Entertainment

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6min721

The industry is a dirty place man. Not the Moonchild Sanelly gyrating her assets on stage, pleasing kinda-dirty. But I mean the witnessing of someone getting robbed in the streets of Joburg, in broad daylight, ice-cold kinda dirty.

That’s why having an experienced and genuine individual, who has your best interest at heart is a miracle in this entertainment industry. This Sunday, Dumza Maswana hosts his Celebrating African Song show, at the Joburg Theatre. Last year the Molo singer held a similar show at The Orbit Jazz Club, where he unleashed a teenage boy wonder in Vuyolomzi Solundwana. This year he’ll share the stage with 15 year-old Likhey Booi, who Maswana is mentoring.

A Young Star: Vuyolomzi Solundwana performing at the Orbit Jazz Club. Photo by Sip The Snapper

“I am very passionate about young talent. When I started in the industry I never had a person who was already in the industry to help me take my first steps. No one was willing to share their platform. I believe young artists need a mentor who can help them develop the inner and outer resources essential for staying true to the joy of creating,” says Maswana.

“Whether they ultimately become artists or not, the experience of working seriously with a mentor can be valuable. I always refer them to other artists or producers in the industry who can give them something different to what I can offer.”

Celebrating African Song had sold-out shows in the Eastern Cape in the past three months, at venues such as the East London Guild Theatre and the Port Elizabeth Opera House. “I was accompanied by my industry friends Ntsika, Max Hoba, and Eastern Cape based artists Ohayv Ahbir and the two that are also performing here in Joburg, Likhey Booi and Odwa Nokwali. I never expected such reception, love, energy, especially in PE, where the theatre was much bigger. I also did two nights at the National Arts Festival, and both nights were a success.”

Ntsika, Jessica Mbangeni and Mbu Soul are the other artists on the bill for this Sunday.

Maswana went to Canada at the Sing! Festival, travelling with the Mzansi Ensemble earlier this year.  While there Maswana says he “…had the opportunity of collaborating with a Canadian musician and producer Aaron Davis. I really hope I’ll do more with him, we had a very limited studio time- we only had three hours.”

A touch of Xhosa at the Orbit(From L-R): Jessica Mbangeni with Dumza Maswana enjoying their time on stage together. Photo by Sip The Snapper

The baritone and bass singer is raising funds for post-production of his live DVD on Click N Donate, which he says has cost him close to 400K. “It’s such a beautiful production. I pray for this campaign to be a success, also hoping for sponsorships. I’ve already spent close to R400K, the remaining amount is just a quarter. I really urge my supporters to show up and help,” says Maswana.

The money generated from Celebrating African Song shows isn’t plentiful to cover post-production costs of the DVD which was recorded a year ago . “In most cases the money I make from these shows is just enough to pay the band and petrol, literally. But whatever change we make will go to the DVD.” He plans to release the live DVD in November this year.

Should you want to donate to Maswana’s cause, click here.


Clement Gama07/26/2019
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2min440

YOU hear Bad Boy Records and instantly think New York. The mention of Death Row jogs one’s memory to Los Angeles, California.  But Kalawa Jazmee is synonymous with all townships in all of South Africa. In the 25 years of Nelson Mandela’s democratic South Africa, no record company has been the soundtrack to kasi life as Kalawa Jazmee.

The record company was found through a feud between two stables, Trompies Jazzmee Records and Kalawa Records. The former was co-owned by Spikiri, Mahoota, M’jokes and Bruce while the latter’s owners were Oskido, Don Laka and DJ Christos-who departed in 1995. The dispute was over ownership of Trompies hit song Sigiya Ngengoma.

They’ve gone on to churn out more hit songs as one independent company for more than two decades now, telling stories from the township while making us dance. They’ve introduced and developed a slew of artists like Busiswa, Alaska, Professor, DJ Zinhle, Dr Malinga, Heavy K, Tira, Big Nuz and so many more. It is fitting that this year’s Delicious Festival will honour Kalawa Jazmee’s 25th anniversary.

