HE coyly strides to stage with a notebook in hand, scribed on the pad’s cover is a quote of Psalm 46:10. He walks as though attempting to hide himself from the eager intimate audience that’s gathered to see him perform. Scrawny and with a scruffy nerdy look, he gets behind the mic and belts out Molweni, the excitement that was in the audience just moments ago bursts- and the guy was merely greeting us. Right there and then, I see that Mandisi Dyantyis is a conduit of this music.
“For me, it’s umm…very surreal, I can never get used to that concept. It’s not just Joburg, we went to Grahamstown for instance, the reception as just amazing. And I kid you not, when we start playing this project, just as a matter of playing the music you know, I felt bad that I was not playing the music, some of the the songs are old and I had gone into theatre, writing for theatre. But I love it [the audience’s reaction],” Dyantyis tells me.
Mandisi is one of the most slept on talents in South Africa, and we have plenty of those la e Mzansi, today. His album Somandla was released nearly a year ago, but the SAMA nominated project has slowly grown on South Africans. “I do feel that way, but I’m sorta enjoying it because I have people who’ve known me for a very long time and every day you get someone who says ‘I was put on your music by this person or I was at this house and I heard you music’. So for me that’s the natural progression of something that’s for everyone. People catch on it at their own time, for instance the album has been out from October last year and still today, you have people who are saying ‘why didn’t I know this’ and for me that’s amazing. Because also, you must understand that this is all done by us- we don’t have a PR team doing things….we haven’t been on TV and radio stations don’t play us. It’s understandable but I like it,” he says without grain of despondency in his tone.
Dyantyis performed at the Sophiatown The Mix in Johannesburg last month to onlookers of probably no more than a 100. His show had the spiritual and musical astuteness you’d find at a Nduduzo Makhathini gig. This without denying himself and his audience the indulgence of a fun evening of love through song and childlike vulnerability- the stuff of Ringo Madlingozi or a Vusi Nova. His show had two sessions, which catered for the jazz enthusiast and one for the singer along fanatic-a balance he flexed on his album.
“The song is a story whether personal or not, and every time I tell them [the stories] I need to be honest in the way I tell the story. I can never short change the story because that’s what people have connected with. Even with Olwethu, a song that doesn’t have words but people cry when they listen to it- these are people who don’t necessarily listen to wordless music.”
“Some of the songs at the top of the show require that sort of sensitivity you know. I never kinda plan it, but I was telling someone that I think I wana get through those songs because they mess me up. But also, you have to be cognisant of the fact that you don’t necessarily have all jazz people, they can wait for their songs. But that’s what we are as a people, we don’t have one side in us, we all have different sides.”
Dyantyis’ control of the stage allows him to take his audience on an emotional and spiritual trip, at times oblivious to the audience itself. Far from the fella that looked shy before opening his mouth or playing his trumpet. It’s palpable that when he sings about love, patrons blush together with him and immediately become contemplative in the somber section of the show- Of course it helps that his fans are sitting with bottles of wine adjacent. But Dyantyis is in charge, without being bossy.
“That’s why people, when they come out of the show, they go ‘Mandisi we cried, we laughed, we fell in love and our hearts were broke’ in the same evening and for me that’s always a good compliment. In that whole evening, people feel like they’re in a traditional ceremony, they feel like they’re in church in all of these spaces in one evening- and people are like, ‘how are you able to do this?’ but aren’t we all like that…don’t you wake up from a night of clubbing and go to church? We need to embrace what we are, we are a full people.”
Dyantyis jets off to Australia in a few weeks and then he’ll spend eight weeks in the United Sates. “Writing music for theatre and doing musical direction for theatre takes up most of my time. The band hasn’t started touring abroad yet, I’m taking other [theatre] shows abroad. A lot of people from overseas have come, saying they haven’t heard something like this in a while so, all those invites are starting to come and next year looks promising.”
He played some of his unknown ditties on the night and says they might or might not be part of his next album, whenever that project comes out. “I think in the same way Somandla decided when it wanted to be recorded, the next album will be the same. Until then I’ll keep on playing and playing. But in terms of recording, I’ll wait.”
He will wait, for Dyantyis knows and understands that Somandla is God.
The industry is a dirty place man. Not the Moonchild Sanelly gyrating her assets on stage, pleasing kinda-dirty. But I mean the witnessing of someone getting robbed in the streets of Joburg, in broad daylight, ice-cold kinda dirty.
That’s why having an experienced and genuine individual, who has your best interest at heart is a miracle in this entertainment industry. This Sunday, Dumza Maswana hosts his Celebrating African Song show, at the Joburg Theatre. Last year the Molo singer held a similar show at The Orbit Jazz Club, where he unleashed a teenage boy wonder in Vuyolomzi Solundwana. This year he’ll share the stage with 15 year-old Likhey Booi, who Maswana is mentoring.
