Urban

Clement Gama04/04/2019
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6min811

Change is the only constant in life, but then again why change it if it ain’t broke? Each year around this time, radio listeners are forced to adapt to new voices on their airwaves because of the alterations that occur on radio.

In what seemed like an April fool’s day prank on Monday morning, people weren’t hearing the voice of radio jock Justice ‘Just-Ice’ Ramohlola on his show Planet Haaibo, but were welcomed to the month of April by former 5FM presenter Nonala Tose on her brand new show.  Last night Just-Ice came on at 19:30 until 22:00, following Robert Marawa’s sports show.

Radio 2000 confirmed through their social media accounts that the renowned DJ will be on the night-time slot, a clear demotion from the coveted breakfast slot he and his team enjoyed. In a tweet, one Tiisetso Maloma said “Listening to the amazing Just Ice Ramohlola on Radio 2000, on the evening slot. This man is a champ. But management of the station is a joke.”

Listeners are puzzled by the station’s management, for removing a breakfast team that was liked by throngs of listeners from all over South Africa. “Puleng Thulo, station manager should just listen to the people, that’s wise leadership. Just-Ice is needed in the morning, qha!” said Davison Mohlomi Mudzingwa on Facebook.

While Dion Gabi put it poignantly in a Facebook post saying “This guy makes your troubles disappear in the morning bathong.”

The station has been hyping incumbent breakfast show host Nonala on social media, through images, videos and messages in a bid to encourage listeners to tune in, but some of the station’s audience don’t give a rat’s ass. “You guys got it wrong this time. Not taking anything away from the sister, but she’s more of a weekend presenter. 90% music 10% talk,” said Baks on Twitter, replying to a post by the station about Nonala.

Nonala at her new job. Photo by Radio 2000

Responding to Baks, Similo Silwana said “I am in agreement with you. In the end, it’s Nonala that some listeners will criticize instead of management. I listened to Ice last night and wasn’t sure if he was standing in for Bambo (Johnson) or it’s his new slot. Maybe it will crush ego of decision makers to bring back Ice? He’s missed.”

The people have spoken have made their voices heard, will the station leaders heed their calls for change?

It’s things such as these that highlight the paucity of leadership in our country, it’s not just in politics but also in sport, entertainment and media in general. It’s similar to last month when President Cyril Ramaphosa took the train, and saw how commuters struggle on a daily and him coming out saying “heads will roll” because of what he witnessed. My immediate response to that was “What the fuck, sir?” Are you telling me you didn’t have a clue of what was happening on the ground all this time? Most leaders in this country are out of touch and seem beyond reproach.

It’s interesting to see what will happen at Radio 2000 in the coming days and weeks, because it’s clear that people just want Ice in the morning.


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5min3400

“Yes a lot! It has also encouraged other females to go and have themselves checked as endometriosis is often misdiagnosed,” says Merushka Aroonslam.

The 17 year-old was talking about how her fundraising for an operation she has to do this Thursday, has opened the eyes of other women who might be living with the condition.

Merushka Aroonslam. Photo supplied

Endometriosis results from the appearance of endometrial tissue outside the uterus, which causes pelvic pain. Although the Lawson Brown High School pupil was diagnosed last October, she has been lived with the disease for three years now. She has been fundraising for her surgery since January, managing to draw a small crowd of people who are actively helping her raise the funds, under the hashtag #EndoTreatment4Merushka. Her supporters sell food, stickers, t-shirts and wash cars.

Endometriosis. Mayo-clinic

The hashtag has built much steam thanks to her fame as a car spinner. Aroonslam was on the verge of selling her pink and black new era Nissan Skyline with a 2.8 (L28) motor, to raise funds for her operation but fortunately she didn’t.

“Spinning, motorsports and cars has been part of my life since a young age and I’ve always had a passion for it as my dad use to do it back in his days when it was still illegal.  Spinning is a sport that once the bug bites, there’s no turning back.”

The girl from Port Elizabeth wants the operation done so that she can go back to her life of spinning, which has become a catharsis for her.  “A rush of emotions and adrenaline, you feel completely free and it’s a way for me to de-stress and just leave all my problems on the pitch,” she says describing the feeling she gets from spinning.

