Explaining his reason for having lyrics in the sleeve of Bob Marley and the Wailers’ 1973 album Burnin’ Island Records founder Chris Blackwell said in a documentary “This music, which at this point in time was novelty music, I really wanted to get across that this is not just novelty, what these words are saying, are words which have a universal appeal, they are not just Jamaican, they’re not throw away words. This man’s a poet really.”
Burnin’ was the group’s second album under Blackwell’s Island Records and at the time, Reggae wasn’t a popular style of music outside of Jamaica. The way the album was presented, its art and printed lyrics, made the marginalised genre more marketable to the rest of the world. Peter Tosh and Bunny Wailer are immortal musical giants, but Marley is a pop icon that wrote most of the trio’s music. By 1974 the group had disbanded, which saw Marley go solo but supported by new band members under the same name.
Bob Marley had a lovable character and made music that effortlessly connected with people. Thanks to the music he left us with, generations keep falling in love with the man from Trenchtown, Kingston Jamaica. As today would’ve been Marley’s 74th birthday, we remember him through his words, be it written in lyrics or those uttered in conversation. Words which epitomize his character; for what’s a man without his word…
“FREE SPEECH CARRIES WITH IT SOME FREEDOM TO LISTEN”
“MY MUSIC WILL GO ON FOREVER. MAYBE IT’S A FOOL WHO SAY THAT, BUT WHEN ME KNOW FACTS ME CAN SAY FACTS. MY MUSIC WILL GO ON FOREVER.”
“NO ONE BUT OURSELVES CAN FREE OUR MINDS.”
“DON’T WORRY, ABOUT A THING, EVERY LITTLE THING IS GONNA BE ALRIGHT”
“I HAVE A BMW. BUT ONLY BECAUSE BMW STANDS FOR BOB MARLEY AND THE WAILERS, AND NOT BECAUSE I NEED AN EXPENSIVE CAR”
“MY MUSIC FIGHTS AGAINST THE SYSTEM THAT TEACHES TO LIVE AND DIE”
“ONE THING ABOUT MUSIC-WHEN IT HITS YOU, YOU FEEL NO PAIN”
“THE GOOD TIMES TODAY, ARE THE SAD THOUGHTS OF TOMORROW”
“HERB IS THE HEALING OF A NATION, ALCOHOL IS THE DESTRUCTION”
“THE BIGGEST COWARD OF A MAN IS TO AWAKEN THE LOVE OF A WOMAN WITHOUT INTENTION OF LOVING HER”
IN honour of Black History Month, people in the US will be able to watch African inspired superhero movie Black Panther in cinemas without buying a ticket this February.
The Marvel billion-dollar blockbuster that had Africans in the diaspora and on the continent in a euphoric state of pride a year ago, will be shown for only one week, at 250 AMC theatres in the US. The Oscar-nominated film walked away with a slew of gongs in hand on Sunday night at the Screen Actors Guild Awards (SAG) which are seen as the curtain-raiser for the more prestigious Oscars.
Also known as African American History month, the observance to celebrate dates back to 1926 in the US when black historian Carter G. Woodson and the Association of Negro Life and History set the second week of February to be Negro History Week. The dates also corresponded with the birthdays of Fredrick Douglass and Abraham Lincoln, who are big figures in US black history. But the month-long observations commenced in 1970.
In the following years, other countries that have also joined the US’ 28 day celebration of black history. It was in 1987 when the United Kingdom first commemorated the month as black history, Canada and the Republic of Ireland joined the movement in 1995 and 2014 respectively.
Like anything under the sun, Black History Month has come under criticism from a number of black American who are of the opinion that the month celebrations are defeating the purpose of having a Black History Month. Black people’s history and contribution to the US is still not in the country’s mainstream education-darkies in the US are still limited to narratives of being slaves and colonial subjects. “I don’t want Black History Month. Black history is American history,” Morgan Freeman once said.
GOOGLE an Aries’ traits and you will find that they are; Creative, independent, spontaneous and quite stylish.
Hugh Masekela, who died today a year ago was an Aries, born on April 4th. The jazz legend was an obvious creative, a staunch independent man while his travels showed his spontaneity and had he a penchant for fine apparel.