“I am very passionate about young talent. When I started in the industry I never had a person who was already in the industry to help me take my first steps. No one was willing to share their platform. I believe young artists need a mentor who can help them develop the inner and outer resources essential for staying true to the joy of creating,” says Maswana.
“Whether they ultimately become artists or not, the experience of working seriously with a mentor can be valuable. I always refer them to other artists or producers in the industry who can give them something different to what I can offer.”
Celebrating African Song had sold-out shows in the Eastern Cape in the past three months, at venues such as the East London Guild Theatre and the Port Elizabeth Opera House. “I was accompanied by my industry friends Ntsika, Max Hoba, and Eastern Cape based artists Ohayv Ahbir and the two that are also performing here in Joburg, Likhey Booi and Odwa Nokwali. I never expected such reception, love, energy, especially in PE, where the theatre was much bigger. I also did two nights at the National Arts Festival, and both nights were a success.”
Ntsika, Jessica Mbangeni and Mbu Soul are the other artists on the bill for this Sunday.
Maswana went to Canada at the Sing! Festival, travelling with the Mzansi Ensemble earlier this year. While there Maswana says he “…had the opportunity of collaborating with a Canadian musician and producer Aaron Davis. I really hope I’ll do more with him, we had a very limited studio time- we only had three hours.”
The baritone and bass singer is raising funds for post-production of his live DVD on Click N Donate, which he says has cost him close to 400K. “It’s such a beautiful production. I pray for this campaign to be a success, also hoping for sponsorships. I’ve already spent close to R400K, the remaining amount is just a quarter. I really urge my supporters to show up and help,” says Maswana.
The money generated from Celebrating African Song shows isn’t plentiful to cover post-production costs of the DVD which was recorded a year ago . “In most cases the money I make from these shows is just enough to pay the band and petrol, literally. But whatever change we make will go to the DVD.” He plans to release the live DVD in November this year.
Should you want to donate to Maswana’s cause, click here.
“Well in many ways Sharpa was my heart you know… from as long as I can remember… we had a really special bond. Given the age difference between us, he often joked that he knew me before I knew me… and he was right … yeah our bond was special… I mean this is the same kat who gave me the chicken pox as a five months old baby because he simply couldn’t leave me alone. Ha! … in retrospect, I’d say that was one of the greatest acts of love because I never had to experience it as a child, when one is more conscious of what itch, irritation and pain is etcetera,” says Teboho Semela, Ben Sharpa’s younger sister.
Such is their connection as siblings, that Teboho tightly grips at every memory that ties her to her older brother. Today marks a year since the iconic figure died from complications with diabetes. “As a family, his passing has definitely left an unfathomable void, but you know, we’re pushing on.”
We often think that a person’s public persona, or what they choose to show us, is all that they are. When one looks at Sharpa’s life from the exterior, it’s easy to make assumptions about who he was- a nocturnal hard-ass emcee, which only listens to Jak Progresso, in a dungeon somewhere on the outskirts. But Kgotso ‘Ben Sharpa’ Semela was a multifaceted dude, who had passion for humanity. “Sharpa may have come across as “hard” at times, especially in his music, but that guy was one the most loving guys you could ever know. It was just as he said ‘… imagine if you mix one-part hip hop, one-part love, one-part quantum mechanics and one-part God… then you’ll probably get close to what Ben Sharpa is about’…”
“I’ll let you in on a secret, that so called “hard” guy that brought us one of the most relevant records of our time Hegemony I will tell you that, before every single show we ever did together, no matter what or where, we would find a space, tune out the noise and hype, hold hands and pray together. Kgotso prayed, yo! … like a preacher … that man prayed. Through and through.
“… he was a true believer, in others, the raising of consciousness and quite simply, he was concerned for the human condition… he just believed… heck, he believed in me at times when I struggled to believe in myself… so to not have that… to not have that one person who truly got it, who got you… well… it’s the kind of hurt I really would not wish on anyone,” Teboho tells me.
That social side of Sharpa was evident last year after his passing, at his memorial service- a service which would be the envy of any Hip Hop show, in how Sharpa’s life was celebrated vicariously through Hip Hop. “Honestly, I always knew Kgotso was beloved but seeing it all in action was truly beautiful. Folk from all over the world reached out, stood in the gap, and quite simply showed up for Sharpa; and for this I could not be more grateful. On the whole, the Hip Hop community displayed such a sense of camaraderie in the wake of his passing that it is something that shall be forever etched in my mind.”
