This segment of the show is aptly titled Dripping On Drip. Where Bukho and Finesse Keys each select a stylish personality and pit those individuals against each other in three different rounds, to determine which personality has more drip.
Each episode will see one fashionable female against another…and will have two style-conscious males face-off. The first episode features Black Coffee and Thapelo Mokoena.
Who decides the eventual winner? You do as the viewr.
“The conqueror writes history. They came, they conquered and they wrote,” an elegant Miriam Makeba once said in an interview on TV in the 1960s. She was talking about how colonizers justified their invasion on the African continent, by writing history from their own perspective.
At the core of Makeba’s poignant words, is the importance of keeping record of your story. There’s a mighty child-like sincerity, you get from a tale relayed by someone or a people who have lived that experience. Curious Caucasian could immerse themselves in the various pockets of Black culture, for as long as one could, but they still wouldn’t truly know what it is to be Black. Such funk can’t be faked.
In art, like in most things, women’s voices have been stifled and not championed as the men’s. Females have been a muse for a long time, but a glaring gap of work inspired by women, made by ladies remains-although that space is being rapidly filled in modern times. Multi-award winning fine artist, painter and performer Selloane Moeti is one of the womenfolk occupying that space with the deliberateness and consistency of Apartheid architects.
“For me art influences society by changing opinions, documenting history, to teach and heal the next generation,” says Moeti. She is fully mindful of her contribution and the impact it can have. “Our stories are best told by ourselves, so to get to contribute and be part of an African woman narrative that will be documented and archived for decades. That alone means the world to be, an honour. I think it was Tracey Rose who said ‘When you make an artwork you’re not just doing something at that moment, you’re contributing to an entire history of artmaking,'” shares Moeti.
The sophistication of her work is in its simplicity. With a style that’s free-hand, one might mistakenly look at Moeti’s oil paintings as rudimentary. But the work is compelling. Beyond the eye-pulling aesthetics, you inevitably connect to the souls of the depicted black women. You feel the paintings. In one of her works in progress titled Amabutho, she painted black bodies adjacent to each other, looking ahead or marching forth. Their faces don’t include any facial features but are covered in red clay, yet you feel as though you’re gazing into eyes of fierce warriors. “I think people who interact with my work are able to walk away with the type of energy I convey on my work. It’s intentional that my style of painting is more rustic and free hand and that my characters or figures have clay masks as faces.”
Clay plays a significant role in a number of African tribes, for various reasons. Red clay, which is a symbol for protection and purification has an equally important role in Moeti’s body of work. “My work speak loudly about cleansing, healing, dislocation, and relocation. Even though my work is an attempt to trace and understand my lineage it still talks about my spiritual journey.”
“I dream like everyone else and chose to incorporate the characters, the compositions and certain components of my dreams in my work,” she says. You could say she acts on her premonitions. She has the proactive and determined spirit of the faceless women she paints. In 2017 when she longed for a space where she could exchange ideas with likeminded creatives in Durban and couldn’t find one, she established SketchIN-which is a figure drawing and conceptual development movement held every three months.
Due to lockdown restrictions throughout 2020, for two days late last year she turned her home studio into a makeshift gallery where people could come view her work. “Imagine creating work the entire year and having to just post it on an online exhibition or on IG (for me that was an anti-climax and depressing really). I’m a believer that art belongs to the public, but because of safety reasons I could only limit to a number of people and stretch it into a two-day open studio,” says Moeti.
“I’m definitely planning on having at least two open studios yearly.”
To Zodwa Wabantu nudity is liberation and most likely an act of taking authority of her body as a black woman. While Adolf Hitler saw it as undignified and an error of taste- the disparity in opinion on the subject of nudity in society, is glaring as the difference between Zodwa and Hitler.
There are those who cringe at any mention of being naked so much that even being bare in their lone self is daunting owing to battles with self-image. You know, the kind who are more comfortable with the lights off during coitus who dread showering with others. Then there’s a section in society which gets aroused at the sight of breastfeeding nipples, a melancholy shlong, defiant thighs or innocent buttocks. This pack, which a lot of us gents belong to, has been socialised to translate the state of undress as sexuality.
