5FM

Clement Gama04/04/2019
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6min12411

Change is the only constant in life, but then again why change it if it ain’t broke? Each year around this time, radio listeners are forced to adapt to new voices on their airwaves because of the alterations that occur on radio.

In what seemed like an April fool’s day prank on Monday morning, people weren’t hearing the voice of radio jock Justice ‘Just-Ice’ Ramohlola on his show Planet Haaibo, but were welcomed to the month of April by former 5FM presenter Nonala Tose on her brand new show.  Last night Just-Ice came on at 19:30 until 22:00, following Robert Marawa’s sports show.

Radio 2000 confirmed through their social media accounts that the renowned DJ will be on the night-time slot, a clear demotion from the coveted breakfast slot he and his team enjoyed. In a tweet, one Tiisetso Maloma said “Listening to the amazing Just Ice Ramohlola on Radio 2000, on the evening slot. This man is a champ. But management of the station is a joke.”

Listeners are puzzled by the station’s management, for removing a breakfast team that was liked by throngs of listeners from all over South Africa. “Puleng Thulo, station manager should just listen to the people, that’s wise leadership. Just-Ice is needed in the morning, qha!” said Davison Mohlomi Mudzingwa on Facebook.

While Dion Gabi put it poignantly in a Facebook post saying “This guy makes your troubles disappear in the morning bathong.”

The station has been hyping incumbent breakfast show host Nonala on social media, through images, videos and messages in a bid to encourage listeners to tune in, but some of the station’s audience don’t give a rat’s ass. “You guys got it wrong this time. Not taking anything away from the sister, but she’s more of a weekend presenter. 90% music 10% talk,” said Baks on Twitter, replying to a post by the station about Nonala.

Nonala at her new job. Photo by Radio 2000

Responding to Baks, Similo Silwana said “I am in agreement with you. In the end, it’s Nonala that some listeners will criticize instead of management. I listened to Ice last night and wasn’t sure if he was standing in for Bambo (Johnson) or it’s his new slot. Maybe it will crush ego of decision makers to bring back Ice? He’s missed.”

The people have spoken have made their voices heard, will the station leaders heed their calls for change?

It’s things such as these that highlight the paucity of leadership in our country, it’s not just in politics but also in sport, entertainment and media in general. It’s similar to last month when President Cyril Ramaphosa took the train, and saw how commuters struggle on a daily and him coming out saying “heads will roll” because of what he witnessed. My immediate response to that was “What the fuck, sir?” Are you telling me you didn’t have a clue of what was happening on the ground all this time? Most leaders in this country are out of touch and seem beyond reproach.

It’s interesting to see what will happen at Radio 2000 in the coming days and weeks, because it’s clear that people just want Ice in the morning.

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Every living human being has a soul. In each of us, there’s a something viewed as immortal and defining of our character and who we are. Now what I’m curious about, is whether we as society still think white people do not have soul?

All my life, I’ve observed the rhetoric that white people are lacking when it comes to soul. In the arts and even in sport. I grew up understanding that a white soccer player could not have the same rhythm and be pleasing to watch on the field as Doctor Khumalo or Steve Lekoelea. Yes, they played the beautiful game with more than just there’s limbs but also with soul.

The idea of black people being the gatekeepers of soulfulness stems from the 1950s in the US. Because of artists such Aretha Franklin, who recently demised, James Brown and Sam Cook whose music was highly emotive and equally spiritual. Soulful artists have the conviction of Gospel and the suave and agony of Rhythm and Blues. Most of their voices were moulded at a church somewhere. Incorporated with soul-food, you get a vivid idea that soul and black culture go hand-in-hand. Abo darkie are the archetypal of soul. But in the last few years we’ve seen a growing number Caucasians who have soul.

Tom Misch, JFK, Jamie Isaac, Mac Miller and Jordan Rakei- who will be performing at this year’s DSTV Delicious Festival- are talented artists changing the status quo. J.Cole touched on this in his track Fire Squad.

History repeats itself and thats just how it goes

Same way that these rappers always bite each others flows

Same thing that my nigga Elvis did with Rock n Roll

Justin Timberlake, Eminem, and then Macklemore

While silly niggas argue over who gone snatch the crown

Look around my nigga white people have snatched the sound

This year I’ll prolly go to the awards dappered down

Watch Iggy win a Grammy as I try to crack a smile

I’m just playin’, but all good jokes contain true shit

These are heavy lyrics by Cole which were misunderstood by the public when the song came out. But it leads one to the question, are white people truly snatching black culture? I believe as black people we don’t mind, when other races immerse themselves in our various and interesting cultures-we’re too sharing to be that petty.

What irks us most, is someone who does not give credit to those who created the culture which they love because it has given them so much. Black people want and need to be acknowledged for the great that they are.

It’s no secret that Elvis Presley was the counterfeit King of Rock ’n’ Roll while the original King was Chuck Berry and that Eminem is a great rapper but his whiteness has been a huge contributor to his success.  It’s no problem when someone of Em’s stature gets love and recognition, but it was disappointing when someone who makes gibberish as Macklemore won a Hip Hop Grammy award instead of Kendrick Lamar.

But it was inevitable that things would be like this, since the world is getting smaller and is free of segregation, apartheid and other wack laws which made it difficult for people all over the world to exchange cultures. Should we as black people take offense that other races immerse themselves in black culture? Not at all, we should take pride in it. A case in point is South African music legend Johnny Clegg who made great Mbaqanga music, but could never be compared to one of the gods of the genre Mahlathini and the Mahotella Queens. The latter were a collective of a black king and queens who made music for everyone but never, not for one second, lost touch with their blackness. They owned it…and were still cool with Mr Clegg enjoying some of it too.

The likes of RJ Benjamin and Kid Fonque are known for their inclination to music with soul, which people of their own race don’t often appreciate as darkies do.  RJ Benjamin has proved time and time again with his albums, production and the people he’s worked with that he’s a soulful kat whose name you wouldn’t find on a line-up, next to Kurt Darren and Steve Hofmeyr. While Kid Fonque’s show alone, on 5FM would sit well on afropolitan radio station Kaya FM because it’s not limited to the generic electro sound that’s synonymous with white fellas and girls. But his House music is soul satisfying, not just focused on burning my calories on the dance floor.

I know black people who’ll say white people can have all the soul they want, including our dance moves, if they give us all their wealth.  Fortunately things aren’t that simple. We cannot and should not sell ourselves, instead we should own our culture, share it with the rest of the world whilst finding ways to preserve it so that it doesn’t get gentrified and become something we can barely recognise.


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