proper, and vibe with the crowd.” He did that by grabbing the mic in the first half of his act, to perform one of his songs.

His European tour will see him play at Northstar in Scotland, Beatherder Festival in England and Base in Milan, Italy among others throughout July and returns just in time for Oppikoppi in August.

He doesn’t prepare different for an overseas audience, juxtaposed to the audience here at home. “…Even us as black people, we’re still kinda indoctrinated so we still have to relearn our culture. When I play a song uZenzile for instance, which I couldn’t play here, I get the same reaction from everyone. Nathi as abantu abamnyama, we’ve sort of assimilated to whiteness and that’s what we think success is. It has to be honest music…it can’t be sugar coated to suit a certain crowd.”

Madjozi’s performance which was just before Muzi’s was enjoyable, whilst Skwatta Kamp’s energy on stage was impressive for men who no longer perform week in week out. Bar the fact that singer Relo, looked a tad uncomfortable throughout their performance. A young looking Pro (Kid) performed some of his new songs, but the crowd were eating off the palm of his and when he played classics such as Wozobona.

The BLK JKS’ performance was also a big crowd puller. They had the crowd singing ‘aweyawo’ when they performed Molalatladi while everyone was charged up by Mzabalazo. The festival lived up to its theme, Join the Movement, which each performer did in their respective style. A scantily dressed Moonchild gave a great performance, as though channelling her inner Brenda Fassie. Black Motion’s stage presence and showmanship is right up there with some of the country’s best.

It was embarrassing though, when the night’s MC butchered DJ Akio’s name before his set began- the crowd kept screaming the DJ’s actual name to correct the blunder. It’s always a good sight seeing an artist who isn’t on the line-up, attending an event just to have fun. I spotted Kelly Khumalo, Petite Noir and Lunga Shabalala among others in the crowd, having jump at the festival.

I was impressed by the security presence at the event, not only that but how they never imposed themselves on the patrons. I never saw one being manhandled for rolling a joint unless, they were staring trouble. I was a victim of pick-pocketing on the night, after my cell phone was mysteriously stolen, but was fortunately able to recover it with the help of a security guard and crowd members who were ironically victims of the dude with a number of phones in his pocket. He was taken-in by the security.



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