It’s this group of guys which nudist Nombulelo’Lelo’ Asiya has gotten used to fending off in her DMs. “I can’t even just randomly open an image from someone I don’t really know, because I know there’s an 80% chance it’s a dick pick which I honestly find disgusting. In as much as I’m open about sex and everything, I actually find penises to be the most vulgar things out there, like yo put it away hey,” says Lelo.
The 25 year-old describes herself as a free-spirit, who has always had a fondness for showing some skin. “I don’t know what inspired my nudity, I’ve always liked skimpy or barely there clothing, I’ve always hated underwear and loved being barefoot,” she says. But a 2018 relationship breakup presented an opportunity for something she’s always desired, but wasn’t free to indulge in because of the partners in her life.
“I’ve always been in relationships where my significant other has never really been comfortable with me showing my body to the world. Every guy that I have dated has seen my body as a private thing, something they could only enjoy; they always thought that if I was showing myself I was doing [it] to attract attention from guys. So in 2018 when I became single I just came out (literally, I became nude and bisexual at the same time), and I’ve been single and nude ever since,” declares Lelo.
“In all honesty if I had dated a man who was secure within himself to allow me to be my full self, I probably would’ve been nude long before 2018, probably around 2015/2016 when I first came to Durban.” Lelo is originally from Kimberly but moved to KwaZulu-Natal to study and then eventually work in the province. Having spent five years in KZN, she moved back home in 2021.
Lelo says her DMs gradually became dark and twisted as she posted more nudes. “The more open I became with my sexuality and sex in a general sense, the more brave men became in my DMs.”
The first ‘dirty’ photo she shared on Instagram was after getting a tattoo of a flower, which someone later reported to her family. “My mother knows of the nude content that I take, uhm I went viral on twitter around October last year and my sister snitched on me on that and my called and we had a conversation about it all and she’s cool honestly. She says as long as I am not prostituting myself, it’s my body my life and I can do with it as I please.”
MONETIZING THEM NUDES…
The audacity of men in DMs, has fast tracked the prominence of the direct exchange between the nudists who wants to monetize her nakedness and the thirst-trapped fan willing to pay for them nudes. A platform such as OnlyFans, which was not created to be an alternative erotic sites when it launched in 2016, has become an industry leader. Followers of the content creator pay a subscription fee to access the most sought-after images and videos.
Some of the biggest names on OnlyFans are people who stumbled into it after being cautioned many times by Instagram, Twitter or Facebook to refrain from posting raunchy content. Actress Rami Chuene was all over the headlines two years ago when she came out in full support of her daughter Nthateng’s OnlyFans account.
DM action is the norm on such platforms, where content creators take requests from their fans to perform a myriad of sexual or non-sexual acts. The growth of this sub-genre has disrupted the pornographic industry with actors now having direct ownership of their content, it has seen simple nudists turn into porn stars and has also evinced that a lot of men are satisfied with pleasuring themselves after paying a random damsel to act-out their desires.
Lelo has also began making money from her nudes a few months through the website ManyVids. “I do sometimes take request or curate special content but all of this depends on the type of request. I have strict rules on what I will and will not do. Yes I post nude pictures, but it’s not sexual content necessarily. I am more artistic with my nude content, so if there is a request come along those lines, I’d be happy to oblige, all for a fee of cause.” She uses ManyVids due to OnlyFans’ refusal to verify her account because she doesn’t have a smart ID card or a passport.
NO SHAME IN IT…
Lelo does not see this as glorified prostitution. “If I am going to be blatantly honest, it’s the same thing as sending your boyfriend a nude picture of yourself when you’re trying to be spicy in your relationship, the only difference is I get paid to do what I do, or you have to pay money to view my content. When I was doing it for free on Instagram, I would get so many DMs from men telling me that they are going to take my pictures and go masturbate to them,” she says.