She regularly does her thing at Wheelz n Smoke events, under the SPINderella female banner. She began spinning in 2017.

Merushka in motion. Photo supplied

The surgery is set to take place at St. George’s Hospital, at the cost of R55 000 for a 2-hour treatment. But could cost more if the procedure takes longer. “We close to our target but we haven’t quite reached it yet.”

Aroonslam is currently in matric and she sometimes misses school due to the severity of the pain. “It’s my second operation but I’m still very scared and nervous. I don’t think you can ever get used to it.”


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6min1540

MOST people get into thrifting because they honestly can’t afford the day’s fashion, so they take some vintage garments and tweak them here and there to get that drip. It’s a similar formula that Ntokozo Dladla used for his Queen Moraka T-shirts, but instead of using vintage attire he opted for a vintage character.

“Most of my friends had the vintage Rap Tour T-shirts and I really wanted one of my own but things on the financial side of my life were and are still all types of shaky,” Dladla tells me. So out of his need to fit in while simultaneously standing out, he came up with the idea to make his own T-shirt which would be more affordable than purchasing one.

Ntokozo posing with Queen on tha T. Photo by Frans Malesela Kekana

“…I thought about making it about South African musicians, but there are already other street wear lines that have done this. It hit whilst I was thinking about gangster rap, that most of the rappers that told us stories of shoot outs, robberies, gang culture, etc. never even participated in such and all they were presenting to us as listeners was a character!!”

To Dladla, who’s also known as Danger, there’s no difference between Dr. Dre and Queen Moroka because they’re both fictional characters that he connected to while growing up in the streets of Vosloorus.

But like most darkies who grew up in the 90s traditionally watching Generations at 20:00 on Simunye We Are 1, you’d ask yourself why he chose to use Sophie Lichaba’s (formerly known as Ndaba) character, he could’ve gone for a Karabo Moroka, Julia Motene or Ntsiki Lukhele.

Ntokozo with Generation’s Queen. Photo Frans Malesela Kekana

“I won’t lie, I found Karabo Moroka’s character too easy. Like she is definitely a crowd favourite and that comes with automatic success but even though Queen holds the same level of legendary stature, I feel like at the end of the original Generations run she became comic relief and her character could go weeks without showing up and it wouldn’t even effect the storyline. So I chose Queen because I have a warm place in my heart for the under dogs. Plus her whole vibe was about being glamorous which goes well with certain themes I want to play around with especially with clothing.”

The T’s have received good reception from people, with the likes of comedian Okay Wasabi and performer Fella Gucci spotted rocking one. They’re a limited edition. “My problem with most T-shirt brands is that they get one design that works and they just abuse it until we see Small Street put the final nail in the coffin, and I don’t want that I want to always have new ideas and let the old stay in the past,” the illustrator says.

Okay Wasabi rocking Queen. Photo by Daluthando Monageng

The T’s are not under any fashion line, but him as a graphic designer. He sees the work as an addition to his portfolio work and merchandise. “My mentality now, is if I don’t have clients I’ll be my own client.”

Fella Gucci wearing Queen Moroka T. From Facebook

Clement Gama11/14/2018
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4min1230

REMEMBER a few years ago when one fan jubilantly tweeted K.O a photo of himself wearing a Cash Time Life cap and the rapper responded with a sober “But bro, that’s a fake cap tho[sic].”

The bootlegging got so bad, that makeshift Cash Time clothing crept up in countries like Angola and Zambia, to the bewilderment of the owners of the brand. This was during the height of the Cash Time Life clique, when it had the likes of Maggz, Moozlie, Kid X and Ma-E on the stable. The aforementioned artists have since left Cash Time after business turned sour.

Last year K.O relaunched the clothing line and changed the name to DustnKompany and yesterday he got on Twitter to share news that the clothes are now also available at Studio 88, an underrated clothing outlet among youth.

