IT was Mahatma Gandhi who once said we ought to be the change we wish to see in the world. Words of the low-key racist Indian reverberate in the story of how NGO Umzekelo Community Development Organisation was found.
UCDO’s founder and chairperson Fortune Shabangu grew up as the bad-influence kid your parents didn’t want you playing with. “I’m a school drop-out myself and I grew up doing petty crime with friends just to fit in and that always put me as a black sheep of the family, my community and at school. My friends’ parents didn’t want me near their kids as I was a trouble child and all that. I believe I was longing for my separated parents because I was raised by my grandmother and uncle,” says Shabangu. His mother passed away in 2011, a few months after Shabangu rekindled his relationship with her.
Seeing the need to make a turnaround in her life, Shabangu joined Siyanqoba Theatre Project as a hip hop dancer which later went into drama, poetry and music. “…we were doing prison tours showcasing talents I never thought I would, and seeing young brothers in jail opened my eyes that’s when I realised one day I want to establish an organisation that will educate young kids about social ills, crime and where the smallest things we ignore”
So in 2017 Umzekelo was born from his previous pains. “Umzekelo Community Development Organisation was established to be the voice and change of young people in all educational institutions. In schools we are seeing a lot of bullying, crime, teenage pregnancy, moral degeneration, drug abuse, school drop outs and all these things are increasing the volume of poverty in our black communities. Coming with programmes that will enhance the kids to try keep them off the streets is our main own collective objective,” Shabangu tells Tha Bravado.
Two years later, Shabangu has built a team around Umzekelo which has helped kids going through unimaginable traumas. The organization is currently on a clothing drive, for less fortunate youth which has been well received. “The reception so far has been overwhelming, with a high number of people on social media and different communities across Gauteng showing interest and endless support,” says Umzekelo’s Deputy Chairperson, Derah Manyelo. Other team members include Treasurer Reggie Majola, PR and marketing head Kenny Sekhoela as well as graphic designer Kamohelo Morobe.
“The clothes are going to be donated individually to financially disadvantaged kids, with more of the clothes going to orphanages around Tembisa mostly. Community members can also identify a kid they believe deserves the clothes and we will gladly assist with some of the donations we have,” adds Manyelo.
Umzekelo has in the past, went on a pad drive as well. “The clothing drive isn’t the first initiative under UCDO, before the clothing drive we were pushing the Sanitary Pad Drive which is an initiative aimed at collecting and donating sanitary pads to underprivileged school girls who cannot consistently afford to buy sanitary pads for themselves.”
“We do not have a cut-off date because these are ongoing problems and we are willing to tackle them till the end,” says Manyelo of both the Pad Drive and the clothing drive.
Get in touch with Umzekelo Community Development Organisation at:
It was Greek philosopher Plato, who said necessity is the mother of invention. And it is Lebogang Motsagi, who finds himself corned to create something out of nothing in order to get what is necessary- an education.
The 23 year-old photographer and fashion designer has been accepted at the University of The Arts London, London College of Fashion as well as by the London College of Communication and another Photography School in Berlin. “I unfortunately had to defer the offer, then I eventually lost my place for the 2018/19 enrolment. However, I got contacted by a guy named Tom, who works for UAL and was also helping me with my application. He stated that me losing my place for 2018/19 does not mean anything bad. All I need to do is reapply for the same course whenever I have my funds sorted out.”
“The process won’t be as complex as the initial one because the panel is already familiar with my application as well as my work. I basically have until January 2019 earliest, or either September 2020 latest to raise the funds,” says the maverick creative.
To raise the money, the designer took matters into his crafty hands and created unconventional chic bags. “I have been making and selling bags to help raise more funds as well as to pay for my food and rent due to the fact that my plans had completely changed. Everything went south. I was not planning to be here this long, so that too is a big problem. I also get booked for shoots every now and then. So that also helps a lot.”
The Kimberly born creative has a clothing brand, Elisa, named after his late mother. The bags compliment the clothes he also makes. “That is just one of the projects I am doing on the side to help get my work out there more. I am not ready to share any details regarding the brand so far. It’s still going through its early stages of development.”
The lanky young man has also opted for modern conventional ways to get out of the finance dilemma. He’s gone the fundraising route, setting up an account on Go Fund Me where he asks 500 000 people across the globe to donate R1 each, to help him reach his target.
“I have managed to raise about R10 000 so far, but I have spent some of the money on fabrics to make more items that would help me more money, as well as on my IELTS test, and other expenses I faced while having to travel to and from Pretoria to write the test,” says Motsagi.