“So I thought to myself, listen if they are doing this for free best they’ll pay for it so I moved my content to a paying platform. I do not regret doing that, men have even become more respectful towards me now that they have to pay for the images because they understand I have to work hard to maintain the quality of my content.”
“These aren’t random nude selfies, its actual production, professional photographers, lighting, steam; so much goes into my work. And can we stop this negative connotation people have towards sex workers. It’s a job just like everything else, it’s an important job as well. In all honesty, just think about it, if there were no prostitutes or online girlfriends, I genuinely think rape would be at a way more higher rate than it is right now. People like me, cam girls, strippers, prostitutes, online girlfriends etc, make it ok for people to be themselves. Doing what I do, I have seen people be their most authentic selves, no pretence, because they know with me I won’t judge them by their desires, I judge them by who they are as a person.”
Koketso Rakobela is a chef, but a look at her Instagram account would have you thinking she’s a foodie influencer. She has a mouth-watering sense of style, a good taste in art and comes off authentic as a plate of pap and inyama ye ntloko. But in the culinary streets, she’s christened herself with a moniker which gives more insight into who she is-The Brown Chef.
“Brown Chef came about when I realized just how much I love the colour and tone of my skin. I wanted to make it known somehow that I love being brown, and I’m a chef. So, that’s how Brown Chef came about,” Rakobela tells me.
While the Dorah Sitholes, Gordon Ramsays and Nigella Lawsons utilized traditional media to grow their brands through TV shows and print publications, today’s cooks use social media to promote their work-which gives them more authority in the curation of their content- and are seemingly more mindful about being brands.
“I’ve always been a creative person, but I think I wasn’t quite sure as to where I was headed with the creativity. I don’t want to limit myself to just being in the kitchen. I want to see myself do everything that I’m passionate about i.e. photography, modelling and a whole lot of other things which I won’t reveal just as yet,” says the ambitious chef. “If I’m not in the kitchen, I’m in front of the camera shooting pictures of myself that have a conceptual meaning of some sort to them- depending on how I’m feeling.”
Rakobela’s appreciation for art is palpable in her dishes and her photography. “I love colour and vibrance [sic], so yes, art does have a huge influence on my craft. Art is everywhere, and almost everything is art its own form. As much as an artist can show emotion in a song/painting, a chef can evoke the same feeling or tell a certain story on a plate. My most favourite part of cooking is plating-and that’s the best way to showcase food/cooking as an art form”
Italian cuisine holds a special place in her heart-any type of pasta with a lot of cheese go down very well with her. But her palate isn’t colonized by “sophisticated” foods. True to her rich melanin, she enjoys bogobe ka mašotša le morogo or simple beef stew with pap, morogo and some atchar on the side. Her cooking skills are varied as her taste.
“I’m an all-rounder in the kitchen! In culinary school, I studied both Food Prep [hot kitchen] and Patisserie. Both of them have different moods they give, but because I love the rush and work well under pressure, I’d say I’m a hot kitchen chef.”
After completing her studies in 2018 at Capsicum Culinary Studio, she was fortunate to bag an internship in the US. “I left my home country on pure intent of just going to cook and learn about everything that has to do with just cooking,” she says. While there she lived in Boston and then later went to Phoenix. “But, it turned somewhat into a personal adventure. I got to meet kind people; got to learn and experience other cultures; and I somehow got to ‘find myself.'”
As beautiful as it’s been to see people cooking up a storm in their homes during the lockdown, it hasn’t been so nice for actual chefs who do this for a living. Like most industries, the culinary space has also been dealt a hard blow. “It’s a tough and competitive industry in itself, so to see businesses close due to the lockdown is just putting more strain on the industry. Taking into consideration, also, the fact that South Africa is still growing in the culinary industry, the lockdown has just suppressed the growth,” says Rakobela.
Bleak as these times are, The Brown Chef still has dreams of owning a boutique hotel someday. “Being able to groom and teach young and upcoming chefs the principles and lessons that I would have learned in my years of being in the industry, in my own kitchen, would be the pinnacle of my career.”