The tributes that came in were fully justified by the skill of the man and who he was, but the pity is that we gave him a floral garden when he couldn’t smell and appreciate it. “I wouldn’t be the upfront and reflective; chiselled by the sharpest knife in the drawer – Ben Sharpa – human I am if didn’t say that it is a damn shame that the magnitude of outright support for Kgotso in his passing, was not shown when he was alive to see it. Kgotso did not get the recognition he deserved, not fully. I genuinely believe that, but that said, it is done now and often the plight of many pioneers so more than anything else I perceive it as a call for us all to do better, be better. Look after our own, in life and in death.”
Sharpa was a classical violin player that was part of the youth orchestra, which is one of the things that connected her with Teboho who is also a violinist, singer and flautist- the two would often collaborate. So it makes sense that it’s his sister, making sure his name doesn’t wither with time. “So in line with what we consistently discussed – right up to the very last, I mean it was one of the various topics we touched on the last time I spoke to him before his passing – so in doing due diligence and honouring what I believe to be one the most eloquent rappers and beat makers of his time, this past year I’ve been quietly building the BSharpa Foundation.”
The genius emcee recorded a project before his premature passing, but Teboho is quite ambiguous about its release. “Chances are chances you know… so you all are just going to have to wait and see… I will say this, it is phenomenal.”
After the birth of his twins, the release of his album and just pretty much living his life, Reason HD addressed that abrupt beef he and Flex Rabanyan had at the back-end of 2018.
The cringe-worthy conflict between the two spawned form Reason giving the young rapper advice on how to carry himself in the game. This after Flex whined on Twitter about a failed payola attempt on Metro FM. Reason’s older -brotherly words of wisdom were used as material for a diss track targeted at him, by Flex in For Whatever Reason.
The lukewarm track didn’t warrant fire emojis for its dopeness, but for its shock value. The 2017 Vuzu Hustle winner took personal jabs at Reason, talking about how the former Motif Records artist lives off his partner and babymama Loot Love because she seemingly makes more money than him due to Reason’s unsuccessful music career.
Patiently waiting for over six months without really addressing it, Reason timely responded to Flex two months after the young’n complained on social media about being broke and having to sell his car.
Talk is cheap, but I’ma cross between
The type of blacks who speak rationally
Fuck with me
Then I’ma have you hiding where you at for weeks
Actions speak louder than an empty pocket testing me
Actually why that wack nigga try to flex on me
Look at my chick, look at my crib
Look at the shit on my wrist
Look at the hits, look at the list
Then you go look at your shit
Like, where do you live
Where do you get, my nigga why is you big
Show me the bitch that’s trying to get under your dick
‘Cause nobody know who she is
Rappers are dying and all of you niggas are lying or beefing on your timeline
Just for the sake of signing you lie to yourself like you all in the lime light
But why try, when all of you fly by
Should figure that time flies
You did it for high fives to nice tries
But let’s get to the bye byes
Talk about having the last laugh.
Reason also took the opportunity to let everyone know that he’s put back the HD in his moniker, following the embarrassing confusion from that Black Panther film soundtrack which introduced TDE’s Reason to the globe. On the joint Seasons, Reason from the US is alongside Sjava which led to people assuming it was two South Africans on the song.
It was Greek philosopher Plato, who said necessity is the mother of invention. And it is Lebogang Motsagi, who finds himself corned to create something out of nothing in order to get what is necessary- an education.
The 23 year-old photographer and fashion designer has been accepted at the University of The Arts London, London College of Fashion as well as by the London College of Communication and another Photography School in Berlin. “I unfortunately had to defer the offer, then I eventually lost my place for the 2018/19 enrolment. However, I got contacted by a guy named Tom, who works for UAL and was also helping me with my application. He stated that me losing my place for 2018/19 does not mean anything bad. All I need to do is reapply for the same course whenever I have my funds sorted out.”
“The process won’t be as complex as the initial one because the panel is already familiar with my application as well as my work. I basically have until January 2019 earliest, or either September 2020 latest to raise the funds,” says the maverick creative.
To raise the money, the designer took matters into his crafty hands and created unconventional chic bags. “I have been making and selling bags to help raise more funds as well as to pay for my food and rent due to the fact that my plans had completely changed. Everything went south. I was not planning to be here this long, so that too is a big problem. I also get booked for shoots every now and then. So that also helps a lot.”
The Kimberly born creative has a clothing brand, Elisa, named after his late mother. The bags compliment the clothes he also makes. “That is just one of the projects I am doing on the side to help get my work out there more. I am not ready to share any details regarding the brand so far. It’s still going through its early stages of development.”
The lanky young man has also opted for modern conventional ways to get out of the finance dilemma. He’s gone the fundraising route, setting up an account on Go Fund Me where he asks 500 000 people across the globe to donate R1 each, to help him reach his target.
“I have managed to raise about R10 000 so far, but I have spent some of the money on fabrics to make more items that would help me more money, as well as on my IELTS test, and other expenses I faced while having to travel to and from Pretoria to write the test,” says Motsagi.