Opinion

Clement Gama04/04/2019
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6min1461

Change is the only constant in life, but then again why change it if it ain’t broke? Each year around this time, radio listeners are forced to adapt to new voices on their airwaves because of the alterations that occur on radio.

In what seemed like an April fool’s day prank on Monday morning, people weren’t hearing the voice of radio jock Justice ‘Just-Ice’ Ramohlola on his show Planet Haaibo, but were welcomed to the month of April by former 5FM presenter Nonala Tose on her brand new show.  Last night Just-Ice came on at 19:30 until 22:00, following Robert Marawa’s sports show.

Radio 2000 confirmed through their social media accounts that the renowned DJ will be on the night-time slot, a clear demotion from the coveted breakfast slot he and his team enjoyed. In a tweet, one Tiisetso Maloma said “Listening to the amazing Just Ice Ramohlola on Radio 2000, on the evening slot. This man is a champ. But management of the station is a joke.”

Listeners are puzzled by the station’s management, for removing a breakfast team that was liked by throngs of listeners from all over South Africa. “Puleng Thulo, station manager should just listen to the people, that’s wise leadership. Just-Ice is needed in the morning, qha!” said Davison Mohlomi Mudzingwa on Facebook.

While Dion Gabi put it poignantly in a Facebook post saying “This guy makes your troubles disappear in the morning bathong.”

The station has been hyping incumbent breakfast show host Nonala on social media, through images, videos and messages in a bid to encourage listeners to tune in, but some of the station’s audience don’t give a rat’s ass. “You guys got it wrong this time. Not taking anything away from the sister, but she’s more of a weekend presenter. 90% music 10% talk,” said Baks on Twitter, replying to a post by the station about Nonala.

Nonala at her new job. Photo by Radio 2000

Responding to Baks, Similo Silwana said “I am in agreement with you. In the end, it’s Nonala that some listeners will criticize instead of management. I listened to Ice last night and wasn’t sure if he was standing in for Bambo (Johnson) or it’s his new slot. Maybe it will crush ego of decision makers to bring back Ice? He’s missed.”

The people have spoken have made their voices heard, will the station leaders heed their calls for change?

It’s things such as these that highlight the paucity of leadership in our country, it’s not just in politics but also in sport, entertainment and media in general. It’s similar to last month when President Cyril Ramaphosa took the train, and saw how commuters struggle on a daily and him coming out saying “heads will roll” because of what he witnessed. My immediate response to that was “What the fuck, sir?” Are you telling me you didn’t have a clue of what was happening on the ground all this time? Most leaders in this country are out of touch and seem beyond reproach.

It’s interesting to see what will happen at Radio 2000 in the coming days and weeks, because it’s clear that people just want Ice in the morning.


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7min961

IT was almost habitual for my friends and I to immediately, after watching a movie, meet at one of our backyards to mimic what we saw on film. The countless spinning-kick attempts after a Jean-Claude Van Damme motion picture, would make the actor blush with pride.

A screenshot from the Kickboxer movie.

For us it was not only limited to film, even after watching the biggest reality TV show the WWE, you’d find one of us, depending on whoever has the most charisma on the day, being The Rock.

I was taken back to my childhood by reports that Refiloe Phoolo, better known as Cassper Nyovest, booked out the entire Mega City cinema in Mafikeng, for kids from his neighbourhood to go watch Matetwe. A great gesture by the rapper, to support local creation and also take these kids on an excursion they’ll probably cherish for the rest of their lives. Much like how Kendrick Lamar did for the kids in Compton last year, with Black Panther.

Directed by Kagiso Lediga and produced by Black Coffee, Matetwe is a film about two friends from Atteridgeville who are undecided about their life post high school and their adventures on New Year’s Eve which land them in some trouble. The two main characters Lefa and Papi, played by Sibusiso Khwinana and Tebatso Mashishi respectfully, opt to peddle their special weed called Matwetwe, with hopes of becoming instant millionaires. Nyovest poignantly had a moment of silence for Khwinana before the start of the film. The young actor was murdered at the height of the movie’s success at the box office.

Matwetwe screenshot: Sibusiso and Tebatso

Matetwe is enjoyable as finely rolled up Sativa, but I can’t help but wonder what the kids from Maftown took from the film. That pushing greens is the best alternative, when you’re out of options for life after school or has Matetwe triggered the curiosity to experiment with marijuana? Of course, there’s also the possibility that the bulk of kids who filled those auditoriums are well acquainted with Maryjane.
But when you look at how film has deliberately, placed it in our subconscious, that it’s a cultural necessity for one to consume alcohol for example, you tend to appreciate the nexus between motion picture and how we live. Countless scenes of people at a bar, a dinner table or even at a tavern jump at me, when I think of the consumption of booze on camera.

People’s passiveness while glued to a screen, is one of the main reasons why the film industry is so influential in the lives of many. Added to the fact that the average person isn’t conscious of their mental or even emotional intake.

Wars across Africa were commonplace 60 to 70 years ago, which have trickled to modern times in some states on the Motherland. But one can’t deny the influence Sylvester Stallone’s Rambo series of movies had, on young Africans’ appetite to carry Kalashnikovs in the 80s. Whether you were going over the borders of apartheid Suid-Afrika to join Umkhonto We Sizwe, or wanted to be part of Thomas Sankara’s Revolutionary Defence Committee in Burkina Faso…this selfless act was also fuelled by the desire to be a Rambo, the skilled killer draped in uniform, who could rid us of the bad guys.

Film can also be a great vehicle to inspire good in society; it depends on the underlining message. That films are portraying the impact in which patriarchy, racism, body shamming or any other form of discrimination has on people is a step in the right direction which helps to mitigate hate that some people are at the receiving end of, daily.