OF ALL the periods in Hip Hop’s few decades of existence, there still hasn’t been an era that heads sentimentally connect and long for, like the ’90s era.
This nostalgic feeling is driven by the reverence in lyricism, the holy sampling, the endearing Boom Bap sound and the purity of the genre right before the immorality of the new millennium. It’s for this reason that even in this current Trap era, there are still emcees who uphold the above-mentioned 90s era “principles”. Simphiwe ‘Sim’ Mabuya is such emcee.
This is by no means a suggestion that his 12 track album Perceptions should be relegate to the 90s. Nah. The project is refreshing, particularly because it came out just this year.
The 90s Hip Hop head enthusiast inside me listened to the album in one sitting and appreciated it. Mabuya’s music is like something you’ve heard before, but always wanted to hear again. His storytelling is amplified by lived experiences, his vulnerability and the wisdom that comes with those lived experiences. He makes grown-ass black man music.
The emcee from kwaZakhele, eVuku in Port Elizabeth has a Drama background having studied at the University of Cape Town. “My drama/theatre background has always played a huge role in influencing my music. The stylistic writing, the vivid storytelling, the bringing of emotion / mood to the music and of course the poetry.”
“The project took me about 8 years or so to put together. Meaning the writing of the songs, a few songs I’ve had to rewrite, followed by a fun but long process of beat selection. Its authenticity mostly stems from real experiences, direct and indirect, reflections of my (and my society) daily experience plus stories living and growing up ekasi under difficult and horrific circumstances.”
In just 3:44 he managed to package some of these horrific circumstances, like being stabbed in the eye, to the rays of sunshine in his life, the birth of his daughter for example, in the beautifully laid Ngasekhaya. “I intentionally chose a variety of producers for the project to be diverse without losing that Jazzy, Boom Bap Hip Hop feel,” says Mabuya.
The album’s producers include Adon Geel, Bulelala Ngodwane, Xolani Duai Skosana, Planet Earth and Christian Monashe.
“Pain, joy, loss, daily struggles, achievements, conversations with self, traveling, reading …and a longing for a meaningful and empowering piece of music,” Mabuya tells me of what inspired this body of work.
Unlike a Costa Titch album, Perceptions isn’t bombarded with features of other emcees-there’s no confusion about whose album this is, his voice is rightfully consistently present on this work. Mabuya only had one emcee on this project, with a few vocalists negotiating some of the choruses and hooks.
“I felt I needed to show my pen capabilities, above all …share a chunk of who I am, thus the album title Perceptions. Also I find it challenging to work with energies that aren’t on the same musical / spiritual plane as I am: pen game is critical, authenticity/ originality are key and a positive working energy,” says Mabuya. His first offering was 2007 Social Poetics, which he says was discontinued due to poor production quality.
On the song Tata he openly talks about the hurt brought by his Popps’ absence in his life. The joint is so real, he shares with listeners that the only thing his dad ever bought him was a belt. It’s one of those essential songs in the crevices of the album which will never be bumped on radio and probably won’t be a fan favourite nor a music video shot for it. The song highlights father-son daddy issues on a similar level that HHP’s Danger on the uRata Mang album did for teenage pregnancy.
Perceptions was released in August this year and Mabuya’s work has been received well by listeners. “Frankly, the project has been doing great, gradually gaining meaningful traction within a space of just three months of its release. I’ve been receiving great comments or feedback from everyone that has taken time to listen to the project and am truly thankful and humbled by the response so far.”
So well that his music has been used on popular television drama series Gomora. “I had sent the music to a friend, she loved it and thought the album would be great for Gomora. She requested I forward five songs I felt would be proper for the show and I did so. A number of days later I was requested to send the entire album, I guess the show’s producers loved the project. I was blown away by the response I must admit, it proved that we, Home Grown Concept, had done a stellar job. So…yeah, it’s quite exciting and dreamy that the music will be heard from the award winning TV show,” a thrilled Mabuya tells me.
The album can streamed here on Spotify and here on Apple Music. You can also stream it on YouTube.