EVE REVIEW: RAPSODY’S RAPS TRANSCEND GENDER WITHOUT DENYING IT

RAORapsody EVE  album cover

IN honouring Denzel Washington at the 47th AFI Lifetime Achievement Award Gala Tribute this year, actor Mahershala Ali said “…your influence, your reach transcends race without ever denying it…” Fitting words for a thespian who’ll go down as one of the best to ever do it. Rapsody’s latest album EVE, and her other previous work in fact, displays how much this black female’s art transcends gender, without denying it.

Something rappers who are female tend to get tripped by is the novelty of females in the rap game. You find sisters only rapping about being females who rap, which more often than not, comes off as a homily- not music. Like how the typical “underground” rapper would bog you down with how the mainstream is being manipulated by a secret society and that the biggest artists are actually aliens in human form-all of this without telling you their story and making actual music. But Rapsody has mastered the art of music making and storytelling. When listening to her music, what’s between her legs isn’t relevant and you’re there listening to a dope ass kat. But her sex is unquestionably significant to everything and very much unmissable.

Poignantly titled EVE, Rapsody’s third album is more special because she titled each of the songs with names of powerful black women. From Cleo (the character from the movie Set It Off played by Queen Latifah), Oprah Winfrey to Nina Simone. She paid homage to these women and all others in the globe in the best way she could.

Till this day I think her previous album Laila’s Wisdom is universally underrated. I couldn’t fathom her returning so quickly, with something so rich in sound, lyrics, and concept. Plainly put, I didn’t think home girl could top Laila’s Wisdom.

Ibtihaj is named after Ibtihaj Muhammad, who was the first Muslim woman to wear a hijab while representing the US at the Olympics where she took silver in fencing. Rapsody gives nods to strong female emcees that came before her on the song, like Lady of Rage and Roxanne Shante- and taking a leaf from their book, she shows her bravado and says ain’t an emcee on this earth that make me feel afraid. GZA’s verse has that nice old school feel, thanks to his flow…with D’Angelo vocals complementing both rappers.

There must be something about Rapsody’s chakras because whoever she features, the genuine chemistry is always palpable. Whether it’s  Sojourner with J.Cole, Oprah with Leileki47 or even Iman featuring J.I.D and SiR. In an interview with Sway, she said she wanted Cardi B to be on the track Whoopi. The bouncy beat produced by Khrysis would’ve suited Cardi’s energy. Rapsody’s beat and collaboration selection is like that of a producer; she’s quite decisive in that space.

The opening keys to Hatshepsut took me to church and even when the beat comes on, the warmth of the song remains. It would be wrong to say Rapsody got chowed on this joint because of all the love in the song, but hearing Queen Latifah rap is hella refreshing and inspiring. Her verse was on some Big Sis’ tip not only for Rapsody, but the youth.

Even living single we connected by the tribe
Was raised by a Queen, know how to be one
And love one and raise a King
When he’s older I’ll describe how to love ’em
Queens come in all shapes and colors
Though we sit on thrones we don’t look down on each other
I learned how to rule from my mother and my aunties
Got the blood of the Asante
I could be Cleo or Ghandi to protect mine
It’s peace of mind, word to Jersey
I’m a giant, a Queen’s pride stronger than the lions
Connected by alliance, sisterhood
The day you try to test me, look homie I wish you would
Open doors for the ladies as a Queen like I should
That’s why I’m Queen Latifah in every village, every hood
And I’m good, and every city worldwide
And why I been reigning for the last twenty five
So all hail the Queens and the next ones to arrive
Came out of Jersey with naughty dudes and hella drive
Just another day above ground working my thighs, we runnin’ it
Member the days me and ‘Pac, we had some fun with this
When I would bust you dead in your eye, that’s called humblin’
Been holding the torch, I don’t fumble it
I’m a child of God versus son of men, tellin’ ’em

I enjoyed Rapsody’s heartfelt letter to black folk, especially us black men on the track Afeni. It’s a timely song looking at the issue of Gender Based Violence in South Africa right now. The emcee drops knowledge about how men should learn to treat all women with the respect and love they would their mothers and sisters.

EVE cements her name as one of the best to ever do it. If we’re talking top emcees in the game right now in the mainstream, Rapsody’s name should be mentioned with the Coles and the Kendricks.

Bonginkosi Ntiwane

A South African storyteller.


Leave a Reply

Your email address will not be published. Required fields are marked *


About us

We’ll Not Change The World Ourselves. But We’ll Spark The Minds That Do.
Read More

CONTACT US




Newsletter





Will be used in accordance with our Privacy Policy