“The future for me is already a thing of the past-you were my first love and you will be my last,” said Bob Dylan. These words were echoed by the French government as they honoured Dr. Esther Mahlangu with the Officier de l’Ordre des Arts et des Lettres award during the Bastille Day celebrations.
The French were the first to show love for Mahlangu’s beautiful works back in 1986, long before her own beloved South Africa saw her as a national treasure. A group of French art lovers were in Dr. Mahlangu’s neighbourhood Kwa Ndebele over 30 years ago, viewing a slew of Ndebele artworks but it was Mahlangu’s work that caught their eye- so much so, that they came back for her to exhibit in France.
“I feel very happy, I thank the French a lot. They found me in Middleburg, at a gallery in Botshabelo and asked that I go to France to show my work. This after they had taken photos of the different works in Kwa Ndebele, not mine but everybody’s there…when they got to France my work was selected as the best among the photographed works,” she said speaking to news channel eNCA.
“Young artists shouldn’t let go of their heritage. I started long time ago and I keep teaching the young ones, some of them have been overseas already because of the artworks,” said the 83 year-old Dr. Sitting adjacent to Dr Mahlangu was Ndebele legendary musician Dr. Nothembi Mkhwebane. “We are very proud of our Ndebele culture, and to be able to even do the kind of work we do at our age. We are very proud of uGogo Esther as the French honour her- we currently have two doctors in the Ndebele culture who’ve been honoured, may this encourage the youngsters too,” the singer said.
The award, Officer in the French Order of Arts and Letters, was given to the Dr Mahlangu artist last Friday at the Bastille Day celebrations at the Residence of France in Pretoria, by French Ambassador to Mzansi Christophe Farnaud.
“This award is all the more deserved for the efforts you have made during your life to share with the world your heritage,” said the outgoing French ambassador Farnaud.
IN child development, by the time they get to the age of four they sould be able to speak clearly and have a better understanding of their surroundings. In the music industry, four years could have you still rehearsing in a garage or performing in front of multitudes. In their fourth year of existence, PG_13 will reach a milestone by performing at Fête de la Musique next month.
“Since the inception of PG_13, this is the one festival we have always wanted to play, the Fête line up has always consisted of a group of musician that we have always wanted to learn from and interact with, so playing here is the next level of our education for our future musical endeavours,” says vocalist Bongiwe Nkobi.
Originating in France in 1982, the Fête de la Musique is celebrated in 700 cities in 120 countries across the world in June, including South Africa. The free concert which celebrates live music, takes place in the Newtown precinct, Johannesburg on the eight next month.
For lead guitarist Zweli Mthembu, who also is part of The Brother Moves On collective which performed at Fête years ago, seeing PG_13 on the Fête stage shows that they’ve worked very hard in a really short time and these kinds of gigs mean the band is reaching their goals.
The band is made up of poet Angela Mthembu, Harry Thibedi, Wandisile Boyce, Steven Bosman, Zweli Mthembu as well as Zoe Molelekwa and Neo Mabena.
They’ll share the stage with Msaki, reggae band Tidal Waves, the DRC’s Grace Attalie, Mozambican Afro-soul artist Deltino Guerreiro and Soweto’s Urban Village among others. The head of IFAS’s cultural section Corinne Verdier said in a statement “For us, for the artists, for our partners and sponsors, we all share one common goal: to put on a really fun and free music festival with that unique French flair! We also want to promote this new generation of wonderful artists.”
PG_13 released their EP Hekaya last year and will be performing songs from that project. “…Our set will be mixed up with songs that are both new and old. Songs we haven’t played in a while and songs that are still being written. Because the stories we tell are constantly evolving,” says guitarist, Thibedi.