In the spirit of the great Dapper Dan, young designer Mbulelo ‘Random’ Methula captures energy from his surroundings and manages to articulate it in clothing. While Dapper Dan’s garments were inspired by Harlem’s swagger and elegance, Methula’s clothes are palpable of Braamfontein’s hip and unconventionality.
In the 1980s Dapper Dan would make counterfeit garments of high-end brands such as Gucci and Louis Vuitton- no child, I’m not talking about the kinda stuff you’d spot in the Joburg CBD next to those infamous GANG tracksuits. Dapper made the already elegant brands, more sophisticated with the merging of the brands with his personal designs, which were worn by superstar athletes like Mike Tyson, drug kingpins and famous artists.
Methula, who is known as Random on the streets is stitching his name into the annals of fashion history, with his brand Random Clothing. “I’ve always enjoyed styling and customizing things. The Air Mbadada just happened to be one of the ideas I was serious enough to fully execute,” says Methula.
Imbadada are the traditional sandals made from tyres, synonymous with Zulu men. Their comfortability have grown the sandals’ popularity among various people, from all walks of life. Methula removed the sole of the Mbadada and replaced it, with that of a Nike Air Max sneaker. “This was as basic and as random as it sounds. But one day, I just looked at them both and dared myself to make one shoe out of both.”
“Growing up, I had always observed how most inner city Zulu men loved Nike products, and I say love because I would always see this in every Zulu hostel I’d ever been to.”
“So the vision was to incorporate products and a dress sense that will give birth to a newly fashion known as Air Mbadada.” The Air Mbadadas have been in existence for two years now and the look has matured with time, with Methula redesigning clothes synonymous with traditional Zulu men, such as colourful overalls and caps, and merged that with the Nike brand. “And all these are for me, works of art. Art that has been turned from an idea into a reality.”
He’s a fan of designer Jeremy Scott’s work. “With Moschino and Adidas too. The late great Karl Lagerfeld I also have immense respect of…and [I] look-up to local designers such as Thula Sindi, Rich Mnisi and Thebe Magugu.”
Methula found Random Clothing in 2016 and says he’s taste in fashion was sparked by his mother. “From a very young age, I was fortunate to be exposed to the type of fashion she enjoyed- she’s a real stylish woman.” And it was his aunt who taught him how to sew- he’s been at it since 2014 but decided to take things more serious in 2016 to study fashion design at SewAfrica Fashion College.
Random Clothing has also designed T-shirts, hoodies and sweaters which have been worn by rappers. “Random Clothing has been fortunate enough to dress Frank Casino, Robin Third Floor, Flex Rabanyana and just recently Touchline.”
The clothing brand will only launch its website this October, but Methula has been doing his business through social media. “…Thus one is able to place an order via DM, for custormers based outside of Gauteng. Delivery services such as Aramex and Postnet are how we get their merchandise to them after having placed an order.”
While the majority will make noise about the high youth unemployment numbers, the ubiquity of retrenchments and the paucity of genuine commercial platforms for creatives, this time has also given black youth an opportunity to show their leadership qualities. It was US civil rights leader Martin Luther King Jr. who said genuine leaders do not search for consensus, but are the ones who mould consensus. Lwazi Nonyukela is doing so with his media company, Hip-Hop 411.
“I felt like our stories in underground Hip-Hop weren’t being told enough, commercial platforms are not giving emcees and creatives enough opportunities to showcase their talent and tell their stories, plus I’ve always had the passion to be a Hip-Hop entrepreneur,” the Sowetan from Orlando West tells me.
Founded four years ago, the company specialises in content creation, pre and post production of its visual and audio platforms. Their content celebrates South Africa’s pop culture, largely driven by their passion for the Hip Hop culture. Their involvement in the Hip Hop scene was recognised by the South African Hip Hop Awards “…we were nominated for the Kings Of Gauteng for The South African Hip-Hop Awards for various elements in Hip-Hop before Battle Rap, but Battle Rap brought in a new and extended market to the brand including cyphers that we do across the country,” says Nonyukela.
Ever since the demise of Scrambles4Money there have been sporadic battle leagues around the country, but none have shown the consistency and meticulousness as the Hip-Hop 411 brand. Through their efforts, the league has become the premier battle movement in South Africa, managing to build relationships with brands to sponsor their movement. “…as a brand (Hip-Hop 411) we were able to collaborate with each other by tapping into each other’s markets which brought in huge values by also monetizing our content, growing numbers on social media, and getting more traffic into our website to attract new advertisers and for the battle rappers to see themselves as future brands by utilizing the opportunities we giving them on our platform and to also grow and maintain the culture.”