Maybe it might be hard to think of him as independent, looking at the rate at which he collaborated with other artists throughout his career. But his independence shone brighter under the cloud of collaboration in the slew of bands he was part of. Masekela, together with Dollar Brand (now known as Abdul Ibrahim), Kippie Moeketsi, Makhaya Ntshoko and Jonny Gertze make-up the first African jazz ensemble, Jazz Epistles, to record an LP in 1959.
They sold out shows in different parts of the country, but he understood that he couldn’t stay in South Africa because of dump-ass apartheid system. With lyrics swelling of anti-government chants, he left the country for London but soon moved from the UK after meeting Harry Belafonte and became a student at New York’s Manhattan School of Music. Despite spending a large part of his time in the US and other parts of the world, Masekela never discarded his South African pride, languages and cultures. He was an independent thinker who understood his role.
His style isn’t the culture-defining kinda stuff that a Bob Marley made look seamless in his Adidas tracksuits. But Masekela was savvy enough to dress himself in adequate class and eight times out of 10, you’d see the old man rocking his newsboy cap that he was very fond of with a dashiki to mark his pride and love for Africa. Whatever he wore, he manged to partake in the day’s fashion, remain true to himself and be comfortable on stage.
He always had the juice. Not only was he an astute jazz musician who composed some of the greatest music of our time, Masekela also knew how to use that music into other spheres in the art spaces for education, entertainment and activism. Together with comedian Kagiso Lediga, Maskela created late night talk show The Bantu Hour.
Built around the most famous boxing match in history, the Muhammed Ali vs George Foreman fight, Masekela with close friend Stewart Levine, organised a music festival, Zaire 74 in Kinshasa.
He ingeniously managed to fuse different styles of music to create something new- another reason for his longevity. In 1985 he founded the Botswana International School of Music, which still exists today.
Nelson Mandela wrote him a warm birthday letter while the former statesman was still in prison. In response and out of the blue at a party, Hugh went to the piano and began singing what we know today as Bring Him Back Home (Nelson Mandela) which became an instant hit.
He travelled and lived in different parts of the world for numerous reasons. His discography paints a picture of how natural he was at creating music. After spending a lot of time in the US and Europe, he came back to Africa and worked with West African band from Ghana, Hedzoleh Soundz to make some Afro-beat inspired tunes.
But around the mid-80s he was based in Botswana where he made music inspired by Southern sounds such as Mbaqanga. He sporadically changed sounds; it’s as though he knew what sound was right for his audience at the time. Because of his spontaneity, his music organically reflected the times.
IN A move that was expected in at least three years, Riky Rick has heeded the call for a big scale event that will take over from Hip Hop festival Back To The City after Ritual Media announced last year that the international festival would come to an end in 2021.
Social media was flooded with news of Riky Rick’s curated music festival next month which is to celebrate music and fashion, as he released a line-up of South African Hip Hop acts who are established and those who aren’t in the mainstream.
“Mainly set to showcase the diversity while fusing the gaps within various Hip Hop sounds and local movements, the Cotton Fest will not only bring together and unite over 80 unique acts divided over two stages, but will celebrate fashion in its various spheres,” read the statement.
The long list of performers and the space for fashion is very much similar to what BTTC did for over a decade now on every Freedom Day. BTTC was founded by Osmic Menoe and Dominique Soma in 2007 and has been an institution of the Hip Hop culture in its entirety. With B-Boys, Graffiti artists, fashion designers, skaters and ballers-everyone involved in the culture was catered for.
But a lot of dissatisfaction from fans with BTTC was with how Osmic and his team never brought an international act which was current and popular among with the youth, i.e a GoldLink or Mick Jenkins. In an interview in 2014, when they had brought old school rapper Jeru The Damaja to the country, Osmic the founder of Ritual Media said the reason for bringing old school kats was a way of giving the old heads in attendance something to enjoy as well, as the line-up is dominated by new generation of emcees.
It’s to be seen whether the Cotton Fest has observed that plea from the people to not bring has-been artists to South Africa. There will be a surprise act on the day; whether that act is an international performer or not, it will be seen on February second.
The inaugural BTTC was held on the corner of Bree and Henry Nxumalo Streets under the bridge, attracting 3500 people and has grown over the years to numbers above 20 000 and is hosted at Mary Fitzgerald Square.