That project included vocalist Thando Msiza who is no longer part of the ensemble. “We as PG_13 are not in the business of hiring or firing people. It is a fluid space that allow people to come in and out depending on where they are in their lives. I mean look, our lead guitarist will be going on tour with The Brother Moves On which gives us space to collaborate with people. When Zoe Molelekwa came into the space of PG_13 it was a collaborative project, but now he holds his own space in the music and plays a very important role in the collective. And he himself has a solo project of his own,” poet Angela says. “If we do ever work with another vocalist it would never be to replace Msiza but rather for the development of the sound,” adds drummer, Bosman.
The Fête gig is part of their busy winter schedule which also sees them playing at the Grahamstown Arts Festival in July, but before that they’ll host benefit concerts around Gauteng as a way of raising funds for logistics of that tour. “It’s going to be wonderful to play in my hometown naba ntwana base khaya,” the band’s bassist from the Eastern Cape, Boyce says with excitement.
Change is the only constant in life, but then again why change it if it ain’t broke? Each year around this time, radio listeners are forced to adapt to new voices on their airwaves because of the alterations that occur on radio.
In what seemed like an April fool’s day prank on Monday morning, people weren’t hearing the voice of radio jock Justice ‘Just-Ice’ Ramohlola on his show Planet Haaibo, but were welcomed to the month of April by former 5FM presenter Nonala Tose on her brand new show. Last night Just-Ice came on at 19:30 until 22:00, following Robert Marawa’s sports show.
Radio 2000 confirmed through their social media accounts that the renowned DJ will be on the night-time slot, a clear demotion from the coveted breakfast slot he and his team enjoyed. In a tweet, one Tiisetso Maloma said “Listening to the amazing Just Ice Ramohlola on Radio 2000, on the evening slot. This man is a champ. But management of the station is a joke.”
Listeners are puzzled by the station’s management, for removing a breakfast team that was liked by throngs of listeners from all over South Africa. “Puleng Thulo, station manager should just listen to the people, that’s wise leadership. Just-Ice is needed in the morning, qha!” said Davison Mohlomi Mudzingwa on Facebook.
While Dion Gabi put it poignantly in a Facebook post saying “This guy makes your troubles disappear in the morning bathong.”
The station has been hyping incumbent breakfast show host Nonala on social media, through images, videos and messages in a bid to encourage listeners to tune in, but some of the station’s audience don’t give a rat’s ass. “You guys got it wrong this time. Not taking anything away from the sister, but she’s more of a weekend presenter. 90% music 10% talk,” said Baks on Twitter, replying to a post by the station about Nonala.
Responding to Baks, Similo Silwana said “I am in agreement with you. In the end, it’s Nonala that some listeners will criticize instead of management. I listened to Ice last night and wasn’t sure if he was standing in for Bambo (Johnson) or it’s his new slot. Maybe it will crush ego of decision makers to bring back Ice? He’s missed.”
The people have spoken have made their voices heard, will the station leaders heed their calls for change?
It’s things such as these that highlight the paucity of leadership in our country, it’s not just in politics but also in sport, entertainment and media in general. It’s similar to last month when President Cyril Ramaphosa took the train, and saw how commuters struggle on a daily and him coming out saying “heads will roll” because of what he witnessed. My immediate response to that was “What the fuck, sir?” Are you telling me you didn’t have a clue of what was happening on the ground all this time? Most leaders in this country are out of touch and seem beyond reproach.
It’s interesting to see what will happen at Radio 2000 in the coming days and weeks, because it’s clear that people just want Ice in the morning.
TODAY marks 14 years since rapper ProVerb released his debut album, Book Of Proverb. The project came hard as debuts come, setting the emcee as one of the best lyricist to come out of South Africa. And the world.
Tebogo Tekisho has grown to become more than just a rapper in the industry, now a radio personality, a voice over artist and a television producer. Regardless of the uncanny strides the rapper has made outside of music, he remains one of the fiercest emcees in the country when talking lyricists. Book Of Proverb is the sort of album every kat needs to listen to, for lessons on how to create an authentic Hip Hop album. Because like he said on Microphone Sweet Home
…I drop knowledge, buying my album is like paying school fees, so take notes while I tutor emcees…
Here are five reasons why Book Of Proverb is a classic album:
The first box to tick as an emcee, or any participant in the Hip Hop culture, is whether you’re a genuine person or not. ProVerb didn’t come in the game claiming Cape Town or Joburg as his hometown. He is Kimberly’s finest diamond. I can imagine the sense of pride that people from the city of diamonds had, when they heard Kimberly Rise.