“I didn’t imagine it to be the home for just Battle Rap in South Africa, but I imagined it to be the home and movement for all cultural Hip-Hop elements in Africa, extending to other continents as well,” a determined Nonyukela tells me.
The involvement of emcee Kriss Anti-B has given the Hip-Hop 411 brand more clout, especially on the battle rap front, thanks to Kriss’ personal brand growth over the last few years in the local Hip Hop scene. “Kriss has been a major boost for the battle rap division in Hip-Hop 411…. he is giving opportunities to a lot of Battle Rappers and emcees from around the country to come and showcase their talent.”
There’s a tad bit of confusion about Kriss’ exact contribution at Hip-Hop 411, with many wrongly assuming he’s the founder of the company. But he’s a content producer for Hip Hop 411 Radio and has his own show, a promoter and Nonyukela also describes him as “a creative director/partner, and a huge ambassador for the brand.”
In his parting shot, Nonyukela says “The long-term objective of the company is to expand its service offering by not just focusing on content creation but participating across all sectors of the Visual, Media and Entertainment industry. This strategy will see the company expanding to 2D and 3D cinema experience, online content creation, digital rendering, application software, co-production to local and African markets (clients) and content creation and distribution.”
With those sort of objectives laid-out, it’s not difficult to foresee a future where young black people such as himself become important role players in our industry. Maybe next time I talk to him, Hip-Hop 411 would have more employees than the 15 he already has working in his team- quelling the noise that comes with high youth unemployment numbers, the ubiquity of retrenchments and the paucity of genuine commercial platforms for creatives.
Change is the only constant in life, but then again why change it if it ain’t broke? Each year around this time, radio listeners are forced to adapt to new voices on their airwaves because of the alterations that occur on radio.
In what seemed like an April fool’s day prank on Monday morning, people weren’t hearing the voice of radio jock Justice ‘Just-Ice’ Ramohlola on his show Planet Haaibo, but were welcomed to the month of April by former 5FM presenter Nonala Tose on her brand new show. Last night Just-Ice came on at 19:30 until 22:00, following Robert Marawa’s sports show.
Radio 2000 confirmed through their social media accounts that the renowned DJ will be on the night-time slot, a clear demotion from the coveted breakfast slot he and his team enjoyed. In a tweet, one Tiisetso Maloma said “Listening to the amazing Just Ice Ramohlola on Radio 2000, on the evening slot. This man is a champ. But management of the station is a joke.”
Listeners are puzzled by the station’s management, for removing a breakfast team that was liked by throngs of listeners from all over South Africa. “Puleng Thulo, station manager should just listen to the people, that’s wise leadership. Just-Ice is needed in the morning, qha!” said Davison Mohlomi Mudzingwa on Facebook.
While Dion Gabi put it poignantly in a Facebook post saying “This guy makes your troubles disappear in the morning bathong.”
The station has been hyping incumbent breakfast show host Nonala on social media, through images, videos and messages in a bid to encourage listeners to tune in, but some of the station’s audience don’t give a rat’s ass. “You guys got it wrong this time. Not taking anything away from the sister, but she’s more of a weekend presenter. 90% music 10% talk,” said Baks on Twitter, replying to a post by the station about Nonala.
Responding to Baks, Similo Silwana said “I am in agreement with you. In the end, it’s Nonala that some listeners will criticize instead of management. I listened to Ice last night and wasn’t sure if he was standing in for Bambo (Johnson) or it’s his new slot. Maybe it will crush ego of decision makers to bring back Ice? He’s missed.”
The people have spoken have made their voices heard, will the station leaders heed their calls for change?
It’s things such as these that highlight the paucity of leadership in our country, it’s not just in politics but also in sport, entertainment and media in general. It’s similar to last month when President Cyril Ramaphosa took the train, and saw how commuters struggle on a daily and him coming out saying “heads will roll” because of what he witnessed. My immediate response to that was “What the fuck, sir?” Are you telling me you didn’t have a clue of what was happening on the ground all this time? Most leaders in this country are out of touch and seem beyond reproach.
It’s interesting to see what will happen at Radio 2000 in the coming days and weeks, because it’s clear that people just want Ice in the morning.