The Cotton Fest will be hosted at The Station near Nelson Mandela Bridge and the one-priced tickets will be limited to only 5000 attendees. Just like BTTC, one can foresee Cotton Fest growing in numbers and heading to Mary Fitzgerald Square in a few years, which will complete the transition of the guard in Newtown and Hip Hop.
IT is like the excitement of a child on Christmas morning. No, it’s similar to what that Idabala track did to people over the festive season. Actually, it’s a combination of the aforementioned plus the eagerness of an avid drinker at the site of an open bar. That’s what an election year does to politicians- it brings out their silly side.
We’ve only 10 days in the year but we’ve already seen and heard some ridiculous things spewing from candidates’ mouths. This article is not about the sound decisions you should make when you get to the ballot box come vote day. No. It’s to help you see through the bullshit that will be dished out, in the lead up to the country’s sixth democratic elections. The IEC hasn’t announced the date for this year’s voting, but it’s expected to be in May.
BELOW ARE FIVE RIDICULOUS THINGS YOU’LL SEE POLITICIANS DO TO GET YOUR VOTE:
THE EMERGENCE OF NEW POLITICAL PARTIES
Hludi Motsoeneng has big dreams of becoming president of this country one day. The discredited former SABC boss launched his party, the African Content Movement party last month. “The new animal, ACM, is [an] African first. Anything that we produce in South Africa will be 90% South African because it is very important to empower people of South Africa. We need to start here at home,” said Motsoeneng at the launch of ACM.
He has an interesting affinity with 90%. This is the same percentage he insisted on a couple of years ago while at the SABC, when he pushed for a quota for state radio stations to play substantial local music. There’s a common thread between these newly found political homes, besides the fact that they die out a year or so after an election, their party names usually sound like incomplete slogans or sentences.
Gupta-associate Mzwandile Manyi hinted at launching a political party too this year. But yesterday he announced that he’ll be joining the ATM-African Transformation Movement, a party formed by displeased Jacob Zuma supporters.
THE SHOW OF SUPERFICIAL AFFECTION TO THE PEOPLE
Yes, it’s that season where the lips of presidential candidates get busier than that of teen girls pouting for selfies. The kissing of babies while on a campaign trail is a US tradition which political contenders from around the world have adopted. Here in South Africa kissing babies isn’t the only way to show warmth and kindness to hopeful voters.
Smooching senior citizens and going to the homes of the impoverished is also a card that politicians play. As a way of being ‘in touch with the people’ some politicians will actually go out of their way and butcher people’s languages while addressing them. You should hear a Mmusi Maimane promising a better life for rural people in the KwaZulu-Natal, in the most uncomfortable isiZulu you’ll hear.
STUPENDOUS HAND OUTS OF POLITICAL REGALIA
Maybe it’s that track by Luther Vandross and Janet Jackson, or that line from Kanye’s Good Life… but whatever it is, people sure do believe that the best things in life are free. Politicians take advantage of people because of that very fact. Citizens are always ready to get on a free bus ride to a stadium, where they’ll be handed free T-shirts just so the arena looks like it’s filled up by active members of that party. Caps and lanyards are also handed out at these mass gatherings.
PRESIDENTIAL CANDIDATES ANNOYINGLY TRYING TO BE COOL
I cringed at the site of seeing former President Zuma rocking a straight cap dabbing with fellow comrades his age at a rally, campaigning for the 2016 Municipal elections all in a bid to lure young voters. Another trick they’ll pull, is of a celebrity’s endorsement. Photos of EFF Chief Julius Malema and rapper AKA at an event circulated social over the festive season. That was no coincidence.
The likes of AKA, Kwesta and Nasty C have millions of followers who some will be voting for the first or at least second time this year and politicians are very much aware of that. Just like any brand, political parties will lure artists with big cheques so that they encourage their fans to vote for a particular organization.
THE BIG PROMISES THEY MAKE AT MANIFESTOS
You know that friend who’ll randomly call you and suggest y’all go out. You get there and after the bill arrives, that person decides to tell you that they actually don’t have the money to pay because of personal issue. That’s how these political fellas will make you feel post-election.
It’s sad, the promises they make to desperate, destitute and gullible civilians who’ve religiously given their vote to them but have received nothing significant in return for their trust. It’s the major reason for young people’s disenchantment with the elections because history has taught them to never trust politicians’ hogwash.