But true to who he is, ProVerb didn’t paint a picture with glitter of the Northern Cape city, he spat about the harsh realities of the place-the high suicide rate and unemployment. But it gave so much hope to the people that, if he can make it outta there, so can they-and that’s some real shit!
Back in the day you’d find them lyrical-miracle typa dudes walking about with dictionary in hand, rapping just about anything. This way of rapping often crept into their albums, where they would go on a 20 track tangent. Book Of Proverb was quite solid, taking us into the rapper’s different chapters in his life track-by-track. It could be a long album in today’s project duration, but because of its cohesiveness, you kinda forget that it’s a 15 track album and just let it play.
The first verse on My Vers’d Love, where ProVerb paints a vivid picture of his love affair with Hip Hop dating back to his school days, is one of my favourite verses of all time. Even on Where Did She Go, ProVerb takes you through his relationship with a beautiful mysterious girl he first exchanged eye-contact with while performing, to ending up in the sheets with her. His storytelling is gripping as series on Netflix.
HIGH QUALITY OF LYRICISM
Very few kats can easily drop punchlines, metaphors and similes like ProVerb. Some kats have great vocals, and exceptional flow to help better their whole product. ProVerb relies on his skill as an emcee.
Who can touch the Pro’s style? None of
You, barely move me like a school bus with no driver,
Who can bust a flow lava, and who got enough rhymes to be your entire
Crew ghost-writer, the provider,
Grow wiser than a story told by an old timer,
I’m burning up the charts with more fire,
Today’s reading is taken from the Book of Proverb,
It’s chapter One verse one
He raps on Index.
Although this is an album for Hip Hop heads, you gotta appreciate its musicality. It has songs that are appreciated by people aren’t devoted followers of this Hip Hop culture. Women, which is an ode to all the women in his life and those across the globe, is a beautiful track that I’ve always felt was slept on. The song is cut of the same cloth as the 2PAC’s Dear Mama and Nas’s Dance.
Songs like Heart Beat and I have A Dream were songs I heard on YFM back in the day, which were instantly appreciated by the station’s various listeners. Sex, Drugs and Alcohol where ProVerb teams up with Tumi and Zubz is a fun joint that puts a spotlight on the dark side of media and entertainment industry which trips a lot of young people.
I shit you not, you can Google Mam’Dorothy Masuku and ‘Masuka’ will pop up. Growing up, I’ve asked myself countless times what Mam’Dorothy’s correct surname is.
We live in times where assumptions of how someone’s name is spelt could land you in trouble. Not all Shabalala’s are slept with a ‘T’, in the same way Khoza can also be slept with an ‘S’. So I’ve always been unsure about the legend’s last name until I learnt that she was actually a Masuku.
In the 1950s, when the vocalist with an elegant voice began her career, a record executive misspelt her surname by adding the first letter of the alphabet at the end of her last name. The Caucasian executive butchered her Ndebele surname on one of her first records. Headlines today, carry the weight of the perilous ‘A’ at the rear of her surname. But this is because the young Masuku was told that Masuka will be her stage name. “She said she had kinda accepted it because in the Jewish language, the word Masuka means being happy, happiness or something like that. So she kinda let it slide,” said singer Tribute Birdie Mboweni speaking in an interview on Kaya FM.
Mboweni is one of the very few young singers that celebrated Masuku while she was still alive, by creating her own modern renditions of music originally done by Mam’Dorothy.
Born in 1935, in Bulawayo Zimbabwe but moved to South Africa as a 12 year-old and in less than 10 years in Mzansi, she was already touring the country as a 19 year-old. She passed away on Saturday the age of 83, surrounded by family. She’s expected to be laid to rest this weekend.