But if one were to have a Kalawa Jazmee All Stars, many would agree that these five make the starting five.

BONGO MAFFIN

BOOM SHAKA

MAIKIZOLO

B.O.P

TROMPIES

 

 


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5min1490

After the birth of his twins, the release of his album and just pretty much living his life, Reason HD addressed that abrupt beef he and Flex Rabanyan had at the back-end of 2018.

The cringe-worthy conflict between the two spawned form Reason giving the young rapper advice on how to carry himself in the game. This after Flex whined on Twitter about a failed payola attempt on Metro FM. Reason’s older -brotherly words of wisdom were used as material for a diss track targeted at him, by Flex in For Whatever Reason.

The lukewarm track didn’t warrant fire emojis for its dopeness, but for its shock value. The 2017 Vuzu Hustle winner took personal jabs at Reason, talking about how the former Motif Records artist lives off his partner and babymama Loot Love because she seemingly makes more money than him due to Reason’s unsuccessful music career.

Patiently waiting for over six months without really addressing it, Reason timely responded to Flex two months after the young’n complained on social media about being broke and having to sell his car.

Talk is cheap, but I’ma cross between

The type of blacks who speak rationally

Fuck with me

Then I’ma have you hiding where you at for weeks

Actions speak louder than an empty pocket testing me

Actually why that wack nigga try to flex on me

Look at my chick, look at my crib

Look at the shit on my wrist

Look at the hits, look at the list

Then you go look at your shit

Like, where do you live

Where do you get, my nigga why is you big

Show me the bitch that’s trying to get under your dick

‘Cause nobody know who she is

Rappers are dying and all of you niggas are lying or beefing on your timeline

Just for the sake of signing you lie to yourself like you all in the lime light

But why try, when all of you fly by

Should figure that time flies

You did it for high fives to nice tries

But let’s get to the bye byes

Talk about having the last laugh.

Reason also took the opportunity to let everyone know that he’s put back the HD in his moniker, following the embarrassing confusion from that Black Panther film soundtrack which introduced TDE’s Reason to the globe. On the joint Seasons, Reason from the US is alongside Sjava which led to people assuming it was two South Africans on the song.


Clement Gama07/16/2019
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4min390

“The future for me is already a thing of the past-you were my first love and you will be my last,” said Bob Dylan. These words were echoed by the French government as they honoured Dr. Esther Mahlangu with the Officier de l’Ordre des Arts et des Lettres award during the Bastille Day celebrations.

The French were the first to show love for Mahlangu’s beautiful works back in 1986, long before her own beloved South Africa saw her as a national treasure. A group of French art lovers were in Dr. Mahlangu’s neighbourhood Kwa Ndebele over 30 years ago, viewing a slew of Ndebele artworks but it was Mahlangu’s work that caught their eye- so much so, that they came back for her to exhibit in France.

“I feel very happy, I thank the French a lot. They found me in Middleburg, at a gallery in Botshabelo and asked that I go to France to show my work. This after they had taken photos of the different works in Kwa Ndebele, not mine but everybody’s there…when they got to France my work was selected as the best among the photographed works,” she said speaking to news channel eNCA.

“Young artists shouldn’t let go of their heritage. I started long time ago and I keep teaching the young ones, some of them have been overseas already because of the artworks,” said the 83 year-old Dr. Sitting adjacent to Dr Mahlangu was Ndebele legendary musician Dr. Nothembi Mkhwebane. “We are very proud of our Ndebele culture, and to be able to even do the kind of work we do at our age. We are very proud of uGogo Esther as the French honour her- we currently have two doctors in the Ndebele culture who’ve been honoured, may this encourage the youngsters too,” the singer said.

The award, Officer in the French Order of Arts and Letters, was given to the Dr Mahlangu artist last Friday at the Bastille Day celebrations at the Residence of France in Pretoria, by French Ambassador to Mzansi Christophe Farnaud.