A movie can only do so much though. The same way a three minute ditty that lashes at government corruption can also stir you up as a citizen, it ultimately cannot stop the actual rot in public office. After all, not one of us in my group of childhood friends went on to become black belt karate students after watching Kickboxer.


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5min550

YOU remember how impeccable J.Cole’s 2014 Forest Hill’s Drive was. I think he was also shocked with how good that album came out. I think Solange Knowles felt the same way after making A Seat At The Table.

But the difference between the two artists, is that Cole tried by all means to steer away from anything remotely similar to like F.H.D when he made 4 Your Eyez Only. Beyoncé’s younger sister on the other hand, attempted to make another Seat At The Table-or at least a more esoteric version, with When I Get Home-but failed.

The album lands on the ear as an incomplete project because of the annoying number of interludes. As soon as I tried to engage with a track, it abruptly ended. It’s like she made the album based on research by scientists, about the short attention span of today’s youth. Over 10 tracks are less than three minutes, not to suggest a great song is defined by its duration, but one gets a sense that Solange didn’t have an idea of what to do. Instead, she horrendously used Seat At The Table as a template.

This album lacks direction and makes me wonder how much of a contribution she had in her previous album. The legendary Raphael Saadiq was the executive producer of the project, along other producers and musicians who’ve been in the game for decades.
When I Get Home seems like Solange’s way of being young and hip, to be more appealing to the youth. Some of this album’s producers include Metro Boomin, Dev Hynes and has contributions from Tyler the Creator and Earl Sweatshirt.

Sonically this album isn’t far off Seat At The Table, but it’s short of a solid theme and cohesiveness. It’s the kinda project that makes the producer look bad. But having shat on the album, I admit there are some enjoyable ditties on the project like Way to The Show and Down with the Clique. True to its name, Dreamy was quite dreamy and airy, I didn’t mind repeating the song. These are tracks that didn’t hit me at first go, but with time, I got into their vibe-if the album was a stand-up comedy special, I’d have to watch it again for those few jokes I had to nit-pick for laughs.

Time (Is) is the only track that hit, from the word go. I enjoyed it, especially the switch of the beat later in the song, where Sampha’s backing vocals give it so much body.
Most artists have a bad album in their career, but I didn’t expect Solange to deliver it right after A Seat At The Table. That I’ve mentioned her previous album countless times on this review tells you that When I Get Home ain’t that ayoba.


Clement Gama03/04/2019
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8min620

TODAY marks 14 years since rapper ProVerb released his debut album, Book Of Proverb. The project came hard as debuts come, setting the emcee as one of the best lyricist to come out of South Africa. And the world.

Tebogo Tekisho has grown to become more than just a rapper in the industry, now a radio personality, a voice over artist and a television producer. Regardless of the uncanny strides the rapper has made outside of music, he remains one of the fiercest emcees in the country when talking lyricists. Book Of Proverb is the sort of album every kat needs to listen to, for lessons on how to create an authentic Hip Hop album. Because like he said on Microphone Sweet Home

…I drop knowledge, buying my album is like paying school fees, so take notes while I tutor emcees…

Here are five reasons why Book Of Proverb is a classic album:

IT’S REAL

The first box to tick as an emcee, or any participant in the Hip Hop culture, is whether you’re a genuine person or not. ProVerb didn’t come in the game claiming Cape Town or Joburg as his hometown. He is Kimberly’s finest diamond.  I can imagine the sense of pride that people from the city of diamonds had, when they heard Kimberly Rise.

But true to who he is, ProVerb didn’t paint a picture with glitter of the Northern Cape city, he spat about the harsh realities of the place-the high suicide rate and unemployment. But it gave so much hope to the people that, if he can make it outta there, so can they-and that’s some real shit!

IT’S COHESIVE

Back in the day you’d find them lyrical-miracle typa dudes walking about with dictionary in hand, rapping just about anything. This way of rapping often crept into their albums, where they would go on a 20 track tangent. Book Of Proverb was quite solid, taking us into the rapper’s different chapters in his life track-by-track. It could be a long album in today’s project duration, but because of its cohesiveness, you kinda forget that it’s a 15 track album and just let it play.

BEAUTIFUL STORYTELLING

The first verse on My Vers’d Love, where ProVerb paints a vivid picture of his love affair with Hip Hop dating back to his school days, is one of my favourite verses of all time. Even on Where Did She Go, ProVerb takes you through his relationship with a beautiful mysterious girl he first exchanged eye-contact with while performing, to ending up in the sheets with her. His storytelling is gripping as series on Netflix.

HIGH QUALITY OF LYRICISM

Very few kats can easily drop punchlines, metaphors and similes like ProVerb. Some kats have great vocals, and exceptional flow to help better their whole product. ProVerb relies on his skill as an emcee.

Who can touch the Pro’s style? None of

You, barely move me like a school bus with no driver,

Who can bust a flow lava, and who got enough rhymes to be your entire

Crew ghost-writer, the provider,

Grow wiser than a story told by an old timer,

I’m burning up the charts with more fire,

Today’s reading is taken from the Book of Proverb,

It’s chapter One verse one

He raps on Index.

MUSICALITY

Although this is an album for Hip Hop heads, you gotta appreciate its musicality. It has songs that are appreciated by people aren’t devoted followers of this Hip Hop culture. Women, which is an ode to all the women in his life and those across the globe, is a beautiful track that I’ve always felt was slept on. The song is cut of the same cloth as the 2PAC’s Dear Mama and Nas’s Dance.

Songs like Heart Beat and I have A Dream were songs I heard on YFM back in the day, which were instantly appreciated by the station’s various listeners. Sex, Drugs and Alcohol where ProVerb teams up with Tumi and Zubz is a fun joint that puts a spotlight on the dark side of media and entertainment industry which trips a lot of young people.



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