K.O rocking his DustnKompany gear. Twitter

“For the longest time me and Tsholo have had distribution limitations with my clothing line and now through blessings that led to other blessings, Studio 88 has just opened its doors for us,” exclaimed the rapper on social media. The clothes have been available at Joburg’s Fashion Kraal for a while now, but they were restricted to that only store, since their online store seems to be down.

Local fashion designers have to contend with international brands, breaking into the highly competitive industry and on top of that still have to raise funds for collections. Last year it was reported that the clothing industry contributes only 3.3% to the country’s GDP, while it deals with the shedding of jobs, cheap imports and closing down of factories.

But unlike the average designer, K.O’s brand is built around his music which is planted in the hearts and minds of South African youth. They don’t necessarily buy it because it’s the best thing on the market, but because it’s a K.O brand. The consumer feels closer to their favourite artist, by supporting their every cause.

The rapper recently released his album SR2, which scored him two nominations at this year’s South African Hip Hop Awards, in the Best Male and Album of the year category.


Jay Madonson10/24/2018
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7min580

In the past few seasons, many fashion designers have proven that being narrow minded makes it hard to continue producing breath-taking collections. This comes after Hedi Slimane’s Celine debut collection, which needless to say, received so many backlashes. Leading fashion journalists and fashion critics didn’t have anything good to say about Slimane’s work and his take on Celine, a feminist brand, which has given a lot of women power and encouraged them to experiment with fashion.

The industry is still stuck up on the European fantasy world, forcing the same kinds of stereotypes to their customers.  They also borrow from Africa and appropriate a lot of our cultural references. This is simple; we need to see more Black African designers to be at the helm of these brands.

Executives of these brands are very quick to quote Africa as their main inspiration, but they are shutting us out and take everything that is ours. The Loius Vuitton appointment of Virgil Abloh definitely made history; it spoke to the changes happening in the industry.

THE MAN AT LV: Virgil-Abloh. Photo by Kristy Sparow/Getty Images

Virgil’s story is one of many; his debut collection had details of his personal experiences. It would be game changing to see an African leading a brand such as Celine etc. because they will be bringing something new, something that people can relate to, begin new ways of seeing Africa, attract new customers and reinvigorate the aesthetics of fashion.

The Business of fashion reports that “within a fashion industry, that touts itself as celebratory of difference, diversity and inclusion. Black design talent consistently remain, at best, marginalised and all too often plagued by systematic employment discrimination.”

If the conglomerates companies such as Kering and LVMH want to be inclusive and diverse, they need to look at our shorelines when they want to hire a new creative director to lead one of their brands.  A lot of the big brands are booming in our retail industry and many of our consumers are buying because of the “hype” and wanting to be counted amongst the cool kids of fashion. But our fashion designers are not that supported when they release their collections, simply because they are not the Dior or Gucci standards.

For The Business of fashion “timing is everything, and the time has come for the industry to remedy the systematic marginalisation of black design talent”. If these designers were given a chance to have other options, they would change the fashion game. It so sad that fashion is still undermining Africa’s capabilities to be at their “level”.

The late Alexander McQueen became more successful after he was given a chance to creative direct for Givenchy, from his college days; he was supported and given a chance. Isabella Blow really believed in McQueen, she saw something that most people weren’t seeing. She dedicated her time to get McQueen to the right people; this attracted the fashion press to look at McQueen with a different eye.

Nowadays you don’t need to be French to design for a French House, you don’t need to be British to design for a British brand. Riccardo Tisci is a good example of this; he became a designer for Burberry, a very rooted British brand. Combined with his perfect eye for silhouettes, craftsmanship and subculture, he managed to build on where Christopher Bailey had left off.

These kinds of conversations are often avoided by the industry leaders; however, for fashion to continue growing, changing, diversifying and inclusive, certain things need to be addressed. People of colour deserve to be recognised in fashion, they deserve to be given the same opportunities.

If the fashion industry is struggling to see a way forward when it comes to things they can easily fix, then we may need to go back to the drawing board and demand the industry executives’ attention. They need to relook at their take on fashion, the industry is growing, and there are millions of young people waiting to see someone who looks like them to represent what they stand for and someone who will give them an opportunity to buy into their culture and inspiration.



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