“This award is all the more deserved for the efforts you have made during your life to share with the world your heritage,” said the outgoing French ambassador Farnaud.


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8min2381

While the majority will make noise about the high youth unemployment numbers, the ubiquity of retrenchments and the paucity of genuine commercial platforms for creatives, this time has also given black youth an opportunity to show their leadership qualities. It was US civil rights leader Martin Luther King Jr. who said genuine leaders do not search for consensus, but are the ones who mould consensus. Lwazi Nonyukela is doing so with his media company, Hip-Hop 411.

“I felt like our stories in underground Hip-Hop weren’t being told enough, commercial platforms are not giving emcees and creatives enough opportunities to showcase their talent and tell their stories, plus I’ve always had the passion to be a Hip-Hop entrepreneur,” the Sowetan from Orlando West tells me.

Founded four years ago, the company specialises in content creation, pre and post production of its visual and audio platforms. Their content celebrates South Africa’s pop culture, largely driven by their passion for the Hip Hop culture. Their involvement in the Hip Hop scene was recognised by the South African Hip Hop Awards “…we were nominated for the Kings Of Gauteng for The South African Hip-Hop Awards for various elements in Hip-Hop before Battle Rap, but Battle Rap brought in a new and extended market to the brand including cyphers that we do across the country,” says Nonyukela.

Ever since the demise of Scrambles4Money there have been sporadic battle leagues around the country, but none have shown the consistency and meticulousness as the Hip-Hop 411 brand. Through their efforts, the league has become the premier battle movement in South Africa, managing to build relationships with brands to sponsor their movement. “…as a brand (Hip-Hop 411) we were able to collaborate with each other by tapping into each other’s markets which brought in huge values by also monetizing our content, growing numbers on social media, and getting more traffic into our website to attract new advertisers and for the battle rappers to see themselves as future brands by utilizing the opportunities we giving them on our platform and to also grow and maintain the culture.”

“I didn’t imagine it to be the home for just Battle Rap in South Africa, but I imagined it to be the home and movement for all cultural Hip-Hop elements in Africa, extending to other continents as well,” a determined Nonyukela tells me.

The involvement of emcee Kriss Anti-B has given the Hip-Hop 411 brand more clout, especially on the battle rap front, thanks to Kriss’ personal brand growth over the last few years in the local Hip Hop scene.  “Kriss has been a major boost for the battle rap division in Hip-Hop 411…. he is giving opportunities to a lot of Battle Rappers and emcees from around the country to come and showcase their talent.”

A Hip-Hop 411 battle. Photo by Hip-Hop 411
A Hip-Hop 411 battle. Photo by Hip-Hop 411

There’s a tad bit of confusion about Kriss’ exact contribution at Hip-Hop 411, with many wrongly assuming he’s the founder of the company. But he’s a content producer for Hip Hop 411 Radio and has his own show, a promoter and Nonyukela also describes him as “a creative director/partner, and a huge ambassador for the brand.”

Anti B At BTC in 2017. Photo by Palesa Makua
Kriss at Back to the city in 2017. Photo by Palesa Makua

In his parting shot, Nonyukela says “The long-term objective of the company is to expand its service offering by not just focusing on content creation but participating across all sectors of the Visual, Media and Entertainment industry. This strategy will see the company expanding to 2D and 3D cinema experience, online content creation, digital rendering, application software, co-production to local and African markets (clients) and content creation and distribution.”

Hip Hop 411 hyenas. Photo by Hip-Hop 411
Hip Hop 411 hyenas. Photo by Hip-Hop 411

With those sort of objectives laid-out, it’s not difficult to foresee a future where young black people such as himself become important role players in our industry. Maybe next time I talk to him, Hip-Hop 411 would have more employees than the 15 he already has working in his team- quelling the noise that comes with high youth unemployment numbers, the ubiquity of retrenchments and the paucity of genuine commercial platforms for